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Nothing But the Truth | |
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Directed by | Victor Schertzinger |
Written by | John McGowan |
Based on | Nothing But the Truth 1914 novel by Frederic S. Isham 1916 play by James Montgomery |
Produced by | James Montgomery J. G. Bachmann |
Starring | Richard Dix Berton Churchill Ned Sparks Wynne Gibson Helen Kane |
Cinematography | Edward Cronjager |
Edited by | Morton Blumenstock Robert Bassler |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 78 minutes |
Country | United States |
Language | English |
Nothing But the Truth is a 1929 American pre-Code sound comedy film starring Richard Dix, loosely adapted from the play by James Montgomery and the 1914 novel of the same title by Frederic S. Isham. The play was adapted again (more faithfully) as Nothing But the Truth (1941) starring Bob Hope and Paulette Goddard. [1]
Separate French, German and Spanish versions were made at the Joinville Studios in Paris as part of Paramount's policy of multiple-language versions.
Robert Bennett (Richard Dix) is a stockbroker who is very carefree with other people's money. Encouraging clients to buy stocks in companies that are failing is all in a day's work to him. His fiancée Gwenn Burke (Dorothy Hall) has to raise $40,000 for a charity project, comes to him with $10,000 to invest from her charity group, and wants him to double it within five days.
Meanwhile, E. M. Burke (Berton Churchill), Frank Connelly (Louis John Bartels), and Clarence Van Dyke (Ned Sparks) bet Bennett they will pay him each $10,000 if he tells the truth for 24 hours. The men later go to a nightclub where they meet Sabel and Mabel Jackson (Wynne Gibson and Helen Kane), who are a gold-digging sister act.
Mabel Jackson sings Do Something . After the show, the sisters ask Mr. Burke to back their show for them. They are determined to hold Burke to his promise to finance their idea for a show and won't take no for an answer. They hold all the cards, as they have managed to enter Burke's home and refuse to leave without the cash. Mrs. Burke (Madeline Grey) learns from Robert that her husband had promised to back the sisters' show, which makes her furious. Robert continues to answer every question truthfully; his fiancée Dorothy asks him if he loves her and what he has done with all the money, he tells her the answer without telling a lie. By 4pm, Robert has won the $40,000 by telling the truth.
The production credits on the film were as follows:
Bright Eyes is a 1934 American comedy drama film directed by David Butler. The screenplay by William Conselman is based on a story by David Butler and Edwin J. Burke.
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The Valiant is a 1929 American pre-Code drama film released by Fox Film Corporation in the Fox Movietone sound-on-film system on May 19, 1929. It is produced and directed by William K. Howard and stars Paul Muni, Marguerite Churchill, and John Mack Brown. Although described by at least one source as a silent film containing talking sequences, synchronized music, and sound effects, The Valiant has continuous dialogue and is a full "talkie" made without a corresponding silent version.
Strange Interlude is a 1932 American pre-Code drama film directed by Robert Z. Leonard and released by Metro-Goldwyn-Mayer. The film stars Norma Shearer and Clark Gable, and is based on the 1928 play Strange Interlude by Eugene O'Neill. It is greatly shortened from the play: the stage production lasts six hours and is sometimes performed over two evenings, while the film runs for two hours.
Nothing but the Truth is a 1941 American comedy film directed by Elliott Nugent and starring Bob Hope, Paulette Goddard and Edward Arnold. It was produced and distributed by Paramount Pictures. It was Hope and Goddard's third movie together in three years..
Winifred Elaine "Wynne" Gibson was an American actress of the 1930s.
Man of Conquest is a 1939 American Western film directed by George Nicholls Jr. and starring Richard Dix, Gail Patrick, and Joan Fontaine. The film was nominated for three Academy Awards for Best Score, Best Sound, and Best Art Direction.
"Do Something" is a song written by Sam H. Stept and Bud Green for the Paramount Pictures film Nothing But the Truth (1929), in which the song was performed by Helen Kane. The scene of Kane singing this song is missing from the only existing print of the movie.
Up in Mabel's Room is a 1944 American comedy film directed by Allan Dwan and starring Marjorie Reynolds, Dennis O'Keefe and Gail Patrick. It is based on the 1919 play by Wilson Collison and Otto A. Harbach. The film's composer, Edward Paul, was nominated for an Academy Award for Best Original Score in 1945.
Sin Takes a Holiday is a 1930 American pre-Code romantic comedy film, directed by Paul L. Stein, from a screenplay by Horace Jackson, based on a story by Robert Milton and Dorothy Cairns. It starred Constance Bennett, Kenneth MacKenna, and Basil Rathbone. Originally produced by Pathé Exchange and released in 1930, it was part of the takeover package when RKO Pictures acquired Pathé that year; it was re-released by RKO in 1931.
It's a Dog's Life is a 1955 American comedy drama film directed by Herman Hoffman and starring Jeff Richards, Edmund Gwenn and Jarma Lewis. It is adapted from Richard Harding Davis’s 1903 novel The Bar Sinister.
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The Meddler is a 1925 American silent Western film directed by Arthur Rosson and starring William Desmond, Gloria Roy, and Claire Anderson.
Nothing But the Truth is a 1914 comedy novel by the American writer Frederic S. Isham. It was adapted into a hit 1916 Broadway play of the same title.
Nothing But the Truth is a 1920 American silent comedy film directed by David Kirkland and starring Taylor Holmes, Elsie Mackay and Ned Sparks. It is based on the 1916 Broadway play Nothing But the Truth (1916) by James Montgomery which was in turn based on the 1914 novel Nothing But the Truth by Frederic S. Isham.
Yes, Yes, Yvette is a musical in three acts with lyrics by Irving Caesar and music by Philip Charig and Ben Jerome. James Montgomery and William Cary Duncan co-authored the musical's book which was based on Montgomery's 1916 play Nothing But the Truth which was in turn based on Frederic S. Isham's 1914 novel Nothing But the Truth. Producer Harry Frazee envisioned the work as a follow-up to the 1925 hit musical No, No, Nanette, a work which he had brought to the stage, and the work was billed as a companion piece to Nanette. Many of the cast members from Nanette's successful Chicago production also starred in Yvette.