Nicky Marrero

Last updated
Nicholas Jr. "Nicky" Marrero
Born(1950-06-17)June 17, 1950
Bronx, New York City
Genres Afro-Latin jazz, salsa, son cubano, boogaloo, pachanga
OccupationMusician
Instrument(s) Timbales, drums, percussion
Years active1967-present
Labels

Nicky Marrero (born June 17, 1950 in the Bronx, New York City) [1] is an American Latin jazz percussionist, of Puerto Rican descent best known as the timbale player in The Fania Allstars [2] and as a recording artist during the 1970s salsa boom in New York.

Contents

Early career

Nicolas "Nicky" Marrero, was born in the Bronx, New York on June 17, 1950. Better known as the wonderful timbalero Nicky Marrero, he began playing professionally at the age of 15 with Orchesta Caribe. Thereafter, he was asked by Willie Colon to join his band where he recorded “Jazzy” on the "El Malo" album. [3]

From 1965 – 1971 he performed with Eddie Palmieri's band. [4] In 1968 he recorded the LP Champagne with Eddie Palmieri and His Orchestra, published by the label Tico Records. In 1970 he recorded the LP Harlem River Drive with Palmieri who brought together other Latin Jazz artists Victor Vinegas, Andy Gonzales, Ronnie Cuber along with African American Funk all-stars Jermey Jemmott and Bernard Purdie. [5] [6] "The results of this experiment [were] a deeply funky and socially conscious album, addressing issues of poverty and unemployment and general conditions of ghetto living." [7] He has also performed and recorded with the Larry Harlow's orchestra from 1971-1973.

In 1974 he was asked by Jerry Masucci to join the Fania All-Stars, replacing Orestes Vilató where he would record Fania's greatest hits and tour the world. [8]

Later career

He has performed and record with many artists, including Tito Puente, Machito, Ray Barretto, Mongo Santamaria, Ricardo Ray and Bobby Cruz, Celia Cruz, Orchesta Broadway, Joe Cuba, La Plata Sextet, Charanga America, Chito Velez, Ismael Miranda and Hector Lavoe, Dizzy Gillespie, [9] Manhattan Transfer, Esther Williams, Paul Simon, Spyro Gyra, Linda Ronstadt, Joe Farrell, Esther Phillips, Carlos and Jorge Santana, Jerry Gonzales, and Jorge Dalto. [10] [11] He has also performed with Nelson Gonzalez, Jimmy Bosch, Willie Rodriguez, David Amram, Steely Dan, Bill Withers, Airto and Flora Moreira, Wynton Marsalis, Chico O'Farrill, Billy Cobham, Stevie Wonder, Manu Dibango, Average White Band, George Benson, and Xavier Cugat. He was also a member of Típica 73

He has also taught Latin percussion and music theory throughout New York City and abroad. [12] During the early 1990s, he taught at The Conservatory of Rotterdam in Holland; recorded and performed with Conexion Latina and Nueva Manteca. After returning to New York, he began performing with Larry Harlow and the "Fania" Latin Legends Band. [13] In 2008 he recorded a concert called "Live at Willie's Steak House" with Willie Rodriguez, Andy Gonzalez, Roland Guerrero and Richy Mely. [14]

Discography

Filmography

See also

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References

  1. ↑ Muñoz, C. B.; Lewis, P.; Molina, E. T. (2022). A People's Guide to New York City. Jackson: University of California Press. ISBN   9780520289574.
  2. ↑ "All In The Mars Volta Familia". Drum Week Newsletter. February 18, 2021. Retrieved October 30, 2022.
  3. ↑ Kusama-Hinte, Jeffery (director) (2009). Soul power (Director's Statement) (PDF) (Motion picture). USA: Mongrel Media.
  4. ↑ Flores, J. (2016). Salsa Rising: New York Latin Music of the Sixties Generation. New York: Oxford University Press. p. 221. ISBN   978-0199764907.
  5. ↑ Muhamad, Suraya (December 9, 2016). "'Harlem River Drive' Revisited With Eddie Palmieri". NPR. Retrieved October 29, 2022.
  6. ↑ Ratliff, B. (May 22, 2016). "Review: Eddie Palmieri Reprises a Tantalizing 'Harlem River Drive'". The New York Times. Retrieved October 30, 2022.
  7. ↑ Njoroge, N. (2016). Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean. Jackson: University Press of Mississippi. p. 131. ISBN   9781496830777.
  8. ↑ "Latin Scene". Billboard. Vol. 86, no. 33. Los Angeles. August 17, 1974.
  9. ↑ Amram, D. (1999). Vibrations: A Memoir. New York: Routledge. p. 490. ISBN   978-1594515835.
  10. ↑ Kusama-Hinte, Jeffery (director) (2009). Soul power (Director's Statement) (PDF) (Motion picture). USA: Mongrel Media.
  11. ↑ Roberts, J.S. (1999). The Latin Tinge: The Impact of Latin American Music on the United States. New York: Oxford University Press. p. 211. ISBN   9780195121018.
  12. ↑ Benjamin, L. (2020). New York and the International Sound of Latin Music, 1940-1990. New York: University Press of Mississippi. ISBN   9781496831323.
  13. ↑ Steward, S. (1999). !Musica!: Salsa, Rumba, Merengue, & More: The Rhythm of Latin America. San Francisco: Diane Pub Co. p. 62. ISBN   1422364666.
  14. ↑ Kusama-Hinte, Jeffery (director) (2009). Soul power (Director's Statement) (PDF) (Motion picture). USA: Mongrel Media.
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