| Pavillon de l'Esprit Nouveau | |
|---|---|
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  Location within Paris | |
| General information | |
| Coordinates | 48°51′56″N2°18′41″E / 48.865633°N 2.311486°E |
| Completed | 1925 |
| Design and construction | |
| Architect(s) | Le Corbusier, Pierre Jeanneret |
Pavillon de l'Esprit Nouveau was a model home constructed for the 1925 International Exhibition of Modern Decorative and Industrial Arts in Paris, France. The building was designed by Swiss architects Le Corbusier and Pierre Jeanneret. [1]
The Pavillon was conceived of as a modular dwelling that could be combined with others like it to form a larger block. [2] The building measured 2,200 square feet (200 m2) and utilized an open plan. A lower floor held living spaces and a kitchen while a second floor held bedrooms and a bathroom. [3]
In designing the building, Le Corbusier and Jeanneret aesthetically and ideologically diverged from the Art Deco style which dominated the exhibition. The architects, viewing architecture as too removed from human needs, emphasized function and sought to drastically diminish decoration. [3] In order to reduce the need for decorative furniture, Le Corbusier and Jeanneret included a myriad of built-in-furniture including cabinets and shelves. [4] The pavilion also included several cubist sculptures by Jacques Lipchitz, one of which was placed on the grass in front of the building.
In 1977 Glauco Gresleri, Giuliano Gresleri and Jose Oubrerie constructed an exact replica of the building in Fiera District, Bologna, Italy for the SAIE construction exhibition. The architects completed the project in collaboration with the Fondation Le Corbusier. [5]
The reconstructed pavilion was restored in 2017. [5]
When Le Corbusier designed the Fruges housing Estate at Pessac near Bordeaux, the seven houses located at the west end of the site were designed to have similar characteristics as the Pavilion de L'Esprit Nouveau. Each house consists of a rectangular block separated from the adjoining house by a space equal to the size of the house. Thus we have an A-B-A-B-A-B pattern along the length of the road. What makes this pattern remarkable is the thin arched curved concrete roof which spans over the garden in the same way as the Pavilion has a garden with a hole in its roof to let the tree out.[ citation needed ]
In a 2017 article for CNN, Stephen Bayley named the building one of "20 Designs That Defined the Modern World." [4]
Art Deco, short for the French Arts Décoratifs, and sometimes referred to simply as Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s, and flourished in the United States and Europe during the 1920s to early 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look, Art Deco has influenced bridges, buildings, ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners.
Charles-Édouard Jeanneret, known as Le Corbusier, was a Swiss-French architect, designer, painter, urban planner and writer, who was one of the pioneers of what is now regarded as modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades, in which he designed buildings in Europe, Japan, India, as well as North and South America. He considered that "the roots of modern architecture are to be found in Viollet-le-Duc".
Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration.
Modern architecture, or modernist architecture, was an architectural movement or architectural style based upon new and innovative technologies of construction, particularly the use of glass, steel, and reinforced concrete; the idea that form should follow function (functionalism); an embrace of minimalism; and a rejection of ornament. It emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture. According to Le Corbusier the roots of the movement were to be found in the works of Eugène Viollet le duc.
Hector Guimard was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger, the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the best new building facades in the city. He is best known for the glass and iron edicules or canopies, with ornamental Art Nouveau curves, which he designed to cover the entrances of the first stations of the Paris Metro.
Amédée Ozenfant was a French cubist painter and writer. Together with Charles-Edouard Jeanneret he founded the Purist movement.
Purism, referring to the arts, was a movement that took place between 1918 and 1925 that influenced French painting and architecture. Purism was led by Amédée Ozenfant and Charles Edouard Jeanneret. Ozenfant and Le Corbusier formulated an aesthetic doctrine born from a criticism of Cubism and called it Purism: where objects are represented as elementary forms devoid of detail. The main concepts were presented in their short essay Après le Cubisme published in 1918.
Pierre Jeanneret was a Swiss architect who collaborated with his cousin, Charles-Édouard Jeanneret, for about twenty years.
The International Exhibition of Modern Decorative and Industrial Arts was a World's fair held in Paris, France, from April to October 1925. It was designed by the French government to highlight the new style moderne of architecture, interior decoration, furniture, glass, jewelry and other decorative arts in Europe and throughout the world. Many ideas of the international avant-garde in the fields of architecture and applied arts were presented for the first time at the Exposition. The event took place between the esplanade of Les Invalides and the entrances of the Grand Palais and Petit Palais, and on both banks of the Seine. There were 15,000 exhibitors from twenty different countries, and it was visited by sixteen million people during its seven-month run. The Style Moderne presented at the Exposition later became known as "Art Deco", after the name of the Exposition.
Charlotte Perriand was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process. In Perriand's Autobiography, "Charlotte Perriand: A Life of Creation", she states: "I like being alone when I visit a country or historic site. I like being bathed in its atmosphere, feeling in direct contact with the place without the intrusion of a third party." Her approach to design includes taking in the site and appreciating it for what it is. Perriand felt she connected with any site she was working with or just visiting she enjoyed the living things and would reminisce on a site that was presumed dead.
The Musée des Arts Décoratifs is a museum in Paris, France, dedicated to the exhibition and preservation of the decorative arts. Located in the city’s 1st arrondissement, the museum occupies the Pavillon de Marsan, the north-western wing of the Palais du Louvre. With approximately one million objects in its collection, the Musée des Arts Décoratifs is the largest museum of decorative arts in continental Europe. It is one of three museums operated by the non-profit arts association MAD, founded in 1882.
Josef Hoffmann was an Austrian-Moravian architect and designer. He was among the founders of Vienna Secession and co-establisher of the Wiener Werkstätte. His most famous architectural work is the Stoclet Palace, in Brussels, (1905–1911) a pioneering work of Modern Architecture, Art Deco and peak of Vienna Secession architecture.
The Pavillon Le Corbusier is a Swiss art museum in Zürich-Seefeld at Zürichhorn dedicated to the work of the Swiss architect Le Corbusier. In 1960 Heidi Weber had the vision to establish a museum designed by Le Corbusier – this building should exhibit his works of art in an ideal environment created by the architect himself in the then Centre Le Corbusier or Heidi Weber Museum. In April 2014 the building and museum went over to the city of Zürich, and was renamed in May 2016.
Founded in 1989, the Galerie Patrick Seguin is an art gallery and exhibition space located in Paris's La Bastille district. Its current space has been designed by Ateliers Jean Nouvel. The gallery distributes the creations of designers and architects Jean Prouvé, Charlotte Perriand, Pierre Jeanneret, Le Corbusier, Jean Royere.In this capacity the gallery is urged by museums to contribute to exhibitions, especially:the Centre Georges Pompidou in Paris, MoMA in New York, the Vitra Design Museum in Weil am Rhein, the Museum of Decorative Arts in Paris, the Museum of Fine Arts in Nancy, the Venice Architecture Biennale.
The Cité Frugès de Pessac(the Frugès Estate of Pessac), or Les Quartiers Modernes Frugès, is a housing development located in Pessac, a suburb of Bordeaux, France. It was commissioned by the industrialist Henri Frugès in 1924 as worker housing and designed by architects Le Corbusier and Pierre Jeanneret, who were responsible for the development's masterplan and individual buildings. It was intended as a testing ground for the ideas Le Corbusier had expressed in his 1922 manifesto Vers une Architecture and was his first attempt designing low-cost, mass-produced collective housing in his trademark aesthetic. Drawings of some of the buildings were subsequently included in the second edition of the text.
Le Corbusier's Five Points of Architecture is an architecture manifesto conceived by architect, Le Corbusier. It outlines five key principles of design that he considered to be the foundations of modern architectural discipline, which would be expressed though much of his designs.
Le Corbusier's Furniture is a classic furniture line created by Le Corbusier. The line was introduced in 1928 at the Salon d‘Autumne in Paris.
The Villa Le Lac, also known as the Villa "Le Lac" Le Corbusier, is a residential building on Lake Geneva in Corseaux, Canton of Vaud, Switzerland, designed by Swiss architects and cousins Le Corbusier and Pierre Jeanneret between 1923 and 1924 for Le Corbusier's parents. It is an example of residential Modern architecture and showcases three of Le Corbusier's Five Points of Architecture. The building is a designated Swiss Cultural Property of National Significance and was added to the UNESCO World Heritage List in 2016.
The Art Deco movement of architecture and design appeared in Paris in about 1910–12, and continued until the beginning of World War II in 1939. It took its name from the International Exposition of Modern Decorative and Industrial Arts held in Paris in 1925. It was characterized by bold geometric forms, bright colors, and highly stylized decoration, and it symbolized modernity and luxury. Art Deco architecture, sculpture, and decoration reached its peak at 1939 Exposition Internationale des Arts et Techniques dans la Vie Moderne, and in movie theaters, department stores, other public buildings. It also featured in the work of Paris jewelers, graphic artists, furniture craftsmen, and jewelers, and glass and metal design. Many Art Deco landmarks, including the Théâtre des Champs-Élysées and the Palais de Chaillot, can be seen today in Paris.
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