Other Aspects | |
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Studio album by | |
Released | 1987 |
Recorded | 1960 and 1964 |
Genre | Jazz |
Length | 41:10 |
Label | Blue Note |
Producer | James Newton |
Other Aspects is a collection of previously unreleased jazz recordings by Eric Dolphy made in 1960 and 1964, and released first in 1987 by Blue Note Records. [1] The recordings originated with tapes that Dolphy left with composer Hale Smith and his wife Juanita before leaving for Europe in 1964 to tour with Charles Mingus. Years after Dolphy's death, Smith contacted James Newton, who, after reviewing the material, suggested that Smith get in touch with Blue Note. Newton ended up producing the album. [2] [3] [4]
In terms of its instrumentation and style, Other Aspects is unique in Dolphy's recorded catalogue. The two "Inner Flight" tracks are solo flute pieces (David Toop called them "experiments in amalgamating jazz phrasing, expressive tone and free-flowing lines with the tightly 'graphic' abstraction of Varèse's Density 21.5 " [5] ), while "Improvisations and Tukras" reflects Dolphy's interest in the music of India, and features tamboura and tabla. "Dolphy'n" is a duet with bassist Ron Carter, with Dolphy playing alto saxophone. [6]
The piece titled "Jim Crow" on the track listing and attributed to Dolphy is actually "A Personal Statement", composed by Bob James, [7] and was recorded while Dolphy was in Ann Arbor, Michigan for the 1964 ONCE Festival. [8] James Newton was unsure as to its title or composer at the time of the album's release, and gave it the provisional title "Jim Crow". [7] It features Dolphy and a countertenor vocalist, David Schwartz, of the Bob James Trio, and is illustrative of Dolphy's ongoing involvement with 20th-century classical music. Another version of the piece, with the correct title and attribution, was released as a bonus track on the 2018 album Musical Prophet: The Expanded 1963 New York Studio Sessions. [9]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz & Blues Album Guide | ![]() ![]() ![]() ![]() ![]() |
In a review for AllMusic, Al Campbell called the album "fascinating, and in its own way essential" and described "Jim Crow" as "startling," noting that it "shows [Dolphy's] embracing of 20th century classical composition." [6]
The authors of the Penguin Guide to Jazz Recordings wrote: "These are snapshots of a master musician at the point of take-off. Though less than wholly satisfying, they add to a disconcertingly small and compressed discography." [10]
Michael J. West, writing for Jazz Times, praised the flute-oriented tracks, stating that, on "Inner Flight," Dolphy "plays in a clear, flowing style, making wide ballet-like leaps but then lilting back to earth like a leaf in the wind," while "Improvisations and Tukras" is portrayed as "an absolutely mesmerizing moment whose beautiful implications deserved further investigating." [12]
Eric Allan Dolphy Jr. was an American jazz multi-instrumentalist and bandleader. Primarily an alto saxophonist, bass clarinetist, and flautist, Dolphy was one of several multi-instrumentalists to gain prominence during the same era. His use of the bass clarinet helped to establish the unconventional instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
Out to Lunch! is a 1964 album by jazz multi-instrumentalist Eric Dolphy. His only recording on Blue Note as a leader, it was issued as BLP 4163 and BST 84163. Featuring Dolphy in a quintet with trumpeter Freddie Hubbard, vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Tony Williams, it was generally considered by critics as one of the finest albums issued on Blue Note, and widely viewed as one of the high points of 1960s avant-garde jazz. The album cover designed by Reid Miles features a photo of a "Will Be Back" sign displayed in a shop window showing a seven handed clock.
Point of Departure is a studio album by American jazz pianist and composer Andrew Hill, recorded in 1964 and released in 1965 on the Blue Note label. It features Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams.
Eric Dolphy at the Five Spot, Vols. 1 and 2, is a pair of jazz live albums documenting one night from the end of multi-instrumentalist Eric Dolphy and trumpeter Booker Little's two-week residency at the Five Spot jazz club in New York. This was the only night to be recorded. The engineer was Rudy Van Gelder.
Outward Bound is the debut album by jazz multi-instrumentalist Eric Dolphy, released in 1960. It is oriented towards straight bebop, and slightly less adventurous than the majority of his later recordings. The album was recorded at Van Gelder Studio in New Jersey and features Dolphy in a quintet with trumpeter Freddie Hubbard, pianist Jaki Byard, bassist George Tucker and drummer Roy Haynes. Hubbard had shared living space with Dolphy when they both first arrived in New York City. The cover artwork was by Dolphy's friend Richard "Prophet" Jennings.
Iron Man is an album by American jazz multi-instrumentalist Eric Dolphy, recorded in 1963 and released by the Douglas International label in 1968. The album was reissued on disc two of Musical Prophet: The Expanded 1963 New York Studio Sessions, released in 2018 by Resonance Records.
Out There is an album by Eric Dolphy which was released by Prestige Records in September 1961. It features Dolphy in a quartet with bassists Ron Carter and George Duvivier, and drummer Roy Haynes. It was Dolphy's second album as a leader, released following his time with Charles Mingus.
The Individualism of Gil Evans is an album by pianist, conductor, arranger and composer Gil Evans originally released on the Verve label in 1964. It features Evans' big band arrangements of five original compositions and compositions by Kurt Weill, Bob Dorough, John Lewis and Willie Dixon.
The Body & the Soul is an album by trumpeter Freddie Hubbard recorded in 1963 as his second and last release on the Impulse! label. It features performances by Hubbard with an orchestra and string section, and with a septet featuring Curtis Fuller, Eric Dolphy, Wayne Shorter, Cedar Walton, Reggie Workman and Louis Hayes.
Far Cry is the third album by jazz musician Eric Dolphy, released in 1962 on New Jazz Featuring a quintet co-led with trumpeter Booker Little, it is one of the few recordings of their partnership. Pianist Jaki Byard, bassist Ron Carter and drummer Roy Haynes all return from earlier Dolphy albums. This was a busy time for Dolphy- he took part in Ornette Coleman's Free Jazz session and recorded this album on the same day, and had participated in the Jazz Abstractions project the previous day.
Conversations is a 1963 album by American jazz multi-instrumentalist, Eric Dolphy first released by the FM label and later reissued by Vee-Jay as The Eric Dolphy Memorial Album the following year. The album was reissued on disc one of Musical Prophet: The Expanded 1963 New York Studio Sessions, released in 2018 by Resonance Records.
Last Date is a live album by jazz musician Eric Dolphy released in early 1965 on Limelight Records. It was recorded on June 2, 1964 in Hilversum, North Holland, shortly after Dolphy had settled in Paris, France, following a tour with Charles Mingus. Dolphy is accompanied by the Misha Mengelberg trio on the album.. The audience was an invited group of recording executives and studio personnel.
Cornell 1964 is a live album by jazz bassist and composer Charles Mingus, featuring multi-instrumentalist Eric Dolphy. It was recorded at Cornell University in Ithaca, New York, on March 18, 1964.
Jazz flute is the use of the flute in jazz music. While flutes were sometimes played in ragtime and early jazz ensembles, the flute became established as a jazz instrument in the 1950s. It is now widely used in ensembles and by soloists. The modern Boehm system transverse concert flute is commonly used in jazz playing; other members of the same family are used, such as the alto flute in G. Ethnic and other flutes, such as bamboo flutes, have also been used in jazz.
Where? is the debut album by bassist Ron Carter recorded in 1961 at Van Gelder Studio and released on the New Jazz label. Some reissues of the album appear under Eric Dolphy's name.
The Original Ellington Suite is an album by drummer and bandleader Chico Hamilton's Quintet, recorded in 1958 but not released on the Pacific Jazz label until 2000. The album was shelved and Hamilton recorded another set of Ellington tunes with a different group that was released as Ellington Suite in 1959.
Naima is an album by American musician Eric Dolphy, released in Europe in 1987 by the Jazzway label, and later by the West Wind label. Four of the five tracks were recorded on June 11, 1964 in a Paris studio for radio broadcast, nine days after the Hilversum session that yielded Last Date, and eighteen days before Dolphy's death. The remaining track, a duet with bassist Ron Carter, was recorded in New York City in November 1960, during a session which also produced three of the tracks released on Other Aspects.
Vintage Dolphy is a live album by multi-instrumentalist Eric Dolphy. Side A was recorded at Carnegie Hall in New York City on April 18, 1963, and features Dolphy in a quartet format with trumpeter Edward Armour, bassist Richard Davis, and drummer J. C. Moses. Side B contains three pieces by Gunther Schuller, with varying instrumentation, one of which was recorded at the Everson Museum of Art in Syracuse, New York with the Syracuse Friends of Chamber Music on March 10, 1962, the other two of which were recorded at Carnegie Hall on March 14, 1963. The remaining track is a rendition of Charlie Parker's "Donna Lee" by an all-star ensemble recorded at Carnegie Hall on April 18, 1963.
Eric Dolphy in Europe, Volumes 1, 2, and 3, is a trio of live albums by jazz multi-instrumentalist Eric Dolphy. The albums were recorded on September 6 and 8, 1961, in Copenhagen, Denmark, and were released on the Prestige label in 1964 and 1965. On the recordings, Dolphy is joined by three Danish musicians: pianist Bent Axen, bassist Erik Moseholm, and drummer Jorn Elniff. Bassist Chuck Israels, who was in Copenhagen with the Jerome Robbins ballet company, also appears on one track.
1961 is a live album by multi-instrumentalist Eric Dolphy, with McCoy Tyner (piano), Reggie Workman, and Mel Lewis (drums).