| Paul Bley & Scorpio | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1973 | |||
| Recorded | November 24, 1972 | |||
| Studio | Advantage Studios, New York City, NY | |||
| Genre | Jazz | |||
| Length | 42:51 | |||
| Label | Milestone MSP 9046 | |||
| Producer | Orrin Keepnews | |||
| Paul Bley chronology | ||||
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Paul Bley & Scorpio is an album by Paul Bley performing compositions by Annette Peacock and Carla Bley which was released by the Milestone label in 1973. [1] [2] [3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [4] |
AllMusic reviewer Eugene Chadbourne noted that "This one is the album where he goes head over heels for the electric piano, and fans of jazz with that Fender Rhodes sound are going to want it ... Paul Bley sits at a bank of keyboards here, giving forth a passage on acoustic, then some chirping synthesizer, then some electric piano, and so forth ... Nothing seems to be happening on quite a bit of this record, since Bley is deep into his playing slow quest. A pity the electric piano conveys so much less of his personal musical feel, not that the instrument is incapable of it, just that Bley doesn't deliver. He also seems distracted by the banks of available keyboards". [4]
All compositions by Annette Peacock except where noted
Paul Bley, CM was a jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and Arp audio synthesizers. His music has been described by Ben Ratliff of the New York Times as "deeply original and aesthetically aggressive". Bley's prolific output includes influential recordings from the 1950s through to his solo piano recordings of the 2000s.
Paul Bley/NHØP is a jazz duet album by Paul Bley and Niels-Henning Ørsted Pedersen, released on SteepleChase Records in 1973. The album was recorded in Copenhagen, Denmark in June and July 1973, and primarily features Bley's compositions. Bley's performance here is more extroverted than on some of his other recordings.
Annette Peacock is an American composer, musician, songwriter, producer, and arranger. She is a pioneer in electronic music who combined her voice with one of the first Moog synthesizers in the late 1960s.
I'm the One is the debut solo album by Annette Peacock and was released by RCA in 1972. In 2010 Peacock remastered and reissued it on her label, ironic US, in a signed, collector's edition.
Quartet (1996) is the eighth album by the Pat Metheny Group. The album features Pat Metheny on guitar, Lyle Mays on keyboards, Steve Rodby on bass, and Paul Wertico on drums. The approach for the album was to not write lengthy compositions before recording but instead use merely sketches and rely mostly on improvisation in a setting with just acoustic instruments. A departure from the usual thoroughly orchestrated sound using synthesizers and sequencing the Group is usually known for. The result is experimental, moody, and loose, even dark in some moments. The instrumentation relies mostly on acoustic instruments including various keyboard instruments such as the spinet piano, Harmonium, Fender Rhodes, autoharp and various guitars including the 42-string Pikasso guitar. The Roland GR-303 makes appearances on "Oceania" and "Language of Time".
Musique Mecanique is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1978 and released on the Watt/ECM label in 1979.
Night-Glo is an album by American composer, bandleader and keyboardist Carla Bley with bassist Steve Swallow recorded and released on the Watt/ECM label in 1985.
Paul Bley with Gary Peacock is an album by Canadian jazz pianist Paul Bley with American bassist Gary Peacock recorded in 1963 and 1968 and released on the ECM label in 1970.
Ballads is an album by Canadian jazz pianist Paul Bley recorded in 1967 and released on the ECM label in 1971.
Fragments is an album by Canadian jazz pianist Paul Bley recorded in 1986 and released on the ECM label.
Notes is an album by Canadian jazz pianist Paul Bley and American drummer Paul Motian recorded in 1987 and released on the Italian Soul Note label.
Footloose! is an album led by jazz pianist Paul Bley featuring tracks recorded in 1962 & 1963 and released on the Savoy label. Tracks from this album, along with alternate takes and addition material from the sessions, were later released as Syndrome and Floater.
Closer is the seventh album led by jazz pianist Paul Bley, featuring seven compositions by Carla Bley, recorded in 1965 and released on the ESP-Disk label.
Mr. Joy is an album led by jazz pianist Paul Bley recorded in the studio and in concert in Seattle in 1968 and released on the Limelight label.
The Paul Bley Synthesizer Show is an album by Paul Bley performing compositions by Annette Peacock which was released on the Milestone label in 1971.
Dual Unity is a live album by Annette Peacock and Paul Bley which was released by Freedom Records in 1972.
Improvisie is a live album by Paul Bley with Annette Peacock and Han Bennink which was released on the French America label in 1971.
Alone, Again is a solo piano album by Paul Bley, recorded in Norway in 1974 and released on Bley's own Improvising Artists label in 1975.
Annette is an album by Paul Bley with Franz Koglmann and Gary Peacock recorded in Germany in 1992 and released on the hat ART label in 1993. The album features compositions by Annette Peacock.
Free Beer and Chicken is an album by blues musician John Lee Hooker recorded in California in 1974 and released by the ABC label the same year.