Old Enough | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1982 | |||
Studio | Muscle Shoals Sound Studio | |||
Genre | Blues, pop, blues rock, R&B | |||
Label | Asylum | |||
Producer | Glenn Frey, Jerry Wexler | |||
Lou Ann Barton chronology | ||||
|
Old Enough is an album by the American musician Lou Ann Barton, released in 1982. [1] [2] It was a commercial disappointment that resulted in personal and music business problems for Barton. [3] [4] The album was reissued in 1993 and in 2007. [5] [6]
The album was produced by Glenn Frey and Jerry Wexler. [7] It was Frey's first time producing another musician's work. [8] Old Enough was recorded at Muscle Shoals Sound Studio, where Barton was backed by the Muscle Shoals Rhythm Section. [9] [10] Jimmie Vaughan played guitar on the album. [11] "It's Raining" was written by Allen Toussaint. [12] "Finger Poppin' Time" is a cover of the Hank Ballard song; "Brand New Lover" is a cover of the Marshall Crenshaw song. [6] [7] "The Sudden Stop" is a cover of the song made famous by Percy Sledge. [13]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | C+ [14] |
MusicHound Blues: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The New York Times called the album "the freshest, most emotionally compelling pop debut in the last year," stating that "it's difficult to make gritty, soulful albums these days; transistorized recording equipment and advanced computer technology get in the way... But Mr. Wexler and Mr. Frey have been able to get a band sound out of their Muscle Shoals musicians that's full, rich and centered, a sound with a bluesy edge." [8] The Globe and Mail noted the "pure rhythm and blues." [10] The Washington Post wrote that "Barton's style has a smoky nasality appropriate for a blues vocalist, but there's a gutsy quality often lacking in female blues covers." [12] Robert Christgau panned Barton's "tractability," opining that she adopted different personas for her producers. [14]
AllMusic deemed the album "a solid piece of soulful Texas-style blues-rock." [9]
No. | Title | Length |
---|---|---|
1. | "I'm Old Enough" | |
2. | "Brand New Lover" | |
3. | "It's Raining" | |
4. | "It Ain't Right" | |
5. | "Finger Poppin' Time" | |
6. | "Stop These Teardrops" | |
7. | "The Sudden Stop" | |
8. | "The Doodle Song" | |
9. | "Maybe" | |
10. | "Every Day of the Week" |
Muscle Shoals is the largest city in Colbert County, Alabama, United States. It is located on the left bank of the Tennessee River in the northern part of the state and, as of the 2010 census, its population was 13,146. The estimated population in 2019 was 14,575.
I Never Loved a Man the Way I Love You is the tenth studio album by American singer Aretha Franklin, released on March 10, 1967 by Atlantic Records. It was Franklin's first release under her contract with the label, following her departure from Columbia Records after nine unsuccessful jazz standard albums, and marked a commercial breakthrough for her, becoming her first top 10 album in the United States, reaching number 2 on the Billboard 200. Two singles were released to promote the album: "Respect" and "I Never Loved a Man ". The former topped the Billboard Hot 100, while latter reached the top 10.
Gerald Wexler was a music journalist turned music producer, and was a major influence on American popular music from the 1950s through the 1980s. He coined the term "rhythm and blues", and was integral in signing and/or producing many of the biggest acts of the time, including Ray Charles, the Allman Brothers, Chris Connor, Aretha Franklin, Led Zeppelin, Wilson Pickett, Dire Straits, Dusty Springfield and Bob Dylan. Wexler was inducted to the Rock and Roll Hall of Fame in 1987 and in 2017 to the National Rhythm & Blues Hall of Fame.
Against the Wind is the eleventh studio album by American rock singer Bob Seger and his third which credits the Silver Bullet Band. Like many of his albums, about half of the tracks feature the Muscle Shoals Rhythm Section as backing musicians. It was released in February 1980. It is Seger's only number-one album to date, spending six weeks at the top of the Billboard Top LPs chart, knocking Pink Floyd's The Wall from the top spot. Seger said that the album "is about trying to move ahead, keeping your sanity and integrity at the same time."
Dusty in Memphis is the fifth studio album by English singer Dusty Springfield. Initial sessions were recorded at American Sound Studio in Memphis, while Springfield's final vocals and the album's orchestral parts were recorded at Atlantic Records' New York City studios. The album was released in March 1969 in the United States by Atlantic Records, and Philips Records distributed the record outside the U.S. Springfield worked on the album with a team of musicians and producers that included Jerry Wexler, Arif Mardin, Tom Dowd, conductor Gene Orloff, backing vocalists the Sweet Inspirations, bassist Tommy Cogbill, and guitarist Reggie Young.
Phases and Stages is the 17th studio album by American country music singer-songwriter Willie Nelson, released in March 1974. It followed the moderate success of his first Atlantic Records release, Shotgun Willie. Nelson met producer Jerry Wexler at a party where Nelson sang songs from an album he planned to record. The single "Phases and Stages" was originally recorded the same year. Nelson recorded the album at Muscle Shoals Sound Studios in two days and Wexler produced it.
"I Never Loved a Man (The Way I Love You)" is a 1967 single released by American soul singer Aretha Franklin. Released on Atlantic Records as the first big hit of her career and the lead single from her tenth studio album of the same name, it became a defining song for Franklin, peaking at number one on the rhythm and blues charts and number nine on the pop charts. The B-side was "Do Right Woman, Do Right Man". Before this Franklin had placed only two Top 40 singles on the pop chart during her modest tenure with Columbia Records.
The Muscle Shoals Rhythm Section is a group of American session musicians based in the northern Alabama town of Muscle Shoals. One of the most prominent American studio house bands from the 1960s to the 1980s, these musicians, individually or as a group, have been associated with more than 500 recordings, including 75 gold and platinum hits. They were masters at creating a southern combination of R&B, soul and country music known as the "Muscle Shoals sound" to back up black artists, who were often in disbelief to learn that the studio musicians were white. Over the years from 1962 to 1969, there have been two successive groups under the name "Muscle Shoals Rhythm Section" and the common factor in the two was an association with Rick Hall at FAME Studios in Muscle Shoals.
Muscle Shoals Sound Studio is an American recording studio in Sheffield, Alabama, formed in 1969 by four session musicians known as The Muscle Shoals Rhythm Section. They had left nearby FAME Studios in Muscle Shoals to create their own recording facility.
Boz Scaggs is the second studio album by American musician Boz Scaggs, released in 1969 by Atlantic Records. A stylistically diverse album, Boz Scaggs incorporates several genres, including Americana, blue-eyed soul, country, and rhythm and blues. The lyrics are about typical themes found in blues songs, such as love, regret, guilt, and loss. Scaggs recorded the album at Muscle Shoals Sound Studio with producer Jann Wenner, the co-founder of Rolling Stone magazine. The Muscle Shoals Rhythm Section heavily contributed to the album, which included a young Duane Allman, before his rise to fame with the Allman Brothers Band.
This Girl's in Love with You is the sixteenth studio album by American singer Aretha Franklin, released on January 15, 1970 by Atlantic Records. It reached Billboard's Top 20 and was reissued on compact disc through Rhino Records in 1993. Her version of The Beatles' "Let It Be" was the first recording of the song to be commercially issued. Songwriter Paul McCartney sent Franklin and Atlantic Records a demo of the song as a guide.
Lou Ann Barton is an American blues singer based in Austin, Texas since the 1970s. AllMusic noted that "The grace, poise, and confidence she projects on-stage is part of a long tradition for women blues singers".
FAME Studios is a recording studio located at 603 East Avalon Avenue in Muscle Shoals, Alabama, an area of northern Alabama known as the Shoals. Though small and distant from the main recording locations of the American music industry, FAME has produced many hit records and was instrumental in what came to be known as the Muscle Shoals sound. It was started in the 1950s by Rick Hall, known as the Founder of Muscle Shoals Music. The studio, owned by Hall until his death in 2018, is still actively operating. It was added to the Alabama Register of Landmarks and Heritage on December 15, 1997, and was listed on the National Register of Historic Places in 2016. The 2013 award-winning documentary Muscle Shoals features Rick Hall, the Muscle Shoals Rhythm Section, and the Muscle Shoals sound originally popularized by FAME.
Barry Edward Beckett was an American keyboardist, session musician, record producer, and studio founder. He is best known for his work with David Hood, Jimmy Johnson, and Roger Hawkins, his bandmates in the Muscle Shoals Rhythm Section, which performed with numerous notable artists on their studio albums and helped define the "Muscle Shoals sound".
T-Bird Rhythm is the fourth studio album by Texas-based blues rock band the Fabulous Thunderbirds, released in 1982. The recording contains a mixture of covers and originals. Chrysalis dropped the band following the release of the album.
Juke Box Music is an album by singer Doug Sahm released by Antone's Record Label in January 1989. Sahm returned to Austin, Texas in 1988 after living and experiencing success with his music in Sweden and Canada. Upon his return, Sahm started to perform at the Austin night club Antone's. The owner of the club, Clifford Antone signed him to his independent record label.
Read My Lips is an album by the American singer Lou Ann Barton, released in 1989. The Plain Dealer called the album a throwback to a time when "regional styles flourished, were celebrated and enriched popular music."
Adequate Desire is an album by the American musician Michael Hall, released in 1994. The album title comes from a line in an Emily Dickinson poem. Hall supported the album with a North American tour.
Preacher and the President is an album by the American musician Joe Louis Walker, released in 1998 through Verve Records. Walker supported the album with a North American tour, backed by the Bosstalkers. The album was nominated for a W. C. Handy Award.
Fear No Evil is an album by the American musician Robert Ward, released in 1991. He is credited with his band, the Black Top All-Stars. Ward supported the album with a North American tour. Ann Peebles covered the title track on her 1992 album, Full Time Love.