An octagonal church has an octagonal (eight-sided polygon) architectural plan. The exterior and the interior (the nave) may be shaped as eight-sided polygon with approximately equal sides or only the nave is eight-sided supplemented by choir and porch (or narthex) attached to the octagon. This architectural plan is found in some 70 churches in Norway. Among these Hospitalskirken in Trondheim is the oldest. [1] This type of church plan spread from the Diocese of Nidaros to other parts of Norway. Virtually all octagonal churches in Norway are constructed as log buildings mostly covered by clapboards. [2] Some of the largest churches in Norway are octagonal and the list includes important cultural heritage monuments such as Trinity Church (Oslo), Sør-Fron Church, and Røros Church. [3] [4]
This is the bright and solemn church room of classicism, whether it is such a large building [as Røros Church] or the modest rural log churches, the interior is covered and interconnected by cheerful colors of the Roccoco in marbling and ceiling. This was our last independent contribution to ecclesiastical architecture.
— Leif Østby, Norges Kunsthistorie [4]
During the Middle Ages, some 1000 wooden stave churches and only 270 stone churches were erected in Norway. [5] During the 15th and 16th centuries, virtually no new churches were built. [6] When church building resumed around the year 1600, most stave churches disappeared and were often replaced by log churches. While in most of Europe, only masonry churches were built, wood construction still dominated in Norway. [5] During the 1600s, the cruciform floor plan tended to replace the traditional simple rectangular "long church". In the cruciform church, the view to the altar is partly obstructed by walls, a drawback that is not found in the octagonal shape. The octagonal shape also allows the pulpit to be the focal point, according to the ideals of the Reformation where the spoken word (the sermon) should be the central act during a worship service. Lorentz Dietrichson believed that the octagonal church became popular because of the rationalism's need for the church as a lecture hall ("auditorium"). [7]
In 1686, the first octagonal church in Norway, Vrådal Church, was constructed in Vrådal (in Telemark). It was a log building that replaced a medieval stave church. [8] The Vrådal church apparently did not influence subsequent octagonal buildings in Norway. [7] Inspiration for the first octagonal churches in Trøndelag probably came from elsewhere in Protestant Europe. [7] Some octagonal churches within Lutheranism were erected at the same time in Sweden and Germany for instance Zum Friedefürsten Church in Saxony and Järlåsa Church in Sweden. In the Netherlands, the reformed church in Willemstad, North Brabant, Koepelkerk (Domed Church) (1607), the first Protestant church building in the Netherlands, was given an octagonal shape according to Calvinism's focus on the sermon. [9] The Oostkerk, Middelburg is a domed, octagonal church erected from 1648 to 1667. Johan Christopher Hempel, architect and master builder of Hospitalskirken in Trondheim, was probably from the Netherlands where the octagonally shaped church first appeared and spread to other Protestant countries in Northern Europe. The octagonal floor plan came to Denmark when Frederiksberg Church was built by Dutch Felix Dusart. Dusart used a church in his Dutch hometown as a model. Frederiksberg Church is in turn regarded as the model for the octagonal baroque church (1756) in Rellingen, Schleswig-Holstein. [7] The Rellingen Church, a key baroque monument in Schleswig-Holstein, is shown on the town's coat of arms. The baroque Katharinenkirche in Großenaspe, Schleswig-Holstein, is an octagonal design with "pulpit altar" (″Kanzelaltar″ in German) used for instance in Sør-Fron Church. During the 18th century, both Schleswig-Holstein and Norway were a part of the Kingdom of Denmark-Norway. Hosar suggests that Norwegian troops did military service in Schleswig-Holstein, and may have observed the new churches being constructed there at the time. [7]
The octagonal shape provides a more rigid log structure than the simple rectangular long church design, allowing a larger nave to be built. Christie believes that this is why the octagonal design was adopted alongside the cruciform plan. [2] [10] Starting in 1810, ten octagonal churches were erected in the rural interior parts of Agder, most of these constructions used Hornnes Church as model. [11]
Virtually all octagonal churches in Norway are built from timber in a log construction, notable exceptions are Sør-Fron Church, Vang Church at Ridabu in Hamar, and Røros Church (stone buildings). Trinity Church (Oslo) is the only octagonal church in Norway built in red brick. These masonry buildings are also the largest among the octagonal churches. The octagonal plan creates different angles and accordingly more challenging work for the carpenter compared to buildings with straight angels such as the cruciform plan. [1] The cruciform plan was the dominant church design in Norway when the octagonal plan was introduced. The octagonal plan offers better view of the choir compared to the cruciform plan. The octagonal plan also creates a more rigid wood construction then the simple rectangular plan ("long church" or "hall church") allowing taller and wider buildings with a single room. Håkon Christie believed that these are the reasons the octagonal church became popular in Norway. [2] In the basilica-shaped Samnanger church, the corners of the aisles are cut creating an octagonal plan. This design was chosen to make the walls shorter and avoiding the need to splice logs. [12]
Until the 19th century, Norwegian churches were often designed and constructed by master builders rather than by professionally trained architects. [13] Johan Christopher Hempel, chief mason and builder of Trondheim, designed the two oldest existing octagonal churches. Master builder and politician Elling Olsson Walbøe designed and constructed at least three octagonal churches. [14] Parish priests were also involved, at least three octagonal churches were designed by their respective pastors (Ulstein Church, Old Stordal Church, and Vang Church). For instance, Abraham Pihl designed the large Vang Church in Ridabu. [15] A large number of churches, including several octagonal, were constructed according to prototypes compiled by Hans Linstow. [16]
The prominent architect Christian H. Grosch were responsible for a number of churches in Norway, including the basic plan for several octagonal churches, including
Farmer and "founding father" Lars Larsen Forsæth produced drawings used to build at least three octagonal churches: [11]
During the period from 1750 to 1830, about 230 churches were constructed in Norway. Among these, 35 were octagonal, 62 were long churches (single nave hall church) and 110 were given a cruciform floor plan. During this period, 17 octagonal churches appeared in the Diocese of Nidaros (all of Norway north of the Dovrefjell mountains). Later, these church designs became popular in rural Agder. [7]
Muri [13] in 1975 made a survey of existing churches built since Christianity was introduced in Norway until World War II:
Type of building | Count |
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Stave church | 31 |
Medieval stone church | 157 |
Long church | 850 |
Cruciform | 190 |
Octagonal | 74 |
Y-shape | 5 |
Square floor plan | 15 |
In addition to the existing churches listed, some octagonal churches were demolished and replaced. Previous octagonal churches (year built-year dismantled), included in statistics: [2]
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Some of the largest churches in Norway are octagonal:
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Støren Church is a parish church of the Church of Norway in Midtre Gauldal municipality in Trøndelag county, Norway. It is located in the village of Støren. It is the church for the Støren parish which is part of the Gauldal prosti (deanery) in the Diocese of Nidaros. The red, wooden church was built in an octagonal design in 1817 using plans drawn up by the architects Svend Aspaas and Lars Forseth. The church seats about 400 people.
Strinda Church is a parish church of the Church of Norway in Trondheim municipality in Trøndelag county, Norway. It is located in the Strinda area in the city of Trondheim. It is the church for the Strinda parish which is part of the Strinda prosti (deanery) in the Diocese of Nidaros. The white, wooden church was built in a cruciform design with a Neo-gothic style in 1900 using plans drawn up by the architects Lars Solberg and Johan Christensen. The church seats about 300 people.
Åsen Church is a parish church of the Church of Norway in Levanger municipality in Trøndelag county, Norway. It is located in the village of Åsen. It is the church for the Åsen parish which is part of the Stiklestad prosti (deanery) in the Diocese of Nidaros. The white, wooden church was built in a long church plan and in a Swiss chalet style in 1904 using plans drawn up by the architect Ole Røising. The church seats about 400 people.
Dolstad Church is a parish church of the Church of Norway in Vefsn Municipality in Nordland county, Norway. It is located in the town of Mosjøen. It is the church for the Dolstad parish which is part of the Indre Helgeland prosti (deanery) in the Diocese of Sør-Hålogaland. The red, wooden church was built in an octagonal style in 1734 by the architect Nils Pedersen Beck. The church seats about 500 people.
Vågan Church is a parish church of the Church of Norway in Vågan Municipality in Nordland county, Norway. It is located in the village of Kabelvåg on the island of Austvågøya. It is the church for the Vågan parish which is part of the Lofoten prosti (deanery) in the Diocese of Sør-Hålogaland. The yellow, wooden church was built in a cruciform style in 1898 using plans drawn up by the architect Carl J. Bergstrøm. The church seats about 1,200 people, making it the largest wooden building in Northern Norway, hence the nickname Lofoten Cathedral.
Sør-Fron Church is a parish church of the Church of Norway in Sør-Fron Municipality in Innlandet county, Norway. It is located in the village of Hundorp. It is the church for the Sør-Fron parish which is part of the Sør-Gudbrandsdal prosti (deanery) in the Diocese of Hamar. The white, stone church was built in an octagonal design in 1792 using plans drawn up by the architect Svend Aspaas. The church seats about 750 people.
Abraham Pihl was a Norwegian clergyman, astronomer, and architect.
Grytten Church is a parish church of the Church of Norway in Rauma Municipality in Møre og Romsdal county, Norway. It is located near the mouth of the Rauma River in the village of Veblungsnes. It is the church for the Grytten parish which is part of the Indre Romsdal prosti (deanery) in the Diocese of Møre. The red, wooden church was built in an octagonal design in 1829 using plans drawn up by the architect S.H. Aspaas, possibly using the Sør-Fron Church as a model. The church seats about 250 people.
Church building in Norway began when Christianity was established there around the year 1000. The first buildings may have been post churches erected in the 10th or 11th century, but the evidence is inconclusive. For instance under Urnes Stave Church and Lom Stave Church there are traces of older post churches. Post churches were later replaced by the more durable stave churches. About 1,300 churches were built during the 12th and 13th centuries in what was Norway's first building boom. A total of about 3,000 churches have been built in Norway, although nearly half of them have perished. From 1620 systematic records and accounts were kept although sources prior to 1620 are fragmented. Evidence about early and medieval churches is partly archaeological. The "long church" is the most common type of church in Norway. There are about 1620 buildings recognized as churches affiliated with the Church of Norway. In addition, there are a number of gospel halls belonging to the lay movement affiliated with the Church of Norway as well as churches belonging to other Christian bodies. Until the 20th century, most churches were built from wood. 220 buildings are protected by law, and an additional 765 are listed as valuable cultural heritage.
Flekkefjord Church is a parish church of the Church of Norway in the large Flekkefjord Municipality in Agder county, Norway. It is located in the town of Flekkefjord. It is the church for the Flekkefjord parish which is part of the Lister og Mandal prosti (deanery) in the Diocese of Agder og Telemark. The white, wooden church was built in the Empire style and in an octagonal design in 1833 using plans drawn up by the architect Hans Linstow. The church seats about 650 people.
Hidra Church is a parish church of the Church of Norway in the large Flekkefjord Municipality in Agder county, Norway. It is located in the village of Kirkehamn on the island of Hidra. It is the church for the Hidra parish which is part of the Lister og Mandal prosti (deanery) in the Diocese of Agder og Telemark. The white, wooden church was built in a octagonal design in 1854 using plans drawn up by the architect Christian Heinrich Grosch. The church seats about 700 people.
Gyland Church is a parish church of the Church of Norway in the large Flekkefjord Municipality in Agder county, Norway. It is located in Nuland, a few kilometers southwest of the village of Gyland. It is the church for the Gyland parish which is part of the Lister og Mandal prosti (deanery) in the Diocese of Agder og Telemark. The white, wooden church was built in a cruciform design in 1815 using plans drawn up by an unknown architect. The church seats about 300 people.
Werner Olsen was a Norwegian church builder and a tower builder with a legendary reputation. He is also known as Werner Olsen Skurdal in reference to the last residence he lived at.
Sødorp Church is a parish church of the Church of Norway in Nord-Fron Municipality in Innlandet county, Norway. It is located in the town of Vinstra. It is the church for the Sødorp parish which is part of the Nord-Gudbrandsdal prosti (deanery) in the Diocese of Hamar. The brown, wooden church was built in a cruciform design in 1752 using plans drawn up by the architects Per Korpberget and his son Jens Korpberget. The church seats about 300 people.
Øvre Vang Church is a parish church of the Church of Norway in Hamar Municipality in Innlandet county, Norway. It is located in the village of Slemsrud. It is one of the churches for the Vang parish which is part of the Hamar domprosti (deanery) in the Diocese of Hamar. The red, wooden church was built in a cruciform design in 1907 using plans drawn up by the architects Johan Joachim Meyer and Andreas Bugge. The church seats about 300 people.
Vrådal Church is a parish church of the Church of Norway in Kviteseid Municipality in Telemark county, Norway. It is located in the village of Vrådal. It is one of the churches in the Kviteseid parish which is part of the Øvre Telemark prosti (deanery) in the Diocese of Agder og Telemark. The white, wooden church was built in a long church design in 1887 using plans drawn up by the architect Christian Grosch. The church seats about 170 people.
Flåbygd Church is a parish church of the Church of Norway in Nome Municipality in Telemark county, Norway. It is located in the village of Flåbygd. It is one of the churches in the Lunde og Flåbygd parish which is part of the Øvre Telemark prosti (deanery) in the Diocese of Agder og Telemark. The white, wooden church was built in a cruciform design in 1822 using plans drawn up by the architect Gunnar Knutson Saga. The church seats about 180 people.
A pulpit altar or pulpit-altar is an altar in a church that is built together with a pulpit that is designed as an extension above the altar, so the pulpit, altar, and altarpiece form one unit. This type of altar is typical in a Baroque style church whereas earlier medieval churches and many more modern churches tend to have the more common free-standing pulpit that was set apart from the altar. This design became popular after the Protestant Reformation in Lutheran churches. It was first built to emphasize the importance of the sermon and the preaching of the Word of God in the worship service. It also symbolizes that the Word of God stands together with the sacraments which takes place on the altar below. The first pulpit altars appeared in the German areas of Europe and in the baroque churches of the 1600s and 1700s. Sometimes the organ was placed above the pulpit as well to symbolize that music was also central to the church.
Rauland Church is a parish church of the Church of Norway in Vinje Municipality in Telemark county, Norway. It is located in the village of Rauland on the shore of the lake Totak. It is one of the churches for the Rauland parish which is part of the Øvre Telemark prosti (deanery) in the Diocese of Agder og Telemark. The white, wooden church was built in a cruciform design in 1803 using plans drawn up by the architect Jarand Rønjom. The church seats about people.
Brevik Church is a parish church of the Church of Norway in Porsgrunn Municipality in Telemark county, Norway. It is located in the village of Brevik. It is one of the churches for the Eidanger parish which is part of the Skien prosti (deanery) in the Diocese of Agder og Telemark. The grey, concrete church was built in a rectangular design in 1963 using plans drawn up by the architect Gudolf Blakstad. The church seats about 450 people.