Happy Birthday to Me | |
---|---|
Directed by | J. Lee Thompson |
Written by |
|
Screenplay by |
|
Story by | John Saxton |
Produced by |
|
Starring | |
Cinematography | Miklós Lente |
Edited by | Debra Karen |
Music by |
|
Production companies |
|
Distributed by | Columbia Pictures [2] |
Release date |
|
Running time | 111 minutes |
Countries | |
Language | English |
Budget | $3.5 million [3] |
Box office | $10.6 million [4] |
Happy Birthday to Me is a 1981slasher film directed by J. Lee Thompson and starring Melissa Sue Anderson, Glenn Ford, Lawrence Dane, Sharon Acker, Frances Hyland, Tracey Bregman, and Lisa Langlois. Its plot revolves around brutal murders of the high school members of an elite clique.
A co-production between the United States and Canada, the film was shot in Montreal and upstate New York.
Happy Birthday to Me was distributed by Columbia Pictures, and released theatrically in North America on May 15, 1981. The film received mostly mixed reviews from critics and grossed $10.6 million against a $3.5 million budget.
Virginia "Ginny" Wainwright is a pretty and popular high school senior at Crawford Academy, a member of the school's "Top Ten," an elite clique of the most privileged and popular students. Each night, the group meets at the Silent Woman Tavern, a local pub. One night en route to the tavern, Bernadette O'Hara is attacked in her car by an unseen assailant. She struggles and plays dead to catch the killer off-guard before running to get help. She then runs into an unseen individual whom she is familiar with and begs for help, but the person slashes her neck with a straight razor.
The Top Ten becomes concerned when Bernadette fails to arrive at the pub. Upon leaving, the group sees the nearby drawbridge raising and decide to play a game of chicken. Ginny is pushed into a car by Ann Thomerson, and each of the group attempt to cross the bridge as it raises; the car Ginny is in barely clears the bridge, crashing as it meets the other side. Distraught, Ginny runs home, stopping at her mother's grave in an adjacent cemetery. At her home, Etienne, a Top Ten member, breaks into Ginny's room and steals her underwear.
Bernadette fails to show up at school the following day. Ginny, who is plagued by repressed memories, visits her on-call psychiatrist, Dr. Faraday, with whom she previously underwent an experimental brain tissue restoration procedure after surviving a harrowing accident at the drawbridge. As Ginny attempts to resume her normal life, her fellow Top Ten members are murdered in vicious and violent ways: Etienne is strangled when his scarf gets thrown into the spokes of his motorcycle, and Greg's neck is crushed in his room while lifting weights. Ann and Ginny go to Alfred's house as he has been acting odd lately and discovers he is an elaborate prosthetic make up artist with a creepy replica of Bernadette's head.
One night, Alfred, a Top Ten member who is infatuated with Ginny, follows her to her mother's grave. In retaliation, she stabs him with a pair of garden shears. On the weekend of Ginny's 18th birthday, her father leaves for a business trip. After a school dance, Ginny invites Steve to her house and prepares shish kebabs. While the two are drinking wine and smoking marijuana, Ginny begins to feed Steve with the kebab, but violently shoves the skewer down his throat.
Ann arrives at Ginny's house the following morning and finds Ginny taking a shower. In the shower, Ginny has a flashback of her mother's death: Her mother, a newly inducted socialite, invites the Top Ten to Ginny's birthday celebration four years earlier and is concerned when no guests have arrived. After being questioned by her mother, Ginny tearfully mentions the group are attending a party Ann is having instead. Humiliated, her mother drives drunk to the Thomasons' house with Ginny, where she is denied entry by Mr. Thomason's gatekeeper. Enraged and upset, she attempts to drive across a raising drawbridge, causing their car to fall into the water. Pinned beneath the steering wheel, Ginny's mother drowns. Ginny, however, manages to swim to safety.
Paranoid that she may be murdering her friends during blackout episodes, Ginny visits Dr. Faraday. When she confronts him over the procedure she underwent, he is evasive, and she murders him with a fireplace poker. Mr. Wainright returns home during a thunderstorm for Ginny's birthday and finds a pool of blood in Ginny's bedroom. He flees hysterically and finds one of Ginny's friends, Amelia, standing in the yard in what seems to be a state of shock, clutching a wrapped gift. In the cemetery, he discovers his late wife's grave was robbed, with Dr. Faraday's corpse lying beside it.
Mr. Wainright notices a light on inside the family's guest cottage. Inside, he finds the bodies of each member of the Top Ten seated at a table alongside his dead wife's corpse. He then sees Ginny enter the room with a birthday cake, singing "Happy Birthday" to herself, seeming to have lost her mind. Ginny's father cries. Ginny suddenly slashes her father's throat. He dies, failing to notice another girl is seated at the table with her head down. Ginny then goes toward the girl, who also appears to be Ginny. As the seated Ginny wakes, the murderous Ginny we have seen throughout the film yells that she did it all for her, as she ruined her last party. Suddenly the two Ginnys struggle and the other girl is revealed as Ann, who has disguised herself as Ginny with an elaborate latex mask probably made by Alfred. Ann removes the mask, ranting and raving about her father's affair with Ginny's mother and how it destroyed her family. Ann reveals that she and Ginny are half-sisters and it's all her fault. Ginny manages to wrestle the knife from Ann and stabs her to death. As she stands over Ann's corpse holding the bloodied knife, a police officer enters the cottage and says, "What have you done?"
Happy Birthday to Me was produced by John Dunning and André Link, as a Cinépix production. Dunning and Link would team up again on another Canadian slasher, My Bloody Valentine (1981), which went into production within a week of Happy Birthday to Me wrapping; however, My Bloody Valentine was actually released first, rushed to meet a February 11, 1981 release date in time for Valentine's Day. Keen to get their classier, bigger-budgeted Happy Birthday to Me released, Dunning and Link quickly realized that gimmicks were being used up by other slasher movies in the wake of John Carpenter’s Halloween (1978) and Sean S. Cunningham’s Friday the 13th (1980). 1980 alone saw the release of Friday the 13th, as well as two New Year's Eve-themed horror movies, Terror Train (1980) and New Year’s Evil (1980), as well as Christmas-themed films To All a Goodnight (1980) and Christmas Evil (1980), the wedding-themed He Knows You’re Alone (1980), Prom Night (1980), and Mother’s Day (1980) (followed by Graduation Day and the Thanksgiving-based Home Sweet Home the following year). Because everyone has a birthday, Dunning and Link believed that Happy Birthday to Me could have universal appeal. They hired John Saxton, a University of Toronto English professor, to develop the story. The subplot involving Virginia's brain injury came from Dunning reading an article about regenerating frogs with electricity; he figured this could form the basis for a murder mystery where a girl suffers flashbacks and blackouts yet is unsure of her role in the mayhem around her. [5]
Although it seems to have been directly influenced by the success of Friday the 13th and Prom Night, pre-production on Happy Birthday to Me had started before those films had been released, which more than hints that the huge success of Halloween was perhaps more of an influence (although the Grand Guignol elements of Friday the 13th may also have contributed). [5]
The specialized genre website Retro Slashers has a copy of the script purporting to be a third draft from April 1980, where the major difference is that Virginia is actually the killer, possessed by the spirit of her deceased mother. Although this ending logistically makes more sense than the ending that was filmed, the filmmakers thought that what was originally scripted was not climactic enough. Still, the majority of the film does point to this original ending, which indicates the switch came well into production. This version of the script also features a good number of scenes that were either never shot or rewritten, including some that show more clearly Alfred's love for Virginia and Virginia's difficult relationship with her father. The script was completely reworked by screenwriting team Timothy Bond and Peter Jobin before production started. [5]
Actress Melissa Sue Anderson, who had garnered childhood fame for her portrayal of Mary Ingalls on the television series Little House on the Prairie , was cast in the film's lead, marking her major feature debut. [6] Lisa Langlois auditioned for the role of Ann, but the role went to Tracey Bregman instead. [7]
Happy Birthday to Me began shooting in early July 1980 with British director J. Lee Thompson, famous for the classic Cape Fear (1962). [8] Thompson had also been a dialogue coach to Alfred Hitchcock years before. Thompson had actively been looking to direct a thriller, and became attached to Happy Birthday to Me. In the press material for the film, he stated: "What attracted me to this script was that the young people stood out as vivid, individual characters. The difference between a good chiller and exploitative junk, at least in my opinion, is whether or not you care about the victims". [3]
Jack Blum, who played Alfred in the film, said that Thompson took the film seriously. Thompson would later direct the Charles Bronson thriller 10 to Midnight (1983), which featured more exploitative material than Happy Birthday to Me. Hollywood actor Glenn Ford was less-than-thrilled to be in a slasher film. Apparently Ford was unpleasant on the set.
The film's make-up effects were done by special effects guru Tom Burman (who replaced Stéphan Dupuis just three weeks before the cameras were due to start rolling). Dupuis later did the duties on another bigger budget Canadian slasher, Visiting Hours (1982), but left the production for undisclosed reasons. Ironically, in an issue of Fangoria from 1981, Burman criticizes the level of gore in films at that time. Director Thompson became known for tossing buckets of blood about on the set of the film to increase the on-screen gore. According to producer John Dunning, with the assistance of special effects man Tom Burman, Thompson "would be splashing blood all over the place". [9]
Happy Birthday to Me finished filming in September 1980. Much of it was shot in and around Loyola College in Montreal, while the drawbridge scenes were actually filmed in Phoenix, New York, just outside Syracuse. [2] The producers found it difficult to find the right bridge closer to the main production, as the expansion of the Highway system had made them increasingly rare. The whole town of Phoenix came to watch the dangerous stunts, where a total of fifteen cars were junked, and one stunt driver was hospitalized with two broken ankles. The bridge itself has since been removed and replaced by a bridge farther to the north. Additional photography occurred on the campuses of Concordia University and McGill University. [10]
During production, the film's screenplay underwent rewrites, including an entirely new ending that featured Ann as the real killer instead of Ginny. [11] According to actress Melissa Sue Anderson, her character of Ginny "was so convincing as the good girl, they didn’t want to sacrifice the audience’s sympathy," leading screenwriters Timothy Bond and Peter Jobin to rework Saxton's screenplay. [11] This mid-production alteration required the special effects team to craft a plaster cast of Anderson's face to design a latex mask, which Ann is revealed to be wearing in the finale. [11]
Bo Harwood and Lance Rubin provided the film's score. Syreeta, one-time wife of Stevie Wonder, provided the closing track, composed by Lance Rubin that plays over the credits. [12]
The Motion Picture Association of America originally granted Happy Birthday to Me an X rating, resulting in Columbia truncating some of its gorier sequences in order to allow for an R rating. [13]
Columbia Pictures acquired Happy Birthday to Me for $3.5 million, following Paramount Pictures' lead with buying Friday the 13th the year before. Columbia reportedly put as much money into promoting the film as it cost to make. The promotional materials for the film boasted its numerous unusual death sequences as "six of the most bizarre murders you will ever see". [2] The theatrical poster featured sub-taglines reading: "John will never eat shish kebab again" and "Steven will never ride a motorcycle again", despite the fact that there is no character named "John" in the film, while Steven is the character who dies by a shish kekab; Etienne is the character who suffers a death via a motorcycle. [2] [3]
Dunning and Link were displeased with the advertising campaign that Columbia Pictures had planned; they thought it should have been more subtle and worried that it might put off as many people as it attracted. They were concerned that only a handful of the murders in the film were truly bizarre and that the audience might feel cheated.[ citation needed ]
Columbia Pictures distributed a promotional manual for Happy Birthday to Me containing numerous ideas for cinemas to promote the film. Although it is not clear how many picture houses really embraced the film's promotion, some of the more colorful ideas were to stage a mini-recreation of the film's final scene (without the bodies), but with a butchered birthday cake with crimson candles surrounded by glittering birthday party hats, all to be set upon a fake coffin. People celebrating their own birthdays were encouraged to bring family and friends with incentives, such as T-shirts and party hats. They also suggested having a member of staff, dressed in funereal black, preventing anyone from entering the auditorium during the final ten minutes. Those in line would then be offered "a bite-sized slice of Virginia's birthday cake" from the concession stand.[ citation needed ]
The promotion manual also featured many ideas for radio disc jockeys to promote the film, including a special 'scream in'. Callers would be asked questions such as, "How would you react if you went to a birthday party … and you were the only person at the dinner table who was still alive?" Those with the best set of lungs would win free passes to the film. The manual also encouraged the DJ's to attend dressed as funeral attendants and give each girl a white lily and each boy a blood-red carnation. [14]
The film was also advertised with trailers both at the cinema and on TV. Most trailers culminate with a birthday cake being split with an axe, although an axe does not actually feature in the film itself.[ citation needed ]
Sony Pictures Home Entertainment released Happy Birthday to Me on DVD in 2004 with an entirely different, uncredited musical score that diverged from the score used in the original cut. [15] In October 2009, Anchor Bay Entertainment re-released the film on DVD with original musical score reintroduced. [16]
In 2012, the film made its premiere on Blu-ray through Mill Creek Entertainment on a double-feature disc paired with the original When a Stranger Calls (1979); this release, like the 2009 DVD, features the original 1981 musical score. The United Kingdom-based home media company Indicator Films released a region-free two-disc Blu-ray and DVD combination package in December 2016, which featured promotional materials, a commentary track, and both the original and alternate musical score. [17] Mill Creek re-released the film as a standalone Blu-ray featuring a retro VHS-inspired slipcover in October 2018. [18] In October 2022, Kino Lorber issued another Blu-ray edition with newly commissioned bonus materials. [19]
Happy Birthday to Me opened in the United States and Canada on May 15, 1981 [20] in 1,124 theatres and grossed $3,712,597 in its opening weekend. [21] It ultimately went on to gross $10.6 million at the North American box office. [4]
Vincent Canby in The New York Times called it a confused ripoff of Friday the 13th and Prom Night (both released in 1980). [22] James Harwood in Variety wrote that the film gets "dumber and dumber until the fitful finale". [23] Linda Gross of the Los Angeles Times referred to the film as a "well-directed, suspenseful and nauseatingly violent horror movie" that is "gratuitously mean", commending it as technically well-made but criticizing it for its violent content. [24] The Baltimore Evening Sun 's Lou Cedrone wrote "it is sad to know that a director of this stature has descended to this, a bloody horror film. The movie has been done with professionalism, but in the end, like The Fan , Happy Birthday to Me is so much bloodletting, all of it in vivid color". [25] Siskel & Ebert chose it as one of their "Dogs of the Week" on an episode of their show in 1981.
Candice Russell of the Fort Lauderdale News praised the film as a "more than competently made chiller", adding that director Thompson "plays out the scenes where we anticipate mayhem like a virtuoso violinist". [26]
Ron Cowan of Statesman Journal commended the acting of Anderson and direction of Thompson, and wrote that he "develops the characters of the young actors enough that they take on the semblance of real people". However, he goes on to call the plot derivative of other films in the genre. [27] Bill Cosford of the Miami Herald gave it a scathing review, criticizing the plot for being "incomprehensible". Cosford wrote that its title and "attractive star" are the only things working for the film. [28]
AllMovie gave the film a mixed review, writing, "Happy Birthday to Me stands out from the slasher movie pack of the early '80s because it pushes all the genre's elements to absurd heights. The murders, plot twists and, especially, the last-minute revelations that are dished up in the final reel don't just deny credibility, they outright defy it". [29]
In a 2022 retrospective assessment for Bloody Disgusting , Paul Lê described the film as "one of the strangest and best 80s slashers to come out of the decade." [11] The same year, Tyler Doupe of Dread Central assessed the film, citing it as a "giallo masquerading as a slasher," noting its use of various plot twists, red herrings, and violent murders, which are common tropes in giallo films. [30]
As of June 2023 [update] , Happy Birthday to Me holds a 29% rating on the review aggregator Rotten Tomatoes based on 14 reviews. [31]
Melissa Sue Anderson is an American-Canadian actress. She began her career as a child actress after appearing in several commercials in Los Angeles. Anderson is known for her role as Mary Ingalls in the NBC drama series Little House on the Prairie (1974–1983), for which she received a nomination for the Primetime Emmy Award for Outstanding Lead Actress in a Drama Series.
Eyeball is a 1975 giallo slasher film written and directed by Umberto Lenzi. It’s an international co-production between Italy and Spain.
A slasher film is a subgenre of horror films involving a killer or a group of killers stalking and murdering a group of people, usually by use of bladed or sharp tools. Although the term "slasher" may occasionally be used informally as a generic term for any horror film involving murder, film analysts cite an established set of characteristics which set slasher films apart from other horror subgenres, such as monster movies, splatter films, supernatural and psychological horror films.
Candyman is a 1992 American gothic supernatural black horror film, written and directed by Bernard Rose and starring Virginia Madsen, Tony Todd, Xander Berkeley, Kasi Lemmons, and Vanessa E. Williams. Based on Clive Barker's short story "The Forbidden", the film follows a Chicago graduate student completing a thesis on urban legends and folklore, which leads her to the legend of the "Candyman", the ghost of an African-American artist and son of a slave who was murdered in the late 19th century for his relationship with the daughter of a wealthy white man.
The final girl or survivor girl is a trope in horror films. It refers to the last girl(s) or woman alive to confront the killer, ostensibly the one left to tell the story. The final girl has been observed in many films, notable examples being Psycho, Voices of Desire, The Texas Chain Saw Massacre, Halloween, Alien, Friday the 13th, A Nightmare on Elm Street, Scream, and Terrifier 2. The term "final girl" was coined by Carol J. Clover in her article "Her Body, Himself: Gender in the Slasher Film" (1987). Clover suggested that in these films, the viewer began by sharing the perspective of the killer, but experienced a shift in identification to the final girl partway through the film.
Friday the 13th Part 2 is a 1981 American slasher film produced and directed by Steve Miner in his directorial debut, and written by Ron Kurz. It is the sequel to Friday the 13th (1980), and the second installment in the franchise. Adrienne King, Betsy Palmer, and Walt Gorney reprise their respective roles from the first film as Alice Hardy, Pamela Voorhees, and Crazy Ralph. Amy Steel and John Furey also star. Taking place five years after the first film, Part 2 follows a similar premise, with an unknown stalker killing a group of camp counselors at a training camp near Crystal Lake. The film marks the debut of Jason Voorhees as the series' main antagonist.
Terror Train is a 1980 slasher film directed by Roger Spottiswoode — in his directorial debut — written by Thomas Y. Drake, and starring Jamie Lee Curtis, Ben Johnson, and Hart Bochner. The film follows a group of pre-medical school students holding a New Year's Eve costume party on a moving train who are targeted by a killer who dons their costumes. It features supporting performances from Sandee Currie, Anthony Sherwood, and David Copperfield.
The Burning is a 1981 American teen slasher film directed by Tony Maylam, and starring Brian Matthews, Leah Ayres, Brian Backer, Larry Joshua, and Lou David. Its plot follows a summer camp caretaker who is horribly burnt from a prank gone wrong, where he seeks vengeance at a nearby summer camp years later. The film marks the debuts of actors Jason Alexander, Fisher Stevens, and Holly Hunter.
My Bloody Valentine is a 1981 Canadian slasher film directed by George Mihalka and written by John Beaird. It stars Paul Kelman, Lori Hallier, and Neil Affleck. The plot tells about a group of young adults who decide to throw a Valentine's Day party, only to incur the vengeful wrath of a maniac in mining gear who begins a killing spree.
Schizoid is a 1980 American slasher film directed and written by David Paulsen, and starring Klaus Kinski, Marianna Hill, Craig Wasson, Christopher Lloyd, and Donna Wilkes. It follows a Los Angeles advice columnist who is subject to a series of threatening anonymous letters, while members of a group therapy she attends are being stalked and murdered by a killer armed with shearing scissors.
Bloody Birthday is a 1981 American slasher film directed by Ed Hunt, produced by Gerald T. Olson, and starring Susan Strasberg, José Ferrer, and Lori Lethin. Its plot follows a group of three children born on the same day during a solar eclipse who begin committing murders on their tenth birthdays. Despite mixed reception, it has since accrued a cult following.
Just Before Dawn is a 1981 American slasher film directed by Jeff Lieberman and starring Chris Lemmon, Gregg Henry, Deborah Benson, Ralph Seymour, Jamie Rose, and George Kennedy. The film follows a group of hikers who travel into a mountainous region of Oregon to visit property inherited by one of them, only to be hunted by a ruthless backwoods killer.
The Mutilator is a 1984 American slasher film written, directed and produced by Buddy Cooper, and co-directed by John S. Douglass. The plot follows a group of college students who travel to an island property during fall break and are stalked and murdered by one of the students' fathers.
The Slayer is a 1982 American independent supernatural horror film directed by J. S. Cardone. Set on a small island near the Atlantic coast, the plot concerns two couples who upon visiting the island get trapped there due to an oncoming hurricane. As one of the women knows from her plaguing nightmares that the island is dangerous, over the next three days they begin to be killed by something unseen. The film is notable for gaining notoriety and being classified in the United Kingdom as a "video nasty" in the 1980s.
Liar's Moon is a 1982 film directed by David Fisher and starring Matt Dillon, Cindy Fisher, Yvonne De Carlo, and Hoyt Axton. It tells the story of two star-crossed lovers in 1940s Texas—a working-class teen and the banker's daughter who elope to much strife. Texas band Asleep At The Wheel provided multiple songs for the film.
Blood Rage is a 1987 American slasher film directed by John Grissmer, written by Bruce Rubin, and starring Louise Lasser, Mark Soper, and Julie Gordon. Set on Thanksgiving, the film follows a woman and her adult son who are stalked at their remote apartment community by the son's unhinged twin brother who has escaped from a psychiatric institution after allegedly murdering a man years earlier.
Nightkill is a 1980 psychological thriller film directed by Ted Post, and starring Jaclyn Smith, Mike Connors, James Franciscus, Robert Mitchum, Fritz Weaver, and Sybil Danning. It follows the wife of a corrupt Phoenix, Arizona industrialist, who finds herself attempting to cover up his murder after her lover poisons him to death.
Superstition is a 1982 American supernatural slasher film directed by James W. Roberson and starring James Houghton, Albert Salmi, and Lynn Carlin. The plot follows a family who move into a house that was once the site of a witch's execution. Though shot in 1981, Superstition was not released in US before 1985.
Ginny Field is a fictional character in the Friday the 13th series. She first appears in Friday the 13th Part 2 (1981) as a child psychology student working as a camp counselor assistant trainer, in which she was portrayed by Amy Steel. Writer Ron Kurtz conceptualized the character, while director Steve Miner intended to utilize Ginny to carry further installments as the main protagonist. Ginny has subsequently seen representation in other media such as novels and fan labor.
Happy Death Day is a 2017 American black comedy slasher film directed by Christopher Landon and written by Scott Lobdell. It stars Jessica Rothe and Israel Broussard. The film follows college student Tree Gelbman, who is murdered on the night of her birthday but begins reliving the day repeatedly, at which point she sets out to find the killer and stop her death. Jason Blum serves as a producer through his Blumhouse Productions company.