No wave was an avant-garde music genre and visual art scene which emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period. The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like Slint and Unwound, and also experienced some crossover from indie rock with bands like The Dismemberment Plan. In the early- and mid-2000s, post-hardcore achieved mainstream success with the popularity of bands like At the Drive-In, My Chemical Romance, Dance Gavin Dance, AFI, Underoath, Hawthorne Heights, Silverstein, the Used, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved mainstream success under the post-hardcore label. Meanwhile, bands like Title Fight and La Dispute experienced underground popularity playing music that bore a closer resemblance to the post-hardcore bands of the 1980s and 1990s.
Sonic Youth is the debut EP by American rock band Sonic Youth. It was recorded between December 1981 and January 1982 and released in March 1982 by Glenn Branca's Neutral label. It is the only recording featuring the early Sonic Youth lineup with Richard Edson on drums. Sonic Youth differs stylistically from the band's later work in its greater incorporation of clean guitars, standard tuning, crisp production and a post-punk style.
Get Up with It is a compilation album by American jazz trumpeter, bandleader, and composer Miles Davis. Released by Columbia Records on November 22, 1974, it compiled songs Davis had recorded in sessions between 1970 and 1974, including those for the studio albums Jack Johnson (1971) and On the Corner (1972). In The Rolling Stone Album Guide (2004), J. D. Considine described the compilation's music as "worldbeat fusion".
Echoes is the debut full-length studio album by American rock band the Rapture. It was released on September 8, 2003, by DFA and Output in the UK, and on October 21, 2003, by DFA, Vertigo, and Universal in the U.S. It was co-produced by the DFA and the Rapture and recorded at the DFA's own Plantain Recording House studio in New York City.
The Sexual Life of the Savages is a compilation album produced by Bruno Verner and Eliete Mejorado, and released in 2005 by British record company Soul Jazz Records. It contains a collection of songs from various artists that formed the São Paulo post-punk movement of the early 1980s. The album's name is an allusion to a verse of the song "Nosso Louco Amor" by Gang 90 e as Absurdettes, one of the bands present in the compilation.
A Tom Moulton Mix is a 2006 compilation released by Soul Jazz Records. The album contains disco music that had been mixed by Tom Moulton, ranging from artists from such as Eddie Kendricks, Andrea True Connection, Isaac Hayes, and Grace Jones. The tracks are predominantly pulled from unreleased, acetate and promotional singles of several artists.
Big Apple Rappin' is a 2006 compilation album released on Soul Jazz Records. The album is a compilation of the early days of New York hip hop by Johan Kugelberg, who had collected early hip hop material, specifically records flyers and fanzines and other memorabilia with the idea to donate them to an academic institution. The music Kugelberg gathered for the compilation surrounded hip hop music released around the period "Rapper's Delight" became a hit song. The music is predominantly hip hop with a disco backing tracks which Kugelberg described as "the first great records." Along with the music, photography and flyers were compiled from the era, as well as interviews with DJs and rappers such as Grandmaster Caz and Glen Adams.
That's My Beat is a compilation album by hip hop–electro funk musician Kurtis Mantronik and features tracks selected by Mantronik and cited as influences to his work with his hip hop/electro funk group Mantronix. The album was released on the Soul Jazz Records label in 2002.
Soul Jazz Records is a British record label based in London. Outside of releasing records, the label also publishes books, occasionally films and performs as a DJ set. The music releases labels from a variety of genres, including reggae, house, hip hop, punk rock, jazz, funk, bossa nova and soul.
Lesson No. 1 is the debut solo EP by American avant-garde musician Glenn Branca. It was released in March 1980 on 99 Records.
Come Away with ESG is the 1983 debut album by American rock band ESG. Released by 99 Records, the album incorporates songs from ESG's first EPs, ESG and ESG Says Dance to the Beat of Moody.
Off White is a 1979 album by American no wave band James White and the Blacks.
"Heartbeat" is a 1981 dance single by Taana Gardner. It was arranged by Dennis Weeden and Kenton Nix, and released by West End Records, with the more famous club mix created by Larry Levan. It reached the Billboard R&B chart at No. 10 and the No. 6 on the dance chart. It has sold over 800,000 copies.
Disco Not Disco is a compilation album from the Disco Not Disco series released by Strut Records in 2000. The album is a probe for both the experimental side of disco and punk genres, as well as underground music scene in general. The first volume is more rock and funk oriented and features three experimental studio projects by Arthur Russell, namely Dinosaur, Indian Ocean and Loose Joints, British new wave musician Ian Dury, and even musicians like Yoko Ono, Steve Miller Band or jazz trumpeter Don Cherry.
In the Beginning There Was Rhythm is a 2002 compilation album compiled by Stuart Baker and Adrian Self and released by Soul Jazz Records. The album consists of post-punk from the United Kingdom from the late 1970s to the early 1980s made in the United Kingdom.
Rumble in the Jungle is a 2007 compilation album released by Soul Jazz Records. It compiles early 1990s ragga jungle tracks.
Deutsche Elektronische Musik 2 is a 2013 compilation album released by Soul Jazz Records in 2013. It was a follow-up to their 2010 record Deutsche Elektronische Musik with further tracks covering West German krautrock groups and their music released between 1971 and 1983. It received positive reviews from music publications such as AllMusic, Uncut and Record Collector as well as newspapers such as The Independent and The Province.
Punk 45: Les Punks is a 2016 compilation album of French punk rock music by Soul Jazz Records.
