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The sculpture of Nepal is best known for small religious figures and ritual objects in bronze or copper alloy, but also has other strengths. The Newar people of Nepal had a long-lasting specialism in casting small bronze figures, mostly religious and especially Buddhist, considerable numbers of which were exported to India and Tibet over many centuries.
Though the most common survivals are small figures, for reasons of climate and history, Nepal also has an unusual quantity of surviving large sculptures in wood and bronze, which have mostly been lost in India, where significant quantities of metal sculpture from temples have only survived in Tamil Nadu and other parts of the far south. Though there are small figures similar to those in bronze, most woodcarving is architectural, including the elaborate Newar windows.
Nepali sculpture draws influences from the sculpture and artistic styles of Indian art, of the Gupta and Pala Empires in particular. [1] The majority of the surviving sculptures depict religious figures and subjects, drawn from both Hinduism and Buddhism, as the two religions have coexisted peacefully in the Nepalese region for over two thousand years. [1]
Although drawing on the sculptural traditions of India, and the religious iconography of Buddhism and Hinduism, Nepalese sculpture evolved into its own distinctive style, with a tendency towards more ornate flourishes, exaggerated physical postures and elongated depictions of facial features. [1] In Nepal, as in Tibet, "the last phase of Buddhist art in India enjoyed a prolongation of nearly a thousand years", [2] as Buddhism virtually disappeared in India itself. Style in metal continued to develop until recent centuries, [3] until about the 17th century, after which it changed little.
Historically, Newars mostly followed a distinct non-monastic form of Newar Buddhism, and had their own caste system. As in medieval India, artists worked on both Hindu and Buddhist sculptures, in very largely the same style. They mostly lived in the Kathmandu valley.
Araniko, known mainly as an architect and painter, but also a sculptor in bronze, is the best-known Newar artist. In 1278 he led a group of 60 (or 80) Newar craftsmen, mostly metalworkers, sent to Tibet, and subsequently the court of Kubilai Khan in China, where he remained. [4]
The Licchavi period, named after the ruling Licchavi family, spanned 400-750 AD. [5] A sculpture of Baman Tribikram erected by Lichchhavi king Man Dev is considered to be the oldest sculpture in Nepal. Sculptures that were created during the Licchchhavi period include ones of Palanchowk Bhagawati, Budhanilkantha, etc. The statues inside Changu Narayan Temple and around it, statue of Palanchowk Bhagawati, statue of Budhanilkantha are few examples of sculptures made during the Licchchhavi period of time. [6]
The rulers of the Malla period (c. 1201–1779 CE) patronized both Buddhist and Hindu beliefs and traditions, which led to both forms of religious iconography flourishing in art and sculpture. [7] The Newar people that originally inhabited the Kathmandu Valley traveled extensively through the region and became the dominant influence in terms of artistic style throughout the region and extending out through the Himalayas. [7] Works of deities including Ganesha, Shiva, Vishnu, Surya, Laxmi, Saraswati, Gautama Buddha, etc. were created during this period. Other figures of kings and gods were also common pieces. Advancements in technique included the development of molding, the sculpting of clothing ornaments, and themes based on Tantric thought and practice.
Kathmandu, officially Kathmandu Metropolitan City, is the capital and most populous city of Nepal with 845,767 inhabitants living in 105,649 households as of the 2021 Nepal census and 2.9 million people in its urban agglomeration. It is located in the Kathmandu Valley, a large valley in the high plateaus in central Nepal, at an altitude of 1,400 metres.
Bhaktapur, known locally as Khwopa and historically called Bhadgaon, is a city in the east corner of the Kathmandu Valley in Nepal located about 13 kilometres (8.1 mi) from the capital city, Kathmandu. Bhaktapur is the smallest city of Nepal as well the most densely populated. Along with Kathmandu and Lalitpur, Bhaktapur is one of the three main cities of the Kathmandu Valley and is a major Newar settlement of the country. The city is also known for its Newar tradition, cuisine and artisans. Bhaktapur suffered heavy damage in the April 2015 earthquake.
The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood. They were commissioned by religious establishments or by pious individuals for use within the practice of Tibetan Buddhism and were manufactured in large workshops by monks and lay artists, who are mostly unknown. Various types of religious objects, such as the phurba or ritual dagger, are finely made and lavishly decorated. Secular objects, in particular jewellery and textiles, were also made, with Chinese influences strong in the latter.
Newar or Nepami, are the historical inhabitants of the Kathmandu Valley and its surrounding areas in Nepal and the creators of its historic heritage and civilisation. Newars form a linguistic and cultural community of primarily Indo-Aryan and Tibeto-Burman ethnicities following Hinduism and Buddhism with Nepal Bhasa as their common language. Newars have developed a division of labour and a sophisticated urban civilisation not seen elsewhere in the Himalayan foothills. Newars have continued their age-old traditions and practices and pride themselves as the true custodians of the religion, culture and civilisation of Nepal. Newars are known for their contributions to culture, art and literature, trade, agriculture and cuisine. Today, they consistently rank as the most economically and socially advanced community in Nepal, according to the annual Human Development Index published by UNDP. Newars are ranked the 8th largest ethnic group in Nepal according to the 2021 Nepal census numbering 1,341,363 people constituting 4.6% of the total population.
Lalitpur Metropolitan City is a Metropolitan city and fourth most populous city of Nepal with 299,843 inhabitants living in 49,044 households per 2021 census. It is located in the south-central part of Kathmandu Valley, a large valley in the high plateaus in central Nepal, at an altitude of 1,400 metres.
Buddhism in Nepal started spreading since the reign of Ashoka through Indian and Tibetan missionaries. The Kiratas were the first people in Nepal who embraced Gautama Buddha’s teachings, followed by the Licchavis and Newar people. Buddha was born in Lumbini in the Shakya Kingdom. Lumbini is considered to lie in present-day Rupandehi District, Lumbini zone of Nepal. Buddhism is the second-largest religion in Nepal. According to 2001 census, 10.74% of Nepal's population practiced Buddhism, consisting mainly of Tibeto-Burman-speaking ethnicities and the Newar. However, in the 2011 census, Buddhists made up just 9% of the country's population.
The Kathmandu Valley, also known as the Nepal Valley or Nepa Valley, National Capital Area, is a bowl-shaped valley located in the Himalayan mountains in Nepal. It lies at the crossroads of ancient civilizations of the Indian subcontinent and the broader Asian continent, and has at least 130 important monuments, including several pilgrimage sites for Hindus and Buddhists. There are seven World Heritage Sites within the valley.
The Malla dynasty was the ruling dynasty of the Kathmandu Valley in Nepal from 1201 to 1779. This dynasty was founded by Arideva Malla. Though latter Mallas were regarded as belonging to Raghuvanshi dynasty, they were also seen as continuation and descendants of the Licchavi dynasty. Later Malla kings also traced one section of their lineage from Nanyadeva, the founder of the Karnat dynasty of Mithila. The term malla means wrestler in Sanskrit. The first use of the word malla in the Kathmandu Valley begins from 1201.
Swayambhunath is an ancient religious complex atop a hill in the Kathmandu Valley, west of Kathmandu city. The Tibetan name for the site means 'Sublime Trees', for the many varieties of trees found on the hill. However, Shingun may be of in Nepal Bhasa name for the complex, Swayambhu, meaning 'self-sprung'. For the Buddhist Newars, in whose mythological history and origin myth as well as day-to-day religious practice Swayambhu occupies a central position, it is probably the most sacred among Buddhist pilgrimage sites. For Tibetans and followers of Tibetan Buddhism, it is second only to Boudha. Swayambhu is the Hindu name.
The Newar language of Nepal has the fourth oldest literature tradition among the Sino-Tibetan languages.
Vasudhārā whose name means "stream of gems" in Sanskrit, is the Buddhist goddess of wealth, prosperity, and abundance. Her popularity peaks in Nepal where she has a strong following among the Buddhist Newars of the Kathmandu Valley and is thus a central figure in Newar Buddhism. She is one of the most popular goddesses worshipped in many Buddhist countries and is a subject of Buddhist legends and art.
National Museum, located at the base of Swayambhu, a sacred hill in the Kathmandu Valley, is the first Nepalese museum. Covering an area of approximately 50 Ropani, the museum comprises various buildings, gardens, and open spaces within its premises. Its primary function is to preserve and exhibit rare and valuable art treasures.
Newar caste system is the system by which Newārs, the historical inhabitants of Kathmandu Valley, are divided into groups on the basis of Vedic varna model and divided according to their hereditary occupations. First introduced at the time of the Licchavis, the Newar caste system assumed its present shape during the medieval Malla period. The Newar caste structure resembles more closely to North India and Madheshis than that of the Khas 'Parbatiyas' in that all four Varna and untouchables are represented. The social structure of Newars is unique as it is the last remaining example of a pre-Islamic North Indic civilisation in which Buddhist elements enjoy equal status with the Brahmanic elements.
Tulādhar is a Nepali/Nepalese caste from the Newar community of the Kathmandu Valley in Nepal. The name Tuladhar is derived from the Sanskrit words "tula" and "dhar" (possessor), thus meaning scale-bearer or in general, merchant. Tuladhars belong to the Uray group which includes Kansakar, Tamrakar, Sthapit, Bania, Sindurakar, Selalik and other castes. They follow Newar Buddhism and speak Nepal Bhasa as a mother tongue.
Maharjan, is one of the Hindu Buddhist Newar castes or groups of Nepal, predominantly from Patan, Kirtipur, Bhaktapur and Kathmandu in Kathmandu Valley.. They are a major subgroup of the Jyapu ज्यापू: community inside the Newar community. Maharjan people along with the other subgroups of the same community are also known as Jyapus.
Newar art is the art form practiced over centuries by Newar people. The pictorial art consists of:
The ancient and refined traditional culture of Kathmandu, for that matter in the whole of Nepal, is an uninterrupted and exceptional meeting of the Hindu and Buddhist ethos practiced by its highly religious people. It has also embraced in its fold the cultural diversity provided by the other religions such as Kirat, Jainism, Islam and Christianity.
Urāy is a Newar Buddhist merchant caste of Kathmandu in Nepal. They are a prominent community in the business and cultural life of Kathmandu. Urays have played key roles in the development of trade, industry, art, architecture, literature and Buddhism in Nepal and the Himalayan region.
The Patan Museum is a museum located in Patan, Lalitpur, Nepal. The museum falls under the UNESCO's World Heritage Sites. The Patan Museum was inaugurated in 1997 by Late King Birendra Bir Bikram Shah. The Patan Museum displays the traditional sacred arts of Nepal in an illustrious architectural setting. Its home is an old residential court of Patan Durbar, one of the royal palaces of former Malla Kings of the Kathmandu Valley. The royal palace was built in 1734, on the site of a Buddhist monastery. The museum quadrangle is known as Keshav Narayan Chowk.
The Statue of Laxmi-Narayan is a historic Vaikuntha Kamalaja murti (statue) that composites the androgynous form of the Hindu god Vishnu and his consort Laxmi. The statue dates back to the 10th to 15th century and it was originally located in Patan, Nepal. The statue had been worshipped for 800 years until it was stolen in 1984 and ended up at the Dallas Museum of Art in the United States, before being returned to Nepal 37 years later on 5 March 2021. On December 5, 2021 statue is reinstated in Narayan temple, Patan lalitpur