The Painter and his Pug [1] is a 1745 self-portrait created by William Hogarth featuring his pug dog, Trump. He began the portrait a decade earlier. The portrait was originally created with the intention of Hogarth wearing formal attire, but was changed to the informal attire sometime during the painting process. [2]
In the portrait, Hogarth himself is in a painting as the pug is alongside him, making Trump "real" as opposed to the created person. [3] The dog is indifferent to the painting, to the books and to the painting palette (which shows Hogarth's Line of Beauty). So the painting seems to be a Vanitas still life. But, as an ironic disruption, the cloth behind the dog comes out of the painting.
The painting is part of the collections of the Tate Gallery.
William Dobson was a portraitist and one of the first significant English painters, praised by his contemporary John Aubrey as "the most excellent painter that England has yet bred". He died relatively young and his final years were disrupted by the English Civil War.
William Hogarth was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".
Trump most commonly refers to:
English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom.
Louis-François Roubiliac was a French sculptor who worked in England. One of the four most prominent sculptors in London working in the rococo style, he was described by Margaret Whinney as "probably the most accomplished sculptor ever to work in England".
The Art of the United Kingdom refers to all forms of visual art in or associated with the United Kingdom since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art.
Thomas Hudson (1701–1779) was an English portrait painter.
The Serjeant Painter was an honourable and lucrative position as court painter with the English monarch. It carried with it the prerogative of painting and gilding all of the King's residences, coaches, banners, etc. and it grossed over £1,000 in a good year by the 18th century. The work itself involved painting the palaces, coaches, royal barges, and all sorts of decorations for festivities, which often had to be designed as well. The actual involvement of the serjeant painters in this gradually declined. The post itself fell out of use in the 18th century, after a period when "fine art" painters were appointed, and expected to supervise rather than execute decorative painting, for a good salary.
Beer Street and Gin Lane are two prints issued in 1751 by English artist William Hogarth in support of what would become the Gin Act. Designed to be viewed alongside each other, they depict the evils of the consumption of gin as a contrast to the merits of drinking beer. At almost the same time and on the same subject, Hogarth's friend Henry Fielding published An Inquiry into the Late Increase in Robbers. Issued together with The Four Stages of Cruelty, the prints continued a movement started in Industry and Idleness, away from depicting the laughable foibles of fashionable society and towards a more cutting satire on the problems of poverty and crime.
Sigismunda mourning over the Heart of Guiscardo, fully titled Sigismunda mourning over the Heart of Guiscardo, her murder'd Husband, is an oil painting by British artist William Hogarth. Finished in 1759, it was the principal piece of the eight works he displayed in an exhibition in 1761. It was the final and most ambitious of his attempts to secure for himself a reputation as a history painter. It depicts a dramatic moment in one of the novelle in Boccaccio's Decameron. While Hogarth had expected this work to be acclaimed as a masterpiece of dramatic painting, the work was met with criticism and ridicule. In the catalogue of the exhibition of Hogarth's works at the Tate Gallery in 2007, the criticism was described as "some of the most damning critical opprobrium the artist ever suffered".
Hogarth Painting the Comic Muse is a painting in the National Portrait Gallery, London by the British artist William Hogarth. It was painted in approximately 1757 and published as a print in etching and engraving in 1758, with its final and sixth state in 1764. Hogarth used this particular self-portrait as the frontispiece of his collected engravings, published in 1764.
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, having opened in 1897. It houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. In 2021 it ranked 50th on the list of most-visited art museums in the world.
The Pug is a breed of dog originally from China, with physically distinctive features of a wrinkly, short-muzzled face, and curled tail. The breed has a fine, glossy coat that comes in a variety of colors, most often fawn or black, and a compact, square body with well developed and thick muscles all over the body.
Philippe Mercier was an artist of French Huguenot descent from the German realm of Brandenburg-Prussia, usually defined to French school. Active in England for most of his working life, Mercier is considered one of the first practitioners of the Rococo style, and is credited with influencing a new generation of 18th-century English artists.
Balthazar or Balthasar Nebot, was a painter active in England between 1729 and 1765.
Captain Lord George Graham in his Cabin is a 1745 oil-on-canvas painting by the English artist William Hogarth. A conversational picture, it shows Captain Lord George Graham, of the Royal Navy, in the cabin of his ship with several people.
The Graham Children is an oil painting completed by William Hogarth in 1742. It is a group portrait depicting the four children of Daniel Graham, apothecary to King George II. The youngest child had died by the time the painting was completed.
Trump was a pug owned by English painter William Hogarth. The artist included the dog in several works, including his 1745 self-portrait Painter and his Pug, held by the Tate Gallery. In the words of the Tate's display caption, "Hogarth's pug dog, Trump, serves as an emblem of the artist's own pugnacious character."
Before and After is a pair of comic paintings by British painter William Hogarth. He made two painted versions in 1730–31. The first version showed an exterior scene in a wooded glade, based on contemporary French pastoral fête galante, while a second version moved the scene indoors. Hogarth made engravings based on the second version in 1736. In each pair, based on the position and appearance of the subjects, the first painting shows the couple before and the second after sexual intercourse.