Violent Femmes is the debut album by Violent Femmes. Mostly recorded in July 1982, the album was released by Slash Records on vinyl and on cassette in April 1983, and on CD in 1987, with two extra tracks, "Ugly" and "Gimme the Car".
Why Do Birds Sing? is the fifth studio album by Violent Femmes, released on April 30, 1991. It was the band's last album with original drummer Victor DeLorenzo, who left two years later to devote his time to acting, and was produced by Michael Beinhorn, best-known then for his work with Red Hot Chili Peppers on Mother's Milk and The Uplift Mofo Party Plan.
Hallowed Ground is the second studio album by Violent Femmes, released on May 14, 1984. Like the band's first album, the songs were mostly written by singer/guitarist/lyricist Gordon Gano when he was in high school. "Country Death Song", for example, written by Gano during his high school classes, was inspired by the tradition of folk songs about "terrible, horrific stories". A stark and experimental departure from the relatively straightforward folk-rock style of their debut, Hallowed Ground was considerably divisive amongst fans and critics, with many at the time incorrectly thinking Gano's sincere Christian lyrics were ironic.
The Blind Leading the Naked is the third album by Violent Femmes. It was produced by Jerry Harrison of Talking Heads and released in 1986. The title is a play on the figure of speech "the blind leading the blind."
3 is the fourth studio album by U.S. punk-folk band Violent Femmes.
Rock!!!!! is the seventh studio album released by Violent Femmes in 1995. It was originally released only in Australia, before becoming available in the rest of the world. It features cover photography by David LaChapelle. It was the first Violent Femmes album not to chart on the Billboard 200 since 1984's Hallowed Ground.
Viva Wisconsin is a live album by Violent Femmes. It was released in November of 1999. The songs were recorded on a six-date acoustic concert tour of their home state of Wisconsin in October 1998. The album was reissued by Shout! Factory on May 24, 2005. The back of the CD states “October 25-31, 1998 Violent Femmes did an acoustic tour of their home state of Wisconsin. Two guitars, two drums and three voices. Femmes back to basics, no overdubbing, no electronics, no crap. Their best songs, raw and intimate. This is the ultimate Violent Femmes recording.”
Freak Magnet is the eighth studio album by Violent Femmes, released in 2000. It contains the single "Sleepwalkin'."
Daylight Again is the fourth studio album by Crosby, Stills & Nash, and their third studio album in the trio configuration. It peaked at No. 8 on the Billboard 200 albums chart, the final time the band made the top ten before the death of David Crosby in 2023. Three singles were released from the album, all making the Billboard Hot 100: "Wasted on the Way" peaked at No. 9, "Southern Cross" at No. 18, and "Too Much Love to Hide" at No. 69. The album was certified platinum by the RIAA with sales of 1,850,000.
Permanent Record: The Very Best Of is a greatest hits album by the band Violent Femmes. It was released on July 12, 2005.
Something's Wrong is a compilation album of studio recordings and unreleased live tracks by Violent Femmes in 2001. Tracks 1 and 3-12 are studio recordings from 1995 to 1997. Some songs are alternate versions of previously released songs. Tracks 16-22 are live recordings selected from the 1999 Viva Wisconsin sessions. Tracks 2 and 13-15 are demos recorded in 1995 and 1996.
School Days is the fourth solo album by jazz fusion bassist Stanley Clarke, released in 1976. The album reached number 34 on the Billboard 200 chart and number 2 on the Jazz Albums chart.
Archive Series No. 2: Live In Chicago Q101 is a live broadcast 'studio' album performed in Chicago on April 22, 2000 and released by Violent Femmes in 2006. Includes banter between selections.
Shot Through the Heart is the fifth album by American singer/songwriter Jennifer Warnes, released on Arista Records in 1979. It peaked at #13 on the Billboard Country albums chart and #94 on the main Billboard albums chart.
Dawn of a New Day is the debut studio album by Canadian country music singer Crystal Shawanda. It was released in Canada on June 24, 2008, and in the United States on August 19. It produced five singles in "You Can Let Go", "What Do I Have to Do", "My Roots Are Showing", the title track and "Try". "You Can Let Go" reached number 21 on the Hot Country Songs charts.
Careless is the debut album by singer/songwriter Stephen Bishop. It includes two hit singles: "On and On", which peaked at No. 11 on the Billboard singles chart, and "Save It for a Rainy Day" which made No. 22. The album itself rose to No. 34 on the Billboard albums chart. Notable contributors to the album include Eric Clapton, Art Garfunkel and Chaka Khan.
Faith in You is the sixteenth studio album by American country music singer Steve Wariner, released on May 9, 2000. His third and final release for Capitol Nashville, it includes the singles "Faith in You" and "Katie Wants a Fast One", the latter a duet with labelmate Garth Brooks. Also included is the radio edit of the Clint Black duet "Been There", from Black's 1999 album D'lectrified.
Steve Wariner is the debut studio album by American country music artist Steve Wariner. It was released in 1982 by RCA Nashville. The album produced six singles overall on the Billboard Hot Country Singles chart including "All Roads Lead to You" which stayed at number one for one week and spent a total of twelve weeks on the chart.
We Can Do Anything is the ninth studio album by American band Violent Femmes, released March 4, 2016. It was the band's first full studio album since 2000's Freak Magnet, after releasing four-song EP Happy New Year in 2015. “We Can Do Anything” features Boston-based drummer, Brian Viglione, best known for his work with The Dresden Dolls.
World Turning is a studio album orchestrated by banjo player Tony Trischka. Genres vary wildly as do performers for each track. The title track of the album is a cover version of "World Turning", a song by Fleetwood Mac. The newgrass-style title track divides the album in two, the first half representing 19th century and earlier period banjo music, while the latter showcases 20th century banjo music and beyond.
