Nepalese painting

Last updated

Nepalese painting
Mandala of Vishnu LACMA M.73.2.2.jpg
Acala with Consort Vishvavajri.jpg
Schildering met een voorstelling van een vorst uit de Malla-dynastie, AK-MAK-1531.jpg
Mandala of Chandra, God of the Moon MET DT5084.jpg
Clockwise from upper left: Vishnu Mandala (1681), Acala with his consort, Vishvavajri (1522–1550), Bhupatindra Malla (1700–1722), Mandala of the moon god Chandra (early 15th century).

Nepalese Painting or Nepali Painting begins with the religious paintings with Hindu and Buddhist subjects, almost all Newa art by the Newari people of the Kathmandu valley. These traditional paintings can be found in the form of either wall paintings, cloth paintings called paubha , or manuscripts. They used conservative technique, style, and iconography in their works for centuries. [1]

Contents

Nepalese paintings believed to have embraced western influences after 1850 with a work of Bhajuman [Chitrakar], a traditional artist who became acquainted with western Realism after visiting Europe. Bhajuman, also known as Bhajumacha Chitrakar, was a court painter of Jung Bahadur Rana, who visited Europe in 1850 after becoming Prime Minister of Nepal. As a member of the new Prime Minister's entourage, Bhajuman also visited Paris and London. Soon after the return, western Realism supposedly influenced Bhajuman's paintings, marking the start of modern trend. An unsigned painting - supposedly to have painted by Bhajuman - depicts a Thapa General in a full military regalia. [2] This painting remained a pivotal example of considerable departure from an established traditional school of Nepali painting to the western school of art practice. However, the recent discovery of the illustrations by Raj Man Singh Chitrakar (1797-1865) for his patron a British Resident Brian Houghton Hodgson, sheds light on the western Realism entering Nepal way before the influences brought in by Bhajuman Chitrakar.S [3] to Nepalese people

7th to 19th century paintings of Nepal

Kesh Chandra (A mythical character in the folklore in Kathmandu) and his sister; A picture dated 1223 AD Kesh chandra and sister.jpg
Kesh Chandra (A mythical character in the folklore in Kathmandu) and his sister; A picture dated 1223 AD

Mithila Painting is practiced in the Mithila region of Nepal and India. This tradition dates back to country the 7th century AD. Mithila painting is done with twigs, fingers, natural dyes and pigments. Artists make pictures of natural objects like sun, moon, and deities from mythological epics, royal courts, and weddings. [4] Researchers have discovered much Buddhist art in caves of Mustang area which dates back to 12 century or earlier. [5] Style, technique, materials and subject of painting differed with the ethnic origin of the artists. Artists from the Newar community made most of the paintings that illuminated Buddhist manuscripts and book covers as well as devotional paintings on cloth. Newari artists were renowned throughout Asia for the high quality of their workmanship. [1] Newari painting style 'Beri' was famous in Tibet. Beri was adopted as Tibet's universal painting style in the 14th century. [6]

Nepalese Painting 1900-1950

The remarkable entry of the western school of art practice is noticed in Nepali painting only after the return of two young artists Tej Bahadur Chitrakar 1898-1971 and Chandra Man Singh Maskey in late 1920s. They both joined Government School of Art in Calcutta to learn to paint by observing life and nature-concept of tonal effects, colors and the most important - the application and the use of modern paint mediums like oil, water, charcoal, pastel etc. [7] Very few works of Chandra Man Singh Maskey are accessible to the public. However, with the publication of the book Tej Bahadur Chitrakar - icon of transition written by his heir Madan Chitrakar in 2004 and a grand post-humous retrospective of Tej Bahadur Chitrakar "Images of a Lifetime--: A Historical Perspective" organised by Siddhartha Art Gallery in 2005 [8] have emphasised on his contribution for the development of Nepali painting. Tej Bahadur Chitrakar played an important role practising in both traditional Nepali art as well as western ways of painting. Simultaneously he is also fondly remembered as a dedicated teacher who shared his knowledge to many aspiring artists of his time. Under the tutelage of Tej Bahadur, Dil Bahadur Chitrakar versed himself in various paint mediums especially pastel techniques whilst Amar Chitrakar became an expert in water color and oil and became one of the beloved Nepali artists.

Nepalese Painting 1950-1990

The arrival of Lain Singh Bangdel (1919–2002) in 1961 marks as an introduction to Modern Art in Nepal. He brought with him, the exposure to Modern art movements from Paris to a country which was slowly opening to the world only after 1950s. With the patronage of King Mahendra, Lain Singh Bangdel introduced abstract art to the Nepali audience. In 1972 he was appointed as an academician of Royal Nepal Academy by King Birendra. [9] Similarly Nepali contemporary Nepali artist Laxman Shrestha (1939) currently based in Mumbai. [10]

Juddha Kala Pathshala was the only institute [11] where art was taught formally during those days. Many of the young enthusiasts opted India to study art under various scholarship programs. After the return of young artists such as Uttam Nepali, [Manuj Babu Mishra], Shashi Bikram Shah, Batsa Gopal Baidhya], [12] Krishna Manandhar, Rama Nanda Joshi, [13] Thakur Prasad Mainali, Deepak Shimkhada, Sushma Shimkhada, Pramila Giri, Indra Pradhan, Karna Narsingh Rana, K.K. Karmacharya, Shashi Kala Tiwari, Nepali art flourished into a collective modern phase. Artists like Kiran Manandhar [14] First Chancellor of Nepal Academy of Fine Arts, [15] Karna Maskey, Ragini Upadhyay, Uma Shankar Shah, Pramesh Adhikari, Yuwak Tuladhar, Birendra Pratap Singh, [16] Surendra Bhattarai, Sharad Ranjit, [17] Ang Tsherin Sherpa Very Dynamic contemporary artist [18] succeeded as a young and vibrant generation during 1980s. Outside of Kathmandu, Durga Baral is noted for his contributions from Pokhara.


Related Research Articles

<span class="mw-page-title-main">Newar people</span> Native ethnic group of Nepal

Newar, or Nepami, are primarily inhabitants in Kathmandu Valley of Nepal and the Indian territories of Sikkim state and Gorkhaland including its surrounding areas and the creators of its historic heritage and civilisation. The Newar are a distinct linguistic and cultural group, primarily Indo-Aryan and Tibeto-Burman ethnicities, who share a common language, Nepal Bhasa, and predominantly practice Newar Hinduism and Newar Buddhism. Newars have developed a division of labour and a sophisticated urban civilisation not seen elsewhere in the Himalayan foothills.

<span class="mw-page-title-main">Chitrakar</span>

Chitrakar is a caste within the Newar community of the Kathmandu Valley in Nepal. The Newar caste system is divided according to profession. Accordingly, Chitrakars were painters and mask makers.

<span class="mw-page-title-main">Paubha</span> Traditional religious painting made by the Newar people of Nepal

A paubhā is a traditional religious painting made by the Newar people of Nepal. Paubhas depict deities, mandalas or monuments, and are used to help the practitioners in meditation. The Tibetan equivalent is known as Thangka. The main difference between Thangka and Paubha is that Thangka is exclusive to Buddhist art, while paubha is used in both Hindu and Buddhist art traditions by the Newar community.

Lain Singh Bangdel / Lain Bangdel (Rai), was Nepal's foremost artist, novelist, and art historian. In addition to being a leading authority on Nepalese art, Bangdel is best known as the "father of modern art" and was responsible for introducing the modern trends of Western art into Nepal with his pioneering one-man exhibition in Kathmandu in 1962.

Kalidas Shrestha was a Nepalese painter, sculptor, arts administrator, and social activist. He the founding chairman of Kamala Memorial Community Service Center; and also founded the Nepal Fine Arts College, where he served as its first principal. Shrestha also served as an honorable member of Nepal Academy.

<span class="mw-page-title-main">Shiva Shankar</span> Musical artist

Shiva Shankar Manandhar was a singer, music composer of Nepali songs and the chief actor in the first Nepali movie, Aama. For nearly a half century beginning from 1950 to late 1990, his name has probably been mentioned more often in books, journals, lectures and conversations about Nepalese music than any other musicians.

<span class="mw-page-title-main">Newar art</span>

Newar art is the art form practiced over centuries by Newar people. The pictorial art consists of:

<span class="mw-page-title-main">Raj Man Singh Chitrakar</span> Nepalese artist (1797 – 1865)

Raj Man Singh Chitrakar was a mid-19th century Nepalese artist, who worked for the British and Nepalese courts producing a large number of pictures. He especially contributed to the illustration of natural history subjects, particularly birds, and in his watercolor painting he introduced European styles into a traditional scene dominated by votive art.

<span class="mw-page-title-main">Chandra Man Singh Maskey</span> Nepalese artist (1900–1984)

Chandra Man Singh Maskey was a Nepalese artist who was one of the leaders in the development of contemporary art in Nepal in the early 20th century. Maskey spearheaded the trend of creating art using new techniques for its aesthetic value, and introduced a new style in the milieu of traditional art which is essentially religious and follows descriptions laid down in ancient texts.

The National Film Awards is the most prominent and prestigious award of Nepali cinema. The first National Film Award was held in 2005, in the presence of His Majesty's King Gyanendra Bir Bikram Shah. The event is held at the residence of the president of Nepal and the president gives the awards to the winners in various categories. It is yearly organised by Film Development Board, Nepal.

<span class="mw-page-title-main">Tej Bahadur Chitrakar</span> Nepalese artist (1898–1971)

Tej Bahadur Chitrakar was a Nepalese artist who had a prolific artistic career in the early 20th century. He was one of the leaders in the development of contemporary art in Nepal in the early 20th century. Chitrakar spearheaded the trend of creating art using new techniques for its aesthetic value, and introduced a new style in the milieu of traditional art which is essentially religious and follows descriptions laid down in ancient texts.

Thakur Prasad Mainali is a Nepalese artist and sculptor, known as a pioneer of Nepali modern art. He previously served as the chief of arts and craft department of the Royal Nepal Academy and served as Vice-Chancellor of Nepal Academy of Fine Arts. He is married to Indira Mainali and has five children, Lata Kaini, Laya Mainali, Meena Upreti, Rachana Rimal and Reecha Rijal.

<span class="mw-page-title-main">Nepal Literature Festival</span> Annual literary festival in Nepal

Nepal Literature Festival is an annual international literary festival which takes place in Pokhara, Nepal. It was founded in 2011 by Bookworm Foundation, a not-for-profit organization.

"Melancholy" is an environmentally-themed song sung by 365 Nepali artists. This song was intended to promote an environmental message by breaking the Guinness World Records for "Most Vocal Solos in a Song Recording", which it successfully did. It was written, music composed and directed by environmentalist Nipesh Dhaka. The song was recorded as a single on 19 May 2016. The recording sessions were inaugurated by Prime Minister Khadga Prasad Oli at 8 am and continued until 6 pm. The song was released on 2 September 2017 by President Bidya Devi Bhandari at Army Officer's Club, Kathmandu.

Nepal Academy of Fine Arts (NAFA) is the umbrella organization of Nepali artists, researchers and art critics, and an arts institution for research and for exhibitions. A museum in Kathmandu, in a neoclassical building from the 1930s, presents collections of both traditional and contemporary paintings and other works. It was formerly part of Nepal Academy. The Nepal Academy of Fine Arts has also published a number of books about art and Nepali artists.

Kiran Manandhar is a Nepalese painter, who was the founding chancellor of the Nepal Academy of Fine Arts from 2010 to 2014. He is considered one of the pioneering Nepalese abstract expressionist painters.

References

Dipesh Nepali Painting Nepalese Art

  1. 1 2 Brown, Kathryn Selig. "Nepalese Painting". The Metropolitan Museum of Art . Retrieved 19 November 2017.
  2. Tej Bahadur Chitrakar icon of transition by Madan Chitrakar 2004
  3. "Library and Archives | Natural History Museum". www.nhm.ac.uk.
  4. Mathew, Soumya. "Madhubani art: Why painting is integral to women's existence". Indianexpress.com. Retrieved 19 November 2017.
  5. Mehta, Aalok (7 May 2007). "Photo in the News: "Stunning" Buddha Art Found in Nepal Cliff". Nationalgeographic.com. Archived from the original on 10 May 2007. Retrieved 19 November 2017.
  6. Jackson, David. "THE NEPALESE LEGACY IN TIBETAN PAINTING". rubinmuseum.org. Retrieved 19 November 2017.
  7. Tej Bahadur Chitrakar icon of transition by Mkadan Chitrakar 2004
  8. Images of a Lifetime--: A Historical Perspective, 20 November-5 December 2005, Siddhartha Art Gallery, 2005
  9. Lain Singh Bangdel
  10. Adhikari, Deepak (21 March 2007). "Deepak's Diary: Laxman Shrestha: Painting for Penance".
  11. "Lalit Kala Campus | artnepal.net". Archived from the original on 21 February 2015. Retrieved 28 February 2015.
  12. Nepal, WOW Magazine (4 June 2019). "The Art of Happiness".
  13. "Rama Nanda Joshi(RN Joshi)-Nepali artist,Early paintings,My land and my people,Tantra paintings (The voice of silence),Mandala painting work in Japan". www.rnjc.com.np.
  14. "KIRAN MANANDHAR". www.facebook.com.
  15. "An Evening With: Kiran Manandhar". ECS NEPAL.
  16. "Grand retrospective exhibition: Birendra Pratap Singh". 29 March 2015.
  17. "Mr. Sharad Ranjit". 31 July 2016.
  18. https://rubinmuseum.org/page/ang-tsherin-sherpa%7C