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One Thousand and One Nights is a collection of Middle Eastern folktales compiled in the Arabic language during the Islamic Golden Age. It is often known in English as the Arabian Nights, from the first English-language edition, which rendered the title as The Arabian Nights' Entertainment.
Aladdin is a Middle-Eastern folk tale. It is one of the best-known tales associated with One Thousand and One Nights, despite not being part of the original text; it was added by the Frenchman Antoine Galland, based on a folk tale that he heard from the Syrian storyteller Hanna Diyab.
Aladdin and the King of Thieves is a 1996 American direct-to-video animated musical fantasy adventure film produced by Walt Disney Television Animation. It is the second sequel to Disney's 1992 animated feature film Aladdin, and it serves as the final chapter and installment of the Arabian Nights-inspired Disney franchise beginning with the first film, and continuing with its first direct-to-video sequel The Return of Jafar and the animated television series.
Aladdin is a folk tale of Middle Eastern origin.
Sir George Edward Wade, CBE, known professionally as George Robey, was an English comedian, singer and actor in musical theatre, who became known as one of the greatest music hall performers of the late 19th and early 20th centuries. As a comedian, he mixed everyday situations and observations with comic absurdity. Apart from his music hall acts, he was a popular Christmas pantomime performer in the English provinces, where he excelled in the dame roles. He scored notable successes in musical revues during and after the First World War, particularly with the song "If You Were the Only Girl ", which he performed with Violet Loraine in the revue The Bing Boys Are Here (1916). One of his best-known original characters in his six-decade long career was the Prime Minister of Mirth.
The Adventures of Prince Achmed is a 1926 German animated fairytale film by Lotte Reiniger. It is the oldest surviving animated feature film. The Adventures of Prince Achmed features a silhouette animation technique Reiniger had invented that involved manipulated cutouts made from cardboard and thin sheets of lead under a camera. The technique she used for the camera is similar to Wayang shadow puppets, though hers were animated frame by frame, not manipulated in live action. The original prints featured color tinting. Reiniger also used the first form of a multiplane camera in making the film, one of the most important devices in pre digital animation.
Phonofilm is an optical sound-on-film system developed by inventors Lee de Forest and Theodore Case in the early 1920s.
In the early history of cinema, trick films were short silent films designed to feature innovative special effects.
Southern Roses is a 1936 British musical comedy film directed by Frederic Zelnik and starring George Robey, Gina Malo and Chili Bouchier. It was shot at Denham Studios. The film's sets were designed by the art director Frederick Pusey.
Chu-Chin-Chow is a 1923 British-German silent adventure film directed by Herbert Wilcox and starring Betty Blythe, Herbert Langley, and Randle Ayrton.
Harry Agar Lyons was an Irish-born British actor. He was born in Cork, Ireland in 1878 and died in Wandsworth, London, England in 1944 at age 72.
Doing His Bit is a 1917 British silent comedy film directed by Edwin J. Collins and starring George Robey and Marjorie Hume andHoward Boddey. It was one of a number of films featuring Robey, one of the leading music hall stars of the era.
The Ideal Film Company was a British film production and distribution company that operated between 1911 and 1934.
Sunday Wilshin was a British actress and radio producer; the successor to George Orwell on his resignation in 1943. She was born in London as Mary Aline Wilshin and educated at the Italia Conti Stage School. Wilshin was a member of the 'Bright young things' of the 1920s, and a close friend of the actress Cyllene Moxon and of author Noel Streatfeild. In connection with the 'bright young things', Wilshin commonly appears in accounts of a gathering whereat she was assaulted by the silent film actress Brenda Dean Paul.
Don Quixote is a 1923 British silent comedy film, directed by Maurice Elvey, based on the novel Don Quixote by Miguel de Cervantes. The film stars Jerrold Robertshaw, George Robey, Frank Arlton, and Marie Blanche.
The Rest Cure is a 1923 British silent comedy film directed by A. E. Coleby and starring George Robey, Sydney Fairbrother and Gladys Hamer.
The Prehistoric Man is a 1924 British silent comedy film directed by A. E. Coleby and starring George Robey, Marie Blanche and H. Agar Lyons.
Squibs M.P. is a 1923 British silent comedy film directed by George Pearson and starring Betty Balfour, Hugh E. Wright and Fred Groves.
Squibs' Honeymoon is a 1923 British silent comedy film directed by George Pearson and starring Betty Balfour, Hugh E. Wright and Fred Groves. It was the last of the silent film series featuring the character, although Balfour returned to play her in the 1935 sound film Squibs. Both Pearson and Balfour were particular favourites of the British film critic, and later leading screenwriter, Roger Burford. In his first article for the magazine Close Up Burford would write "Not long ago a film of the Squibbs series was reported to be on at a small cinema in a slum district. It was a rare chance, and we went at once. We were not disappointed: the film was English, with proper tang; the tang of Fielding or Sterne.' Burford's comments help place the Squibbs films perfectly in British culture between the wars. They were very much working-class comedy, drawing on a vernacular, performative tradition, but at the same time their "Englishness" is characteristic of the kinds of satirical comedies found in the novels of Henry Fielding and Laurence Sterne. That earthy satire, based on everyday life, made these comedies unpalatable to middle class audiences but the Squibbs films were amongst the most interesting, and well shot, films in Britain in the 1920s.
Buddy Messinger was an American actor who was cast in substantial roles in dozens of films during the silent film era. He began his career as a jovial chubby child actor. With the advent of sound films he was relegated mostly to bit parts.
References
- ↑ Low p.127
