St. Ives | |
---|---|
Directed by | J. Lee Thompson |
Written by | Barry Beckerman |
Based on | The Procane Chronicle 1972 novel by Oliver Bleeck |
Starring | Charles Bronson John Houseman Harry Guardino Harris Yulin Dana Elcar Maximilian Schell Jacqueline Bisset |
Cinematography | Lucien Ballard |
Edited by | Michael F. Anderson |
Music by | Lalo Schifrin |
Distributed by | Warner Bros. |
Release date |
|
Running time | 94 minutes |
Country | United States |
Language | English |
Box office | $2.3 million [2] |
St. Ives is a 1976 American crime thriller film directed by J. Lee Thompson and starring Charles Bronson, John Houseman, Jacqueline Bisset, and Maximilian Schell.
The film was the first of nine collaborations between Bronson and director J. Lee Thompson.
Abner Procane hires Raymond St. Ives, a crime reporter, novelist, and ex-policeman, to return five journals stolen from his safe.
St. Ives becomes embroiled in the task and the deaths of those involved in the theft. The ledgers are eventually returned minus four pages which detail Procane's plan for a robbery. St. Ives decides to join up with Procane and Janet and pull off the robbery.
The novel The Procane Chronicle was published in 1972 written by Ross Thomas under the pen name "Oliver Bleeck". The New York Times said "it should find ready acceptance among readers who like sophistication amid the welter." [3] Film rights were bought in 1972 by Warner Bros who announced it would be made by director Dick Richards as the first of a two-picture deal (the other being W.W. and the Dixie Dancekings . [4] Stanley Canter and Sidney Beckerman were to produce. [5]
The film took a number of years to be made. Eventually Charles Bronson signed to star, with J. Lee Thompson to direct. They later worked on eight other films together, including The White Buffalo , Caboblanco , 10 to Midnight , Murphy's Law , The Evil That Men Do , Death Wish 4: The Crackdown , Messenger of Death and Kinjite: Forbidden Subjects .
Bronson's wife Jill Ireland had appeared in a number of his films but decided not to appear in St Ives. [6] The female lead went to Jacqueline Bisset, who said the film "was less violent than most of Bronson's films, there is more of a romance." [7]
According to Phil Hardy in his book The Overlook Film Encyclopedia: The Gangster Film, Ingmar Bergman visited the set of the film and reported that Charles Bronson was "scandalously underestimated". [8]
The movie is also notable for early film appearances by Michael Lerner, Jeff Goldblum and Robert Englund. Goldblum again portrayed a maniacal street punk, as he had in Death Wish (1974).
The film's box office performance was described as "modest". [2] On Rotten Tomatoes it has an approval rating of 44% based on 9 reviews. [9]
Roger Ebert of the Chicago Sun-Times gave the film 2 stars out of 4 and called it "an ambitious Charles Bronson picture that looks good but finally doesn't quite work. It's got atmosphere, an interesting cast and some nice action scenes. But it bogs down in those speculations that are the bane of all crime mysteries." [10] Richard Eder of The New York Times wrote a modest recommendation, stating that the film "takes itself neither too seriously nor too lightly. Its occasional wit avoids heavy parody; its action avoids heavy reliance on violence, car chases and other such mechanical paraphernalia ... [Bronson] manages a pleasantly tried skepticism while the bodies fall all around." [11]
Arthur D. Murphy of Variety wrote that the film "merely confirms a point: Eliminate gratuitous, offensive and overdone violence from a dull and plodding film story, and all you've got left is a dull and plodding film." [12] Gene Siskel of the Chicago Tribune gave the film 1.5 stars out of 4 and wrote, "The pace of the film is as lethargic as the acting." He added, "'St. Ives' is the kind of picture that introduces critical off-camera incidents at will. It's a mystery that doesn't play fair. It is neither possible to solve nor worth trying." [13]
Charles Champlin of the Los Angeles Times wrote that the film "is what the trade calls a Charles Bronson starrer. It is also what the trade calls a program picture, competent, familiar and uninspired." [14] Gary Arnold of The Washington Post wrote that the film was "easy enough to string along with in an undemanding mood," though "Charles Bronson never seems remotely plausible as the sort of literary Shamus Raymond St. Ives is purported to be." [15]
Winifred Jacqueline Fraser BissetLdH is a British actress. She began her film career in 1965 and first came to prominence in 1968 with roles in The Detective, Bullitt, and The Sweet Ride, for which she received a Golden Globe nomination as Most Promising Newcomer. In the 1970s, she starred in Airport (1970), The Mephisto Waltz (1971), Day for Night (1973), which won the Academy Award for Best Foreign Language Film, Le Magnifique (1973), Murder on the Orient Express (1974), St. Ives (1976), The Deep (1977), The Greek Tycoon (1978) and Who Is Killing the Great Chefs of Europe? (1978), which earned her a Golden Globe nomination as Best Actress – Motion Picture Comedy or Musical.
Charles Bronson was an American actor. He was known for his roles in action films and his "granite features and brawny physique". Bronson was born into extreme poverty in Ehrenfeld, Pennsylvania, a coal mining town in the Allegheny Mountains. Bronson's father, a miner, died when Bronson was young. Bronson himself worked in the mines as well until joining the United States Army Air Forces in 1943 to fight in World War II. After his service, he joined a theatrical troupe and studied acting. During the 1950s, he played various supporting roles in motion pictures and television, including anthology drama TV series in which he would appear as the main character. Near the end of the decade, he had his first cinematic leading role in Machine-Gun Kelly (1958).
Day for Night is a 1973 romantic comedy-drama film co-written and directed by François Truffaut. The metafictional and self-reflexive film chronicles the troubled production of a melodrama, and the various personal and professional challenges of the cast and crew. It stars Jacqueline Bisset, Valentina Cortese, Jean-Pierre Aumont, Dani, Alexandra Stewart, Jean-Pierre Léaud and Truffaut himself.
The Gambler is a 1974 American crime drama film written by James Toback and directed by Karel Reisz. It stars James Caan, Paul Sorvino, and Lauren Hutton. Caan's performance was widely lauded and was nominated for a Golden Globe.
Ross Thomas was an American writer of crime fiction. He is best known for his witty thrillers that expose the mechanisms of professional politics. He also wrote five novels under the pseudonym Oliver Bleeck about professional go-between Philip St. Ives.
Telefon is a 1977 spy film directed by Don Siegel and starring Charles Bronson, Lee Remick and Donald Pleasence. The screenplay by Peter Hyams and Stirling Silliphant is based on the 1975 novel by Walter Wager.
John Lee Thompson was an English film director, screenwriter and producer. Initially an exponent of social realism, he became known as a versatile and prolific director of thrillers, action, and adventure films.
The Prisoner of Second Avenue is a 1975 American black comedy film written by Neil Simon, directed and produced by Melvin Frank and starring Jack Lemmon and Anne Bancroft. Neil Simon adapted the screenplay from his 1971 Broadway play.
Boxcar Bertha is a 1972 American romantic crime drama film directed by Martin Scorsese and produced by Roger Corman, from a screenplay by Joyce H. Corrington and John William Corrington. Made on a low budget, the film is a loose adaptation of Sister of the Road, a pseudo-autobiographical account of the fictional character Bertha Thompson. It was Scorsese's second feature film.
The Deep is a 1977 adventure film based on Peter Benchley's 1976 novel of the same name. It was directed by Peter Yates, and stars Robert Shaw, Jacqueline Bisset and Nick Nolte.
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The Valachi Papers is a 1972 neo noir crime film directed by Terence Young. It is an adaptation of the 1968 non-fiction book of the same name by Peter Maas, with a screenplay by Stephen Geller. It tells the story of Joseph Valachi, a Mafia informant in the early 1960s who was the first ever government witness coming from the American Mafia itself. The film stars Charles Bronson as Valachi and Lino Ventura as crime boss Vito Genovese, with Jill Ireland, Walter Chiari, Joseph Wiseman, Gerald S. O'Loughlin, Guido Leontini, Amedeo Nazzari, Fausto Tozzi, Pupella Maggio, and Angelo Infanti.
Death Wish is a 1974 American vigilante action film directed by Michael Winner. The film, loosely based on the 1972 novel of the same title by Brian Garfield and the first film in the Death Wish film series, stars Charles Bronson as Paul Kersey, alongside Hope Lange, Vincent Gardenia, William Redfield, Kathleen Tolan and Christopher Guest. In the film, Paul Kersey, an architect leading a peaceful life, resorts to vigilantism after his wife is murdered and daughter raped during a home invasion.
The White Buffalo is a 1977 fantasy Western film directed by J. Lee Thompson and starring Charles Bronson, Kim Novak, Jack Warden, Slim Pickens and Will Sampson.
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Love and Bullets is a 1979 action crime film directed by Stuart Rosenberg. and starring Charles Bronson, it is based on a screenplay by Wendell Mayes and John Melson.
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