Methodism, also called the Methodist movement, is a Protestant Christian tradition whose origins, doctrine and practice derive from the life and teachings of John Wesley. George Whitefield and John's brother Charles Wesley were also significant early leaders in the movement. They were named Methodists for "the methodical way in which they carried out their Christian faith". Methodism originated as a revival movement within Anglicanism with roots in the Church of England in the 18th century and became a separate denomination after Wesley's death. The movement spread throughout the British Empire, the United States and beyond because of vigorous missionary work, and today has about 80 million adherents worldwide.
John Wesley was an English cleric, theologian, and evangelist who was a leader of a revival movement within the Church of England known as Methodism. The societies he founded became the dominant form of the independent Methodist movement that continues to this day.
William Hogarth was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Familiarity with his work is so widespread that satirical political illustrations in this style are often referred to as "Hogarthian".
In modern usage, enthusiasm refers to intense enjoyment, interest, or approval expressed by a person. The term is related to playfulness, inventiveness, optimism, zest, verve, and high energy. The word was originally used to refer to a person possessed by God, or someone who exhibited intense piety.
The First Great Awakening, sometimes Great Awakening or the Evangelical Revival, was a series of Christian revivals that swept Britain and its thirteen North American colonies in the 1730s and 1740s. The revival movement permanently affected Protestantism as adherents strove to renew individual piety and religious devotion. The Great Awakening marked the emergence of Anglo-American evangelicalism as a trans-denominational movement within the Protestant churches. In the United States, the term Great Awakening is most often used, while in the United Kingdom, the movement is referred to as the Evangelical Revival.
Jonathan Parsons was a Christian New England clergyman during the late colonial period and a supporter of the American Revolution. Born in West Springfield, Massachusetts, he was the youngest son of Ebenezer (Deacon) Parsons (1668-1752) and Margaret Marshfield of Springfield. He was intended for an artisan career, but the Rev. Jonathan Edwards, then a tutor at Yale, persuaded young Parsons to prepare for college.
The Cock Lane ghost was a purported haunting that attracted mass public attention in 1762. The location was a lodging in Cock Lane, a short road adjacent to London's Smithfield market and a few minutes' walk from St Paul's Cathedral. The event centred on three people: William Kent, a usurer from Norfolk; Richard Parsons, a parish clerk; and Parsons' daughter Elizabeth.
A Harlot's Progress is a series of six paintings and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image. After painting a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and allegory are reminiscent of John Bunyan's Pilgrim's Progress.
Roger de Piles was a French painter, engraver, art critic and diplomat.
The Four Stages of Cruelty is a series of four printed engravings published by English artist William Hogarth in 1751. Each print depicts a different stage in the life of the fictional Tom Nero.
The Marriage Settlement is the first in the series of six satirical paintings known as Marriage A-la-Mode painted by William Hogarth, named after the historical legal arrangement of a Marriage settlement.
The Discoverie of Witchcraft is a book published by the English gentleman Reginald Scot in 1584, intended as an exposé of early modern witchcraft. It contains a small section intended to show how the public was fooled by charlatans, which is considered the first published material on illusionary or stage magic.
A Just View of the British Stage or Three Heads are Better than One is an unsigned 1724 engraving attributed to the English artist William Hogarth. It is a satirical view of the management of British plays and mocks the subjects as degenerate. It forms part of an attack on the tastes of the theatre which Hogarth mounted in earnest between 1723 with Masquerades and Operas and 1727 with Masquerade Ticket.
The Holy Club was an organization at Christ Church, Oxford, formed in 1729 by brothers John and Charles Wesley, who later contributed to the formation of the Methodist Church. The brothers and associates, including George Whitefield, met for prayer, Bible study, and pious discipline.
Emblematical Print on the South Sea Scheme is an early print by William Hogarth, created in 1721 and widely published from 1724. It caricatures the financial speculation, corruption and credulity that caused the South Sea Bubble in England in 1720–21. The print is often considered the first editorial cartoon or as a precursor of the form.
Witches' Sabbath or The Great He-Goat are names given to an oil mural by the Spanish artist Francisco Goya, completed sometime between 1821 and 1823. It depicts a Witches' Sabbath. It evokes themes of violence, intimidation, ageing and death; Satan hulks in the form of a goat in moonlit silhouette over a coven of terrified old witches. Goya was then around 75 years old, living alone and suffering from acute mental and physical distress.
Rabbits and hares (Leporidae) are common motifs in the visual arts, with variable mythological and artistic meanings in different cultures. The rabbit as well as the hare have been associated with moon deities and may signify rebirth or resurrection. They may also be symbols of fertility or sensuality, and they appear in depictions of hunting and spring scenes in the Labours of the Months.
Hugh Bryan (1699-1753) was an evangelical Christian and prominent white planter in the colony of South Carolina who mounted a brief but fiery challenge to the Anglican establishment and slaveholding hegemony. In 1742 he publicly stated and wrote that slavery was a sin and that God's punishment was evident and imminent. A Grand Jury indicted him for fomenting slave rebellion, a capital offense. Bryan recanted and apologized. He continued to support and promote the literacy of enslaved African Americans and their conversion to Christianity. He was a founder of the first non-Anglican church in South Carolina, the Stoney Creek Independent Presbyterian Chapel of Prince William Parish, in which both black and white worshippers were members. Andrew Bryan, an enslaved African American who worked for Hugh's brother, Jonathan, was among the worshippers. Andrew Bryan founded the First Bryan Baptist Church in Savannah.
Frederick the Great was the subject of many portraits. Many were painted during Frederick's life, and he would give portraits of himself as gifts. Almost all portraits of Frederick are idealized and do not reflect how he looked according to his death mask. It has been suggested that the most accurate representation of Frederick may be the picture of a flautist from William Hogarth's series Marriage A-la-Mode.
