No Trees in the Street | |
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Directed by | J. Lee Thompson |
Written by | Ted Willis |
Produced by | Frank Godwin J. Lee Thompson Ted Willis |
Starring | Sylvia Syms Herbert Lom Ronald Howard Stanley Holloway Joan Miller Melvyn Hayes |
Cinematography | Gilbert Taylor |
Edited by | Richard Best |
Music by | Laurie Johnson |
Production company | |
Distributed by | Associated British-Pathé (UK), Seven Arts (US) |
Release dates |
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Running time | 96 minutes |
Country | United Kingdom |
Language | English |
No Trees in the Street is a 1959 British crime thriller directed by J. Lee Thompson and starring Sylvia Syms, Herbert Lom and Melvyn Hayes. It was written by Ted Willis, from his 1948 stage play of the same name. [1]
The film is set in the slums of London, and depicts the life of impoverished teenager Tommy, who becomes a criminal in an attempt at social mobility.
It is an example of British kitchen sink realism, but is mainly noted for its naturalistic depiction of slum life.
Initially, the film's story is told by Frank, a local plainclothes policeman in love with Hett, to a young tearaway Kenny.
In the slums of London before World War II, Tommy is an aimless teenager who tries to escape his squalid surroundings by entering a life of crime. He falls in with local racketeer Wilkie, who holds the rest of the slum citizens – including Tommy's own family – in a grip of fear. For a brief period, Hetty (Tommy's older sister) becomes Wilkie's girlfriend until he humiliates her in front of the other slum citizens simply to show his power over them, after which she will have nothing to do with Wilkie despite him repeatedly asking her to come back to him.
The film chronicles Tommy's sordid progression from minor thefts to murder.
At the end of the film, Hetty and Frank are seen to be married and living in a new council flat long after the slums have been demolished.
Filming began 10 March 1958. [2] The film was revised after previews, with new scenes added at the opening, and at the end showing the detective and the sister married. [3]
Willis, Thompson and Syms had previously collaborated on Woman in a Dressing Gown (1957) and Ice Cold in Alex (1958). [4]
Monthly Film Bulletin said "Gingerly adapted by Ted Willis from his own play, and enclosed in a flash-back to twenty years ago, this problem picture about London slum life suffers from all the faults of the original and has none of its virtues. The play's vital structural power has been lost, possibly because of censorship difficultics, and with it all honesty and credibility of characterisation. Nothing remains but crude sensationalism and several moments of unconscious humour. Lee-Thompson's direction is hysterical, the playing is pitched throughout on a level of pathetic desperation, and Gilbert Taylor's photography conveys an unrelieved drabness which is the film's only concession to reality." [5]
Variety wrote "Ted Willis is a writer with a sympathetic eye for problems of the middle and lower classes ... Syms gives a moving performance as the gentle girl who refuses to marry the cheap racketeer just to escape. Lom, as the opportunist who dominates the street, is sufficiently suave and unpleasant." [6]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "mediocre", writing: "Good play gone wrong on screen; direction and most of the performances take it right over the top." [7]
TV Guide wrote "[the film] suffers from artificiality of plot and dialog. Characterizations are reduced to mere stereotypes...There are some notable exceptions within the drama, however. Syms is surprisingly moving, giving a sensitive performance despite the film's constraints. Holloway's characterization of a bookie's tout is comical and charming ... The camerawork attempts a realistic documentary look, which manages to succeed in capturing the details of slum life that make the setting seem surprisingly naturalistic. The finer points of the film, however, are overshadowed by its faults." [8]
Time Out wrote "released at a time when kitchen sink drama was all the rage, this is an unremarkable 'we had it tough' chronicle from another age." [9]
Leslie Halliwell said: "Artificial and unconvincing attempt at a London Love on the Dole [1941], dragged up and redigested in a later era when 'realism' was thought to be fashionable." [10]
The Radio Times Guide to Films gave the film 2/5 stars, writing: "Although a stalwart of stage and TV, screenwriter Ted Willis worked less in movies and it rather shows in this ludicrously sentimental adaptation of his own play. It was unlucky enough to be released in the same year that British cinema entered its great "kitchen sink" phase, but this thin-cut slice of street life could never feel anything but stale. Herbert Lom tries to inject a little menace as a small-time hoodlum, but, confronted with sickly sweet Sylvia Syms and teen tearaway Melvyn Hayes, he succumbs to the mediocrity." [11]
Herbert Charles Angelo Kuchačevič ze Schluderpacheru, known professionally as Herbert Lom, was a Czech-British actor with a career spanning over 60 years. His cool demeanour and precise, elegant elocution saw him cast as criminals or suave villains in his younger years, and professional men and nobles as he aged. Highly versatile, he also proved a skilled comic actor in The Pink Panther franchise, playing the beleaguered Chief Inspector Charles Dreyfus in seven films.
Sylvia May Laura Syms was an English stage and screen actress. Her best-known film roles include My Teenage Daughter (1956), Woman in a Dressing Gown (1957), for which she was nominated for a BAFTA Award, Ice Cold in Alex (1958), No Trees in the Street (1959), Victim (1961), and The Tamarind Seed (1974).
Edward Henry Willis, Baron Willis was an English playwright, novelist and screenwriter who was also politically active in support of the Labour Party. He created several television series, including the long-running police drama Dixon of Dock Green.
Ferry to Hong Kong is a 1959 British melodrama/adventure film directed by Lewis Gilbert and starring Curt Jürgens, Sylvia Syms, Orson Welles and Jeremy Spenser.
Melvyn Hayes is an English actor and voice-over performer. He is best known for playing the effeminate Gunner "Gloria" Beaumont in the 1970s BBC sitcom It Ain't Half Hot Mum, for appearing in the Cliff Richard musical films The Young Ones, Summer Holiday and Wonderful Life as well as Here Come the Double Deckers (1970–1971).
Woman in a Dressing Gown is a 1957 British drama film directed by J. Lee Thompson and starring Yvonne Mitchell, Anthony Quayle, Sylvia Syms, and Carole Lesley.
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Inn for Trouble is a 1960 black and white British comedy film directed by C.M. Pennington-Richards and starring Peggy Mount, David Kossoff and Leslie Phillips. It was a spin-off of the ITV sitcom The Larkins (1958–1964). The film is notable for the final credited appearances of Graham Moffatt and A. E. Matthews.
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White Corridors is a 1951 British drama film directed by Pat Jackson and starring Googie Withers, Godfrey Tearle, James Donald and Petula Clark. It is based on the 1944 novel Yeoman's Hospital by Helen Ashton.
Tread Softly Stranger is a 1958 British crime drama film directed by Gordon Parry and starring Diana Dors, George Baker and Terence Morgan. The screenplay was written by George Minter adapted from the stage play Blind Alley (1953) by Jack Popplewell. The film was shot in black-and-white in film noir style, and its setting in an industrial town in northern England mirrors the kitchen sink realism movement coming into vogue in English drama and film at the time.
No Time for Tears is a 1957 British drama film directed by Cyril Frankel in CinemaScope and Eastman Color and starring Anna Neagle, George Baker, Sylvia Syms and Anthony Quayle. It was written by Anne Burnaby and Frederix Gotfurt. The staff at a children's hospital struggle with their workload.
My Teenage Daughter is a 1956 British drama film directed by Herbert Wilcox and starring Anna Neagle, Sylvia Syms and Norman Wooland. The screenplay concerns a mother who tries to deal with her teenage daughter's descent into delinquency. It was intended as a British response to Rebel Without a Cause (1955). It was the last commercially successful film made by Wilcox.
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