A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.
Dhol can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.
The ghaṭam is a percussion instrument used in various repertoires across the Indian subcontinent, especially in Southern India. Its variant is played in Punjab and known as gharha as it is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the madga and pani mataqa.
The mridangam is a percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais.
Music of Jammu and Kashmir reflects a rich musical heritage and cultural legacy of the Indian-administered union territory of Jammu and Kashmir. Two different regions of Jammu and Kashmir consists the Jammu region and Kashmir Valley. Music of Kashmir Valley has influences of Central Asian music while music from Jammu region is similar to that of other regions of North India.
In Trinidad and Tobago, and other parts of the Caribbean, the term tassa refers to a drumming ensemble drawn from an amalgamation of various North Indian folk drumming traditions, most importantly dhol-tasha, a style that remains popular today in many parts of India and Pakistan. Beginning in the 1830s and lasting until 1918, dhol-tasha was taken around the world by Indian workers, mostly from present-day Bihar and Uttar Pradesh, enmeshed in a global scheme of indentured labor in British, French, and Dutch territories.
Melam is a group of Maddalams and other similar percussion instruments' (Chenda) rhythmic performance. Those who play melam are called 'Melakaar'. In ancient Tamilakam melam was used for all the occasions in temples, marriages, functions, funeral wake(Parai Melam). In Kerala the most traditional of all melams is the Pandi Melam, which is generally performed outside the temple. Another melam called the Panchari Melam, which is similar to Pandi Melam, but the Panchari Melam is played inside the temple.
The naqareh, naqqāra, nagara or nagada is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety.
Karnataka has a variety of traditional arts, including folk dance and puppetry.
Kshetram vadyam is the ritual music of South India. This is the main traditional music of Kerala state. It is a percussion dominated music.
The urumi is a double-headed hourglass drum from the state of Tamil Nadu, South India. Two skin heads are attached to a single hollow, often intricately carved wooden shell. The preferred wood is jackwood, although other woods like rosewood may be used. Both left and right heads are usually made from cow hide that is stretched around a thin metal ring. The outer circumference of each head is perforated with approximately seven to eight holes. The two heads are held in tension by a continuous rope that is woven around the drum in a V-shape pattern. Additional small coils of string or metal are tied around each pair of ropes near the left head. These coils can be slide horizontally along the length of the drum, increasing or decreasing the tension between the heads as necessary. For example, during the monsoon season the drum heads will slacken so much that the instrument becomes unplayable. Using these coils drummers can easily rectify such problems.
Kudüm is one of the most fundamental rhythm instruments in classical Turkish music. The person playing it is called kudümzen. It is grouped with the ney, rebap, and halile as one of the four main instruments in Mevlevi music. It consists of a pair of small, hemispherical drums. Traditionally kudüm was played in religious ceremonies; in a secular context, like in mehter music, its slightly bigger cousin nakkare is played.
Dance forms of Tamil Nadu elaborates the various dance forms originated and practiced in the Tamil Nadu, the southernmost state of the India. Tamil Nadu is the home of the Tamil people, who speak Tamil language, one of the oldest surviving languages with archaeological evidence pointing to the Tamilakam region being inhabited for more than 400 millennia and more than 5,500 years of continuous cultural history. Hence, culture have seen multiple influences over the years and have developed diversely. With its diverse culture, many forms of individual and group dances have their origins in the region and are practiced.
The dhak is a huge membranophone instrument from Bengal and Assam. The shapes differ from the almost cylindrical to the barrel. The manner of stretching the hide over the mouths and lacing also varies. It suspended from the neck, tied to the waist and kept on the lap or the ground, and usually played with wooden sticks. The left side is coated to give it a heavier sound.
Parai also known as Thappattai or Thappu is a traditional percussion instrument from South India. It is a traditional instrument used to make announcements and played during festivals, folk dances, weddings and functions. The instrument in played predominantly by Tamil people in Tamil Nadu and other regions with significant Tamil diaspora such as Sri Lanka. There are many variants of the instrument, but generally consists of a drum made of wood, open on one side and closed with a stretched animal hide on the other side along with two wooden sticks used for beating the drum.
Azerbaijani traditional musical instruments are a family of ancient string, wind and percussion instruments used in the performance of Azerbaijani traditional music.
The Qoltuq nagara of Azarbaijan (Armpit drum) is a folk drum with double head that is played on one side with the bare hands. It is used in Uzbekistan, Turkey, Iranian Azerbaijanis, Azerbaijan, Qazaqstan, Qafqaz, Kirghizistan, armenian Georgia and other Caucasus regions. It has different names, according to the territory in which it is played. This membranophone is different from the dhol and nagara of India.
Tharai or Thaarai is a wind instrument from South India. It is a traditional instrument played during festivals, folk dances, weddings and functions. The instrument in played predominantly in Tamil Nadu and in some parts of Kerala. There are many variants of the instrument, including longer and shorter versions, curved or straight and the outer pipe may be made of metal or wood. The instrument might be played along with Thappattai, a percussion instrument in folk dances and festivities or accompanied by traditional Thavil and Nadaswaram in rituals and functions.
