Novella | ||||
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Studio album by | ||||
Released | January 1977 (North America) August 1977 (UK) | |||
Recorded | November 1976 | |||
Studio | De Lane Lea Studios, Wembley, UK | |||
Genre | Progressive rock | |||
Length | 40:15 | |||
Label | Sire (US/Canada) Warner Bros. (UK) | |||
Producer | Renaissance | |||
Renaissance chronology | ||||
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1st (ABC Distribution) US release cover | ||||
Review scores | |
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Source | Rating |
AllMusic | [1] |
Novella is the seventh studio album by the English progressive rock band Renaissance, released in 1977. Bassist Jon Camp began working as a lyricist for this album, making it the first Renaissance album since Illusion (1971) to include songs written entirely by the band members themselves.
For Novella Renaissance returned to De Lane Lea Studios, where they had recorded Ashes Are Burning and Turn of the Cards , wanting to again work with the studio's engineer, Dick Plant. Though Renaissance are credited with producing the album by themselves, the band members have said that Plant essentially co-produced the album, as he did with Ashes Are Burning and Turn of the Cards. [2]
With Novella bassist Jon Camp wrote lyrics for the group for the first time, usually with guitarist Michael Dunford collaborating with him on the music. Camp recalled, "Micky [Dunford] used to come along with the sort of main body of the song and then I used to go and stay at his house in Surrey. We'd spend 2-3 weeks together and then we’d extend the song, we'd write some music to go into it and then we'd take it to rehearsals ..." [3]
The band had done virtually no pre-production or rehearsals of the material before entering the studio, or even worked out the arrangements. As a result, recording the album took two months. [2]
To achieve the percussive effect on "Can You Hear Me?", drummer Terence Sullivan ran a gong through a flanger, while for "Midas Man" he shook a bag filled with coins. [2] While recording "Touching Once (Is so Hard to Keep)", Richard Hewson, who handled the string arrangements for the album, suggested that a member of the orchestra perform a saxophone solo during the song; though Sullivan described the solo as "brilliant", the saxophonist was not credited for this contribution, and none of the members of Renaissance knew his name. [2]
Due to the bankruptcy of the band's UK label BTM, Renaissance had no UK record deal at the time Novella was completed. In the USA, however, they were still under contract to Sire Records, so Pamela Brown, an in-house artist for Sire, painted a cover for Novella, and the album was released in the USA in January 1977. [2] At the time of this original issue, Sire was distributed in the USA by ABC Records.
Though Renaissance selected the design for the cover art from several sketches Brown showed them, they were dismayed when they saw the completed version, according to vocalist Annie Haslam, because "the woman on the cover looks like a nun, or someone symbolic of Mother Mary, which was very misleading." [2] Meanwhile, getting a UK release for the album proved a struggle. CBS Records expressed interest, and even did test pressings of Novella, but ultimately Warner Bros. Records were the label to sign the band. [2] With the UK release not arriving until September, a number of UK fans imported copies of the USA release. Renaissance still wanted the cover art altered to eliminate the nun resemblance, and persuaded Warner Bros. that producing an alternate cover for the UK release could help offset the loss of sales to fans importing the USA version. [2] Accordingly, the UK version used new cover art, again painted by Pamela Brown and still using the same design sketch, but addressing Renaissance's complaints with the original version. Shortly thereafter, Sire changed distribution in the USA to Warner Bros. Records, and the cover artwork was revised to use the same painting as that employed in its UK issue. The 2nd USA issue can most easily be identified by the rendering of the band which takes up the entire back cover; the original ABC-distributed cover features a much smaller painting of the band on the back.
In the USA the album was initially released with unique cover art by Sire Records in March 1977 under its distribution deal with ABC Records, and was assigned the catalog number SA-7526. It was subsequently re-released with revised cover artwork with the catalog number SR-6024 after Sire moved its distribution to Warner. In the UK it was given a scheduled release in the same month by CBS with the catalog number S CBS 82137 and although some test pressings were made, the release did not go ahead. The album was eventually released by Warner Bros. in the UK on 2 September 1977 with the catalog number K 56422. It was also released in Japan in 1978 on the Warner Brothers / Pioneer label, catalog number WB P10492W.
The album charted at No. 46 in the Billboard 200 chart in the USA. [4]
The song "Can You Hear Me?" was sampled in the Deep Puddle Dynamics' We Ain't Fessin' (Double Quotes) , and Blockheads' Music by Cavelight track "Sunday Seance".[ citation needed ]
Esoteric Recordings released a re-mastered, three CD expanded edition of the album on 5 July 2019. [5]
No. | Title | Writer(s) | Length |
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1. | "Can You Hear Me? [lower-alpha 1] " | Jon Camp, Michael Dunford, Betty Thatcher | 13:39 |
2. | "The Sisters" | Dunford, Thatcher, John Tout | 7:14 |
No. | Title | Writer(s) | Length |
---|---|---|---|
3. | "Midas Man" | Dunford, Thatcher | 5:45 |
4. | "The Captive Heart" | Camp, Dunford | 4:12 |
5. | "Touching Once (Is So Hard to Keep)" | Camp, Dunford | 9:25 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Can You Hear Me?" | Jon Camp, Michael Dunford, Betty Thatcher | 13:39 |
2. | "The Sisters" | Dunford, Thatcher, John Tout | 7:14 |
3. | "Midas Man" | Dunford, Thatcher | 5:45 |
4. | "The Captive Heart" | Camp, Dunford | 4:16 |
5. | "Touching Once (Is So Hard to Keep)" | Camp, Dunford | 9:25 |
6. | "Can You Hear Me?" (single edit [lower-alpha 2] ) | Jon Camp, Michael Dunford, Betty Thatcher | 8:08 |
7. | "Midas Man" (single edit) | Dunford, Thatcher | 3:32 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Prologue" | Dunford | |
2. | "Can You Understand" | Dunford, Thatcher, Maurice Jarre [lower-alpha 3] | |
3. | "Carpet of the Sun" | Dunford, Thatcher | |
4. | "Can You Hear Me?" | Camp, Dunford, Thatcher | |
5. | "Song of Scheherazade"
|
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Running Hard" | Dunford, Thatcher | |
2. | "Midas Man" | Dunford, Thatcher | |
3. | "Mother Russia" | Dunford, Thatcher | |
4. | "Touching Once (Is So Hard to Keep)" | Camp, Dunford | |
5. | "Ashes Are Burning" | Dunford, Thatcher |
Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit "Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female lead vocal with a fusion of classical, folk, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 1970s, and that region remains their strongest fan base.
And Then... Along Comes the Association is the debut studio album by the American sunshine pop band the Association and was released on Valiant Records, in July 1966. It became one of the top-selling LPs in America, peaking at number five, and remains the Association's most successful album release, except for their Greatest Hits compilation. The album's success was primarily credited to the inclusion of their two U.S. hits "Along Comes Mary" and "Cherish", which peaked at number seven and number one respectively on the Billboard Hot 100; "Cherish" was number one on Billboard's Top 40 list for three weeks starting in September 24, 1966.
Scheherazade and Other Stories is the sixth studio album by the English progressive rock band Renaissance, released in 1975. Some critics consider it their best album, although others prefer earlier albums. This is the first album in which Renaissance did not use quotes from actual classical pieces and the first not to feature any songwriting credits from the original members. Contrary to popular belief, "Song of Scheherazade" is not based on Nikolai Rimsky-Korsakov's Scheherazade, but does have a brief recurring motif that alludes to that work.
Prologue is the third studio album by the English progressive rock band Renaissance, released in 1972.
Ashes Are Burning is the fourth studio album by the English progressive rock band Renaissance, released in 1973. It was the first of several Renaissance albums to feature an orchestra playing along with the band. It was the band's first album to make the Billboard 200 album chart, peaking at No. 171.
Turn of the Cards is the fifth studio album by the English progressive rock band Renaissance, released in 1974. It was the last Renaissance studio album to include excerpts from existing classical pieces. It was also the first album recorded by the group after Michael Dunford, who had written songs for their previous three albums, joined the group as an acoustic guitarist.
Live at Carnegie Hall is a 1976 live double album by the English progressive rock band Renaissance. It presented songs from all of the band's Annie Haslam-era studio albums thus far, including the forthcoming Scheherazade and Other Stories.
A Song for All Seasons is the eighth studio album by the English progressive rock band Renaissance, released in 1978. It marked the return of electric guitars to the band's music after several years of absence. "Northern Lights" from the album reached the top ten on the UK Singles Chart and is the band's only UK chart single.
Azure d'Or is the ninth studio album by the English progressive rock band Renaissance, released in 1979.
Camera Camera is the tenth studio album by the English progressive rock band Renaissance, released in 1981.
Time-Line the eleventh studio album by the English progressive rock band Renaissance, released in 1983. It was the last album released by Renaissance before they disbanded in 1987.
Annie in Wonderland is the first solo album by Annie Haslam, vocalist with the 1970s band Renaissance. It was produced by Roy Wood, who also wrote some of the material, arranged all the songs, played nearly all of the instruments, and illustrated the cover. The album features a range of musical styles enabling Haslam to experiment with vocal styles outside the ethos of Renaissance. The range for which Haslam is well-known is still apparent, however, especially in the showcase number "Rockalise". The album peaked at No. 167 on the Billboard "pop albums" chart.
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Betty Thatcher was an English lyricist who wrote many of the lyrics for the progressive rock band Renaissance.
"Mother Russia" is the closing song on Renaissance's 1974 album Turn of the Cards. It also appears on the 1976 live album Live at Carnegie Hall, the compilation Tales of 1001 Nights, Vol. 1, and several other Renaissance concert albums.
Nevada were a British folk/progressive rock band and a spin-off from Renaissance, featuring Annie Haslam on vocals and Mick Dunford on guitar. Their Christmas single, "In the Bleak Midwinter", reached the lower edges of the UK singles chart in 1983.
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Grandine il vento is the 13th studio album by the English progressive rock band Renaissance, first released in 2013 and re-released as Symphony of Light in 2014. It was financed through a Kickstarter campaign.
"Northern Lights" is a song by the English progressive rock band Renaissance, released in 1978 from their album A Song for All Seasons. It was the band's only hit single, reaching No. 10 on the UK Singles Chart.