Author | Jamie Rix |
---|---|
Audio read by | Rupert Degas |
Illustrator | Steven Pattison |
Country | United Kingdom |
Language | English |
Series | Grizzly Tales |
Release number |
|
Genre | children's horror |
Publisher | Orion Publishing Group |
Publication date | 5 April 2007 |
Pages | 125 |
ISBN | 978-1-842-55549-1 |
OCLC | 77257698 |
Preceded by | More Grizzly Tales for Gruesome Kids |
Followed by | Gruesome Grown Ups |
Nasty Little Beasts is a 2007 children's horror short-story collection by British author Jamie Rix. It was the first book published by Orion in the Grizzly Tales book series, which is continuation/reboot of the book series Grizzly Tales for Gruesome Kids , and is illustrated by Steven Pattison, who illustrated the rest of the books in this new series.
Before Nasty Little Beasts was published, Rix had published four books with Andre Deutsch, [1] [2] Scholastic, [3] Puffin Books, [4] and Hodder, [5] which were used as inspiration to adapt into a children's cartoon series which aired on ITV's CITV timeslot between 2000 and 2006. [6] [7] After the fourth series, there were no more stories to adapt so the rest of the episodes contained newer stories with no source material.
Nasty Little Beasts contains novelised adaptations of four series five and two series six episodes. Possibly due to the cartoon's popularity, the rebooted book series resembles the cartoon with a storyteller framing device—this time, a hotel manager showing the reader the misbehaving children staying in the rooms of The Hot Hell Darkness, [8] [9] all punished there for eternity, [10] and explaining why and how they came to his hotel; each chapter dedicated to their stories. Illustrations show speech bubbles of voices interrupting the stories to comment on unfolding events or make snide comments.
In Skegness, there is an unusual witchetty grub: a human-sized, anthropomorphic larva that watches television, eats crisps, and cries itself to sleep when stressed. It is nicknamed "The Grub A-Blub-Blub" and hosted at the Museum of Freaks and Oddities, enclosed behind a "DO NOT FEED" sign.
Once upon a time, the larva is Savannah Slumberson, a lazy girl who prefers watching television in her bedroom instead of joining her active parents' rock climbing and cycling holidays. Her parents frequently expect her to participate, and embarrass her when they sing her awake every morning at 7 am, already in their khaki shorts (either in her room or outside her bedroom window, depending on whether she remembers to lock her bedroom door the night before). She considers herself "cursed", and becomes lazier out of spite.
For a March holiday, Savannah campaigns for a visit to a Bridlington bed and breakfast, but her father announces they will be camping instead. The next morning, the family dresses into their lycra and cycles to the site, except for Savannah—she hates wearing lycra and fakes a cramp, so she sleeps under a sleeping bag as her parents' bikes drag her there. She wakes to read a "Fit Camp" sign as her parents ride towards a camping lodge to meet the owner, Mrs Evadne Sprite. Savannah dreads the holiday to come as Sprite explains camp activities, and tension arises when she learns no one is allowed to spend mornings in bed. A sticky witchetty grub falls from a nearby tree and lands on Savannah's head, so she crushes it to death with her bike helmet; Sprite adds that the grubs' clinginess are why she encourages her customers to choose many active activities as possible.
Savannah attempts to sleep for seven days, but her parents insist she wakes up on time so they can sightsee together. They visit museums of unconventional themes, a church, and an aqueduct. As she eats a bowl of grubs, Sprite overhears Slumberson reject another sightseeing trip in favour of holidaying in her own way, so she offers Slumberson's parents a midnight bat walk the next evening. Slumberson had spent the day in her tent sleeping and eating pizza, and does not care she will be alone for awhile, but Sprite advises her to stay in her sleeping bag in case the full moon entices grubs to act unnatural. Six hours later, Slumberson awakes to plopping sounds and the tent roof sinking. She wraps herself in her bag and evacuates the tent, only to be covered and smothered in the web of witchetty grubs.
Her parents return at sunrise, finding a giant witchetty grub that terrifies them. They shoo the grub away, end their holiday and leave for home, and Sprite loans their lot to a family from Skegness. One of the male family members is a museum curator.
In Cheshire lives Monty, who chases his younger sister Mayflower around their farmhouse with any insects he could find. When he has no insects, he pranks her by claiming she overlooks an insect he places in her vicinity, and cackles at her paranoid shrieks. One day, he returns home from the pet shop with a python he names SisterEater, making Mayflower scream so loud, framed pictures fall off the wall and a light bulb breaks. Now with a partner in crime, Monty's bullying increases. The mice SisterEater ate helps when Monty almost poisons Mayflower with a "mouse teabag" in her mug and accidentally shows her a terrified mouse running out of the snake's mouth.
It will backfire a week later, when SisterEater's overeating causes a growth spurt and a demand for more food. Monty purposely introduces the python to several of Mayflower's pets, which he eats without hesitation—even Mayflower's pony, which still has her friend Miranda sitting in the pony's saddle. Each unconventional meal continues SisterEater's growth spurts and Monty's options had run out. His mother walks in on Mayflower trapped in a pot and scolds her son, so Monty decides to disown SisterEater any way he can.
SisterEater has grown so much, Monty threads his body through six bins. Mayflower discovers this and scolds her brother. Monty takes SisterEater to the bathroom to flush him down the toilet, but his size makes for a long struggle. SisterEater blocks the toilet with no sign of improvement and Monty grows paranoid, crossing his legs instead of reuniting with SisterEater when he urinates. Mayflower takes pleasure in her brother's misery, jeering and laughing at him for hours. On day four, Monty gives in and sneaks to the toilet; SisterEater latches his jaw on Monty's head and drags him down the drain. In the sewer, Monty meets children sitting on the sewer ledge wearing collars with hanging metal name-tags—all apathetic to escape. A girl directs Monty's eyes to a wall of various animals and species, but Monty still attempts to escape. SisterEater corners him with a smirk and says he is so hungry he can bite anything. Monty has not tried to escape since, now acting as a pet for SisterEater and the wall of flushed-out-of-boredom animals with his new friends. Mayflower sometimes turns an ear to the toilet to check her brother's cries of anguish can still be heard, and laughs all the way to bed. [lower-alpha 1]
"I want a more beautiful mummy!" are the first words Shannon Shellfish ever says, seconds after her birth. It sets the tone for her life ever since. Shannon has always been a demanding, ungrateful child and her parents are powerless to stop her. On her first birthday, Shannon furiously rejects her presents because she wants to go to Disneyland Paris, so her parents refund all the presents and obey. Despite being too young to enjoy the theme park rides, Shannon learns how empowering "I want" felt and becomes convinced they are magical. Nowadays, dinnertimes at the Shannon home are constantly eventful where Shannon demands food off her parents' plates and screams when they refuse. After a few minutes of screeching, they lose their patience and shuffle parts off their plate to their daughter, but Shannon then complains what they give her is too cold to eat. This routine is by design, and Shannon does not care whether she has more food on her plate or not—the more her parents give in to her demands, the more satisfying the day becomes.
One day, she demands her parents get her a dog. After picking a breed and leaving the pet shop, she dumps the dog in a skip. To her surprise, her parents immediately ask what she wants to replace it with. Shannon has never been asked this, and mulls over her answer for the rest of the day, until the doorbell rings. On the doorstep stands a giant lobster, possibly seven feet long if balanced on the tail. Shannon is in awe, but she immediately discovers it is a highly convincing costume. The wearer is Mr Pecorino, the owner of the Hubble Bubble Boil and Trouble restaurant, promoting his business door-to-door. Shellfish tackles him, demanding he gives her his costume, and threatens to stab him in the eyes with a stick when he tells her "'I want' never gets." Terrified, Pecorino promises to hand it over if she and her family dine at his restaurant.
Mr and Mrs Shellfish warn their daughter Shannon that one cannot have a lobster cooked and then not eat it, but Shannon insists she can do whatever she pleased. Since plans have changed, she needs to be attired suitably for a birthday meal at a sophisticated restaurant. She orders her mother to buy every outfit in a clothes' shop, and then calls them hideous as she dumps the bags outside. She eventually finds a dress she wants, the most expensive in another shop, but will later rip it apart because she wants it shorter. She demands a limousine escort, then a helicopter after her parents book the limousine, and a celebrity-like red carpet walk with cheering crowds as the family leave the house. On the day of the birthday meal, she shoos away the crowd and chooses to walk. Upon arriving at Hubble Bubble Boil and Trouble, she orders the largest lobster in the tank. When Pecorino sets the plate down, Shannon refuses to eat it. Her father reminds her of their lobster conversation and Pecorino is sad if this means the lobster dies for nothing. Shannon ignores the guilt-tripping and chases Pecorino with a wooden spoon, demanding the lobster costume. Pecorino gives in and leaves the cupboard containing it open so she can change. Meanwhile, her meal has come to life and gestures at the lobster tank. The lobsters climb out and rush around the room in formation, making everyone but Shannon's parents evacuate the building. Shannon, now in a costume, calls out for someone to zip the back just as the tank lobsters pick her up and carry her to a pot full of water mistakenly still boiling on the cooker.
Wolves had terrorised the Scottish Highlands for centuries until 1743, when Eagan MacQueen decapitated one and cooked it for dinner. As the head stirred in the pot, its eyes slowly glazed over, as if the wolf was giving Eagan a confirming look of recognition. The wolfpack's revenge was set.
The MacQueen bloodline has continued into the present, and Eagan's descendants live by Darnaway Forest where he fought the pack three centuries ago. Recently, rumours circulated the area that wolfpacks had returned, intensifying when people reported sightings and a stag hunter died. The MacQueen family became just as alert as their neighbours. Elspet and Callum MacQueen have two children, one of them their newborn daughter Moira, and Highland wolves have a reputation of kidnapping babies to feed their families. However, their ten-year-old son Garth becomes excited at the idea—hopefully, his baby sister being kidnapped will mean his parents willstop ignoring him.
Garth commences his plan of trying to alert the wolves: throwing tantrums, staining walls with food, crying, thumb-sucking, and babbling. Callum and Elspet are not impressed, not once enthusiastically treating him the same as Moira. When Garth purposely binge eats junk food and vomits in the car, Callum warns his son that the wolves might kidnap him instead of Moira if he continues. After he finishes cleaning Garth and continues driving the family home, a wolf hiding in the bushes watches the car pass its hiding spot. That night, Garth wakes up in a panic after a nightmare about wolves trapping him in his bedroom, and vows to never imitate a baby again.
In the morning, Garth struggles climbing out of bed, discovering his legs are shrinking. When he tries to walk, he fails, reduced to crawling to his door with the handle he could not reach anymore. Garth calls for his parents to help, but they only hear their son resuming his baby imitations and ignore him for the rest of the day. Eventually, they become concerned when Garth's hair and teeth fall out and Elspet suspects it is "wolf-witchery". A howl rings through the air and they rush outside, remembering Moira is in her pram in their garden to get fresh air. Moira is still there, making them rush back in the house to check on their son. Garth has disappeared, never to be seen again—a successful diversion trap by avenging Highland wolves.
Cherrie Stone never eats fruit, preferring to eat fast food and food containing saturated sugars. It makes her morbidly obese and frequently constipated. Her concerned parents take her to the doctor, who recommends fruit to help her use the toilet, so Mr and Mrs Stone begin hiding fruit everywhere to tempt her. When it fails, they wear fruit costumes and threaten to collect her from school dressed like this, so Cherrie attends another school secretly and her parents get arrested for trespassing. Then their hypnotherapy plan of playing audio of fruit to a sleeping Cherrie fails because the fruits that appear in her dreams will be destroyed by wasps.
It takes Cherrie a few days to devise a plan to convince her parents fruit is dangerous. Eventually, she tells them fruit bats smell the fruit in a human's digestive system and eats them alive as they sleep, the remains growing a never-ending stalk. It fails to convince them, but the argument is overheard by a far-away fruit bat, thankful it has found a place to find something to eat. At school, Cherrie becomes paranoid as she hears unfamiliar noises whenever she discards the fruit her mother hides all over her school belongings, and runs home when school finishes. At suppertime, her furious mother does not believe her stalking story so Cherrie goes to bed early; Mrs Stone sneaks a plum into Stone's breast pocket as she sleeps.
At midnight, the fruit bat opens Cherrie's window, flies onto her bed and eats a hidden tangerine. Then it smells the pocket plum and dives, accidentally stabbing Stone's chest, spraying blood everywhere. Stone wakes up hours later, outside her room, upside down, holding a half-eaten apple and being attacked by schoolchildren throwing stones at her. Examining her surroundings, she realises she has turned into a fruit bat as faeces fall from her and land on the children. Finally relieved of her constipation, Cherrie flies away to look for more apples.
On Cherry Tree Farm live four tiny, underweight piglets named Insy, Winsy, Nibble and Titch, whose siblings and other family members fight over the trough and successfully eat everything before they can get to it. Bertha the ballerina cow is concerned about the piglets' size, but the piglets are already determined to find food, no matter where it comes from.
Somewhere in an adjacent city lives Trueman "Truffle" Shuffle, an extremely lazy boy who dumps his clothes around his home, refuses to walk upstairs without being carried and makes his parents spread toothpaste on his brush. When his parents demand he takes up chores, Truffle insists serving their children's needs are parents' jobs. Eventually, his mother loses her temper and snaps back that "the clothes pigs" will emerge from his messes and chase him with anything they can think of—snout, teeth or trotters—if he refuses to change his attitude. Unconvinced, Truffle points out pigs will never be seen in the streets of their city, especially with all the butcher shops and traffic.
One day, Mrs Shuffle falls down the stairs after tripping over clothing her son has dropped earlier, breaking her leg. Truffle ignores her pained cries for help and orders her to make his dinner, and leaves the house to go the fish and chip shop when she "refuses". When he returns home, his father scolds him for his selfish behaviour, which is at a pitch to carry across the city through the vibrations of garden washing lines. It reaches Cherry Tree Farm and heard by the four starving piglets. They give their goodbyes to their mother and Bertha and leave the farm for the city. On the journey, they sneak into gardens and drag clothes off washing lines by pretending to be clothes pegs. They gather the clothes together and disguise themselves as a man, successfully infiltrating Truffle's city without the public noticing.
When they arrive at Truffle's house, the piglets sneak through the back door cat flap and hide the clothes in a coal hole, quickly jumping into Truffle's dumped ones nearby. Keeping the hood of Truffle's hoodie over his "head" helped fool Truffle's father, who never sees the front of "his son's" head. When the real Truffle returns home, the piglets try to stay out of his way as best as possible, and spy on him eating dinner jealously. Hours later, they wait impatiently under Truffle's mess for Truffle to go to sleep. Truffle enters, dresses into his pyjamas and climbs into bed, and the piglets emerge from the shadows. In the morning, the now-full piglets leave Truffle's hoodie on his empty bed, take their disguise and leave for the farm, returning the stolen clothes along the way. They celebrate their meal by sleeping in the sunshine, excited for their next dinner invitations.
Ghostly Tales for Ghastly Kids was the only book in the series with a consistent theme in its collection (ghosts) until the revival. The stories of Nasty Little Beasts contain creatures across the animal kingdom who avenge children. They are either kidnapped or turned into one by the creatures/animals, whereas The Clothes Pigs ends with the main character being eaten by the creatures. Although the titles of the short stories refer to the "beasts" of the stories, the Independent Publishers Group argued the book's title actually refers to the children instead of the insects and animals that punish them. [13]
The book continues the Grizzly Tales convention of using cultural references and naming conventions to add to the stories' humour. The story titles use play-on-words for pun-based titles, such as "Monty's Python"—a pop-culture reference to the British comedy troupe Monty Python. Another type of title pun is "The Clothes Pigs", which also connects to the Cherry Tree Farm piglets, Truffle's mother's omen, [14] and the piglets' methods to get their dinner. "The Lobster's Scream" is a possible reference to the noise lobsters make when they are boiled. [15]
Nasty Little Beasts was released in paperback, e-book, Kindle e-book and audiobook, read by Rupert Degas. Orion Publishing distributed a two-part edit of Degas' narration as audio download releases with Spoken Network in 2007. [16] It has also been translated in Swedish and Catalan. [17] [18]
Pub. date | Format | No. of pages | Publisher | Notes | ISBN |
---|---|---|---|---|---|
5 April 2007 | Paperback | 125 | Orion Children's Group | ISBN 1842555499 , 978-1-842-55549-1 | |
4 May 2007 | Audio download & CD [19] | Orion Children's Group |
| ISBN 9780752890241 | |
4 June 2007 | Audio download & CD [20] | Orion |
| ISBN 9780752890258 | |
1 November 2007 | Book & CD | Orion | Edition selling Degas' two audiobook CDs and a copy of the book | ISBN 9780752890753 | |
18 September 2008 [21] | E-book | 128 | Orion Children's Group | ISBN 0753817683 , 978-1-842-55737-2 | |
13 October 2011 | Kindle edition | 128 | Amazon Kindle (via Orion) | ISBN 1908285079 , 978-1-908-28507-2 |
To add to the previous praise from the previous book series, Grizzly Tales: Cautionary Tales for Lovers of Squeam! received critical and audience acclaim. Jennifer Taylor for The Bookseller wrote that the reboot books are perfect for children who enjoyed the Horrid Henry books, [22] and The Daily Express wrote that "No house of children should be without one of these." [22]
"Beauty and the Beast" is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins. Her lengthy version was abridged, rewritten, and published by French novelist Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants to produce the version most commonly retold. Later, Andrew Lang retold the story in Blue Fairy Book, a part of the Fairy Book series, in 1889. The fairy tale was influenced by the story of Petrus Gonsalvus as well as Ancient Greek stories such as "Cupid and Psyche" from The Golden Ass, written by Lucius Apuleius Madaurensis in the second century AD, and "The Pig King", an Italian fairytale published by Giovanni Francesco Straparola in The Facetious Nights of Straparola around 1550.
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Der Struwwelpeter is an 1845 German children's book written and illustrated by Heinrich Hoffmann. It comprises ten illustrated and rhymed stories, mostly about children. Each cautionary tale has a clear moral lesson that demonstrates the disastrous consequences of misbehavior in an exaggerated way. The title of the first story provides the title of the whole book. Der Struwwelpeter is one of the earliest books for children that combines visual and verbal narratives in a book format, and is considered a precursor to comic books.
Dorothy and the Wizard in Oz is the fourth book set in the Land of Oz written by L. Frank Baum and illustrated by John R. Neill. It was published on June 18, 1908 and reunites Dorothy Gale with the humbug Wizard from The Wonderful Wizard of Oz (1900). This is one of only two of the original fourteen Oz books to be illustrated with watercolor paintings.
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Grizzly Tales for Gruesome Kids is the generic trademarked title for a series of award-winning children's books by British author Jamie Rix which were later adapted into an animated television series of the same name produced for ITV. Known for its surreal black comedy and horror, the franchise was immensely popular with children and adults, and the cartoon became one of the most-watched programmes on CITV in the 2000s; a reboot of the cartoon series was produced for Nickelodeon UK and NickToons UK in 2011 with 26 episodes with the added tagline of Cautionary Tales for Lovers of Squeam!. The first four books in the series were published between 1990 and 2001 by a variety of publishers and have since gone out of print but are available as audio adaptations through Audible and iTunes. The ITV cartoon was produced by Honeycomb Animation and aired between 2000 and 2006 with 6 series; reruns aired on the Nickelodeon channels along with the 2011 series.
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Fearsome Tales for Fiendish Kids is a 1996 children's black comedy horror book written by British author Jamie Rix. It is the third book in the Grizzly Tales for Gruesome Kids series. It was published by Hodder Children's Books and was the last in the series to be published before the CITV cartoon adaptation, containing 16 short stories—one story more than the previous two books.
Ghostly Tales for Ghastly Kids is a 1992 children's fantasy horror book of cautionary tales written by British author Jamie Rix and is the second book in the Grizzly Tales for Gruesome Kids series. It was published by André Deutsch and contains 15 short stories.
Grizzly Tales for Gruesome Kids is the debut book by British author Jamie Rix and was the first book in the children's cautionary horror book series Grizzly Tales for Gruesome Kids. It was published on 17 May 1990 by André Deutsch Limited and contains 15 short cautionary tales. These stories featured a monster maths teacher, animal nannies, a barber that specialised in making rude children behave themselves, a giant that cannot stop growing, a magical hat, a magic book, magic scissors, and a sweet shop full of mannequins.
More Grizzly Tales for Gruesome Kids is a 2001 children's horror short-story collection from Scholastic UK by British author Jamie Rix and is the fourth book in the Grizzly Tales for Gruesome Kids book series. It was the first book to be written after the Grizzly Tales for Gruesome Kids cartoon adaptation by ITV, which aired on CITV. It was also the last book in the original book series before it was retooled in 2007 as Grizzly Tales: Cautionary Tales for Lovers of Squeam!, and is the book with the most stories at twenty, whereas the first and second had fifteen, the third had sixteen, and the rest that would later follow had six.
Grizzly Tales for Gruesome Kids is a British animated horror television series based on the generic trademarked children's book series of the same name by Jamie Rix. After the first three books were published from 1990 to 1996, Carlton Television adapted the short stories into ten-minute cartoons for ITV, produced by themselves, Honeycomb Animation, and Rix's production company, Elephant Productions. It aired on CITV between January 2000 and October 2006 with six series and 78 episodes, as well as a New Year's Eve special that was over 20 minutes longer than other episodes. The series returned in a new format for Nicktoons with 26 episodes split into two series under the name Grizzly Tales, which aired between May 2011 and November 2012.
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According to Broadcast, the programme is one of several shows that have not been recommissioned which also includes Grizzly Tales for Gruesome Kids and Jungle Run . CITV has also reduced its hours at the weekends, to allow for ITV4 to broadcast...
but the real nasty little beasts are the children themselves, and all of them get their come-uppance in the end...
The issue of lobsters in kitchens is controversial. Do live lobsters really scream when they're plopped into boiling water, or is that merely the sound of air escaping from their bodies?