The Yellow Balloon | |
---|---|
Directed by | J. Lee Thompson (credited as J. Lee-Thompson) |
Written by | Anne Burnaby J. Lee Thompson |
Produced by | Victor Skutezky |
Starring | Andrew Ray Kenneth More Kathleen Ryan William Sylvester |
Cinematography | Gilbert Taylor |
Edited by | Richard Best |
Music by | Philip Green |
Production company | Marble Arch Productions |
Distributed by | Associated British Picture Corporation Allied Artists (US) |
Release date |
|
Running time | 78 minutes |
Country | United Kingdom |
Language | English |
Box office | £116,245 (UK) [1] |
The Yellow Balloon is a 1953 British drama film directed by J. Lee Thompson and starring Andrew Ray, William Sylvester, Kathleen Ryan, Kenneth More and Hy Hazell. [2] [3] It was Thompson's second feature as director. It was distributed by Associated British and produced by the company's Marble Arch Productions. It was made at Elstree Studios with sets designed by the art director Robert Jones. Location shooting took place around Bayswater and Chelsea including Queensway tube station.
The film is set in the immediate aftermath of the Second World War, in London's East End, amongst the bomb sites.
12-year-old Frankie Palmer (Andrew Ray) loses the sixpence his father has given him to buy a large yellow balloon from a street seller which the boy has set his heart on. He sees that a friend of his, young Ronnie Williams (Stephen Fenemore), has already bought one and Frankie snatches it off him and runs off with it, with Ronnie in hot pursuit.
Ronnie chases Frankie into a large, bombed-out house and they are running about in the ruins when Ronnie slips and falls 30 ft (9 m) to his death. Frankie scrambles down to help, but realises that there is nothing he can do. Hiding in the shadows and seeing it all, Len Turner (William Sylvester), a criminal on the run and using the ruins as a hideout from the police, convinces Frankie that the police will arrest the boy and charge him with the murder of his friend for pushing him to his death and that they must both make their getaway.
Although Frankie and Len agree it was an accident, Len is adamant that the police will not see it that way and Frankie goes off with him. Len blackmails Frankie into stealing money from his parents (Kenneth More and Kathleen Ryan) to help fund Len's escape and then uses the boy as a decoy in a pub robbery that goes horribly wrong when Len murders the pub owner.
Realising that Frankie is the only witness to his crime, Len knows he must kill the boy, too. This develops into a terrifying hide-and-seek chase through a bomb-damaged, abandoned and highly-perilous London Underground station, with Len hot on the heels of Frankie, who is desperately trying to escape with his life. [4]
A tube driver passing at speed through the station sees the pursuit as he speeds past the platform. He reports it at the next station and the police are alerted. They rescue Frankie. In a poetic-justice ending Len walks over a beam over a long drop before falling to his death.
The film was based on an idea of Anne Burnaby. She originally wanted the character of Mary to be a prostitute but was not allowed for censorship reasons. [5] Star Andrew Ray had just appeared in The Mudlark . [6] William Sylvester was an American who settled in Britain after the war.
Filming had definitely begun by May, 1952, as there is an on set photograph available of Andrew Ray celebrating his 13th birthday on May 31 of that year at Elstree Studios blowing out the candles on his birthday cake, surrounded by his parents and other children from the film. [7] The film was shot at Elstree Studios and on location around London. [8]
The Yellow Balloon was one of the first films to be passed with the then new Adults Only "X" certificate by the British Board of Film Censors, which barred anyone under the age of 16 years from being allowed into a cinema to see the film. This was because the censor felt that the chase through the London Underground station in the last reel would be very frightening for young children. Andrew Ray, 13 years old when the film was shot in 1952 and when it was released in 1953, was disappointed that he wasn't allowed to go into a cinema to see his own film because he was under the age of 16. [9]
However, after complaints from cinema exhibitors that the "X" certificate wasn't really necessary for the film and it was losing them the family audience they had relied on up until that time, the BBFC eventually relented and in October 1953 they re-classified the film with an "A" certificate (children under 16 allowed in to see the film if accompanied by an adult). (NOTE: the distributor requested it be reclassified in April 1953, which was rejected and it retained its 'X' certificate).
The Observer called it "a forceful and far from stupid British film which we might have appreciated more had we not seen The Window ." [10] Variety said it "should chalk up modest grosses." [11]
In The New York Times , critic Bosley Crowther wrote: "it is a leisurely sort of chiller that trades intriguingly upon a youngster's far-fetched fears...The moral is, of course, that children should speak up rather than harbor their fears. But they don't. So probably the British will be able to go right on making these variably fascinating films for years." [12]
Percy is a 1971 British comedy film directed by Ralph Thomas starring Hywel Bennett, Denholm Elliott, Elke Sommer and Britt Ekland.
Elstree Studios is a generic term which can refer to several current and demolished British film studios and television studios based in or around the town of Borehamwood and village of Elstree in Hertfordshire, England. Production studios have been located in the area since 1914 when film production began there.
William R. Sylvester was an American actor, chiefly known for his film and television work in the United Kingdom. A graduate of the Royal Academy of Dramatic Art, he was a star of British B-movies in the 1950s and 1960s, but gained widespread recognition for his role as Dr. Heywood Floyd in the landmark science-fiction film 2001: A Space Odyssey (1968).
Invaders from Mars is a 1953 American independent science fiction film directed by William Cameron Menzies and starring Jimmy Hunt, Helena Carter, Arthur Franz, Morris Ankrum, Leif Erickson, and Hillary Brooke. It was produced by Edward L. Alperson Jr. and released by 20th Century-Fox in SuperCinecolor. The film follows David MacLean, a young boy who witnesses a flying saucer behind his home one night. When his father investigates, he returns a changed man; soon David's mother, his neighbors, and others begin to act in the same way. David's panicked story is heard by Dr. Pat Blake, who takes him to astronomer Dr. Stuart Kelston. David soon convinces Kelston, who comes to believe that this is an invading vanguard from Mars.
Andrew Ray was an English actor who was best known as a child star.
Associated British Picture Corporation (ABPC), originally British International Pictures (BIP), was a British film production, distribution and exhibition company active from 1927 until 1970 when it was absorbed into EMI. ABPC also owned approximately 500 cinemas in Britain by 1943, and in the 1950s and 60s owned a station on the ITV television network. The studio was partly owned by Warner Bros. from about 1940 until 1969; the American company also owned a stake in ABPC's distribution arm, Warner-Pathé, from 1958. It formed one half of a vertically integrated film industry duopoly in Britain with the Rank Organisation.
Gate Studios was one of the many studios known collectively as Elstree Studios in the town of Borehamwood, England. Opened in 1928, the studios were in use until the early 1950s. The studios had previously been known as Whitehall Studios, Consolidated Studios, J.H. Studios and M.P. Studios.
Veronica Patricia Hurst was a British film, stage and television actress. Hurst was born in Malta and brought up in Tooting, London.
Cosh Boy is a 1953 British film noir based on an original play by Bruce Walker. It was directed by Lewis Gilbert and featured James Kenney and Joan Collins. It was made at Riverside Studios in Hammersmith.
Street Corner is a 1953 British drama film. It was written by Muriel and Sydney Box and directed by Muriel. It was marketed as Both Sides of the Law in the United States. While it is not quite a documentary, the film depicts the daily routine of women in the police force from three different angles. It was conceived as a female version of the 1950 film The Blue Lamp.
The Final Test is a 1953 British sports film written by Terence Rattigan, directed by Anthony Asquith, and starring Jack Warner, Robert Morley, George Relph and Ray Jackson. A number of leading cricketers also appear including Denis Compton, Len Hutton and Cyril Washbrook. The film was produced by R.J. Minney for Act Films Ltd. It was that company's second film.
Time Bomb is a 1953 British film noir thriller film directed by Ted Tetzlaff and starring Glenn Ford, Anne Vernon and Maurice Denham. It was produced by MGM at the company's Elstree Studios with sets designed by the art director Alfred Junge. In the United States it was released under the title Terror on a Train.
Eyewitness is a 1970 British thriller film directed by John Hough and starring Mark Lester, Susan George and Lionel Jeffries. Its plot follows a young English boy who, while staying with his grandfather and adult sister in Malta, witnesses a political assassination, and is subsequently pursued by the killers—however, due to his habitual lying, those around him are hesitant to believe his claims. It is an adaptation of the novel by Mark Hebden, the pen name for John Harris, and bears similarity to Cornell Woolrich's novelette "The Boy Cried Murder", originally adapted for film as The Window.
Philip Green, sometimes credited as Harry Philip Green or Phil Green, was a British film and television composer and conductor, and also a pianist and accordion player. He made his name in the 1930s playing in and conducting dance bands, performed with leading classical musicians, scored up to 150 films, wrote radio and television theme tunes and library music, and finally turned to church music at the end of his life in Ireland, a song from which period proved so popular that it reached No. 3 on the Irish chart in 1973.
Hilda Lilian Fenemore was an English actress with a prolific career in film and television from the 1940s to the 1990s. Fenemore played mainly supporting roles which were characterised in her obituary in The Stage as "friends, neighbours, mothers and passers-by"; however, her many credits meant that she fell into the category of actresses who a majority of film and TV viewers would have been unable to name, yet whose face was instantly recognisable. Her longest-running role was recurring character Jennie Wren in TV series Dixon of Dock Green, who she played for six series between 1960 and 1965.
Hyacinth Hazel O'Higgins, stage name Hy Hazell, was a British actress of theatre, musicals and revue as well as a contralto singer and film actress. AllMusic described her as "an exuberant comic actor and lively singer and dancer". A pretty brunette, with long legs, she was billed as Britain's answer to Betty Grable.
Albert Edward Walker Evans was an English film and television actor.
The Small Voice is a 1948 British thriller film directed by Fergus McDonell and starring Valerie Hobson, James Donald and Howard Keel. The film is part of a group of British film noir produced around this time. It was based on the 1940 novel of the same name by Robert Westerby.
Edward J. Danziger (1909–1999) and Harry Lee Danziger (1913–2005) were American-born brothers who produced many British films and TV shows in the 1950s and 1960s.
Elstree Studios on Shenley Road, Borehamwood, Hertfordshire is a British film and television production centre operated by Elstree Film Studios Limited. One of several facilities historically referred to as Elstree Studios, the Shenley Road studios originally opened in 1925.