"Crying" is a song written by Roy Orbison and Joe Melson for Orbison's third studio album of the same name (1962). Released in 1961, it was a number 2 hit in the US for Orbison and was covered in 1978 by Don McLean, whose version went to number 1 in the UK in 1980.
"I Wanna Be With You" is a song by American singer Mandy Moore. It was released on April 3, 2000, as the lead single from Moore's reissue of the same name (2000) and as a single from the soundtrack to the 2000 film Center Stage. The song received positive reviews from critics. It peaked at number 24 in the United States Billboard Hot 100, becoming Moore's first and only top 30 single in the US. The song also peaked at number 13 in Australia and was certified gold by the Australian Recording Industry Association (ARIA). The music video for the song, directed by Nigel Dick, shows Moore singing the song to her love interest in a dance studio.
Electric Youth is the second studio album by American singer-songwriter Debbie Gibson, released on January 24, 1989, by Atlantic Records. It is the highest-charting album of Gibson's career, staying at the top of the US Billboard 200 albums chart for five weeks, and reaching number 8 on the UK Albums Chart.
Anything Is Possible is the third studio album by American singer-songwriter Debbie Gibson, released on November 20, 1990, by Atlantic Records. The album features a collaboration between Gibson and veteran Motown songwriter Lamont Dozier, who co-wrote four of the album's tracks including the title single. "Stand Your Ground" marked Gibson's final collaboration with longtime producer Fred Zarr.
"Out of the Blue" is a song by American singer-songwriter-actress Debbie Gibson, and is the title track of her debut studio album Out of the Blue (1987). It was released on January 8, 1988 in the United States as the third single from the album. The song was written and co-produce by Gibson, with Fred Zarr providing extra production.
"Lost in Your Eyes" is a song by American singer-songwriter Debbie Gibson, released as the first single from her second album, Electric Youth (1989). It was first released to radio on January 3, 1989, before being officially released on January 6.
"Electric Youth" is a song by American singer-songwriter-actress Debbie Gibson. The song was solely written by Gibson and produced by Fred Zarr. It was released on March 17, 1989 as the second single from the album of the same name (1989) by Atlantic Records. Gibson had written the song as a statement about how young people of that era were seen and how their ideas were often ignored. As a teenager herself, she was a firm believer that the beliefs and ideas held by young people were just as important as those held by adults and the song reminded people of this. It also reminded them that the current youth would become the next generation of adults.
"Anything Is Possible" is song by American singer-songwriter Debbie Gibson. Entirely written, arranged, and produced by Gibson and Motown writer Lamont Dozier, it was released on November 13, 1990, as the lead single and title track to her third studio album Anything Is Possible. In Europe, a version remixed by Harding and Curnow of PWL was released in place of the original.
"For Better or Worse" is a song by American singer-songwriter and actress Debbie Gibson, written and produced entirely by her. It was her first single released under SBK Records following her departure from Atlantic Records. The track was released in June 1995 in the United States exclusively to adult contemporary radio and was later released commercially in Japan.
"Don't Rush Me" is a song performed by American singer Taylor Dayne, released as the fourth single from her debut studio album Tell It to My Heart (1988). It was written by Alexandra Forbes and Jeff Franzel, with production provided by Ric Wake. It was first released in early September 1988 in the United Kingdom before being officially released on October 24, 1988, to the United States via Arista Records to contemporary hit radio. The cover art of the single was later used on the 1988 US reissue of Tell It to My Heart. The song lyrically has a message regarding abstinence.
"The Promise of a New Day" is a song by American singer and entertainer Paula Abdul, recorded for her second studio album Spellbound (1991) and services as the album's opening track. The track, written by Abdul, Peter Lord, Sandra St. Victor, and V. Jeffrey Smith and produced by Lord and Smith, was released as the album's second official single on July 5, 1991 to radio in the United States. The song lyrically finds the singer singing optimistically about a relationship, with a vague sub-context of improvement of the world. It was also her first single released under her own label, Captive Records.
"I Saw the Light" is a song by American country music artist Wynonna Judd, released on May 4, 1992, as the second official single from her selt-titled debut studio album (1992). It was written by Andrew Gold and Lisa Angelle, and produced by Tony Brown. A video was planned for release alongside the single but never came to fruition.
"All This Time" is a song recorded by American singer Tiffany. The song was written by Tim James and Steven McClintock, and produced by Tiffany's manager George Tobin. It was released through MCA Records on October 24, 1988, as the lead single to her second album, Hold an Old Friend's Hand (1988). The song was heard five days earlier within the season premiere of the TV sitcom Growing Pains.
"Blowing Kisses in the Wind" is a song by American singer and dancer Paula Abdul, taken from her second studio album Spellbound (1991). Written by Peter Lord and produced by Lord and V. Jeffrey Smith, it was released as the album's third official single on October 17, 1991, exclusively to North America, Australia, and Japan, as the album's next single "Vibeology" would be released in Europe instead of this song. "Blowing Kisses in the Wind" utilizes the harpsichord. Sweet Pea Atkinson provided background vocals to the track.
"Will You Marry Me?" is a song by American artist Paula Abdul, released as the fifth and final widely released single from her second studio album, Spellbound (1991). The song was written by Abdul, Peter Lord, Sandra St. Victor and V. Jeffrey Smith and produced by Lord and Smith. Stevie Wonder notably appears as a special guest playing the harmonica.
American singer-songwriter Debbie Gibson has released eleven studio albums, six compilation albums, one box set, 46 singles, three video albums, and 31 music videos.
"I Need You" is a song written by Dennis Matkosky and Ty Lacy and recorded by American country pop artist LeAnn Rimes. It was released on March 20, 2000, as a single from Jesus: Music from and Inspired by the Epic Mini-Series. The following year, it was released internationally on March 19, 2001 as a single from the compilation of the same name. The song spent 25 weeks on the US Billboard Hot 100 and peaked at number 11, and it was also successful outside the US, reaching the top 20 in Canada, Denmark, Finland, Ireland, Spain, Sweden, and the United Kingdom. A music video was released in 2000.
"I Love You" is a song by American country music artist Martina McBride. It was written by Keith Follesé, Adrienne Follesé, and Tammy Hyler along with being produced by McBride and Paul Worley. It was recorded for the soundtrack of the 1999 film Runaway Bride and was released as the lead single from McBride's sixth studio album Emotion (1999).
"Crash and Burn" is a song by Australian pop duo Savage Garden from their second album Affirmation (1999). It was released as the album's fourth overall single, sent to radio in the United States on March 13, 2000; in that region, it was released as the second single.
"Do I Have to Say the Words?" is a song by Canadian singer and songwriter Bryan Adams from his sixth studio album, Waking Up the Neighbours (1991). It was written and produced by Adams and Robert John "Mutt" Lange, with Jim Vallance serving as its co-writer. It was released in July 1992 as the sixth single from the album. "Do I Have to Say the Words?" is a mid-tempo pop rock ballad with guitar riffs and soft synths in its instrumentation, while Adams gives a dramatic vocal delivery.
