Peculate (band)

Last updated

Peculate
Peculate logo.png
Background information
OriginUnited States
Genres Avant-garde metal, progressive metal, progressive rock, experimental, avant-garde, mathcore, djent, contemporary classical, jazz fusion, 12-tone serialism
Years active2012–present
LabelsIndependent
MembersBen Norton
Website Peculate.co

Peculate is an American avant-garde metal and progressive metal band, formed in 2012. Peculate "combines metal, djent, jazz, contemporary classical, avant-garde, electronic, and experimental music together to create progressive music with punk sensibilities." [1] Much of Peculate's music is composed using the 12-tone technique. [2] Metal blog Invisible Oranges describes the hallmarks of the band's sound as the "utilization of twelve-tone technique, the Zappa jazz fusion tangents, and the Devin Townsend-esque attention to production details." [3]

Contents

Peculate is a project of composer and musician Ben Norton. [4] Norton releases all of Peculate's material for free on the band's Bandcamp website.

"This Sick Beat™"

Peculate generated controversy for a song it released on 31 January 2015 titled "This Sick Beat™." Norton says he wrote the song in protest of Taylor Swift's application to trademark phrases such as "This Sick Beat." [5] The lyrics of the song consist almost exclusively of the phrase "this sick beat."

In the description on the video he uploaded of the song, Norton wrote "Trademarks of common idioms such as this are a direct attack on one of the most fundamental and inalienable rights of all: our freedom of speech. If you give the bourgeoisie an inch, they will take a mile... and everything else you have in the process. They have already privatized land, water, and words. After language, they will next try to privatize air. But, although the rich can try, they will never truly own the words we use and the language we speak." [6]

The song was featured in Billboard, [7] TIME, [8] NME, [9] Yahoo! Music, [10] The Independent, [11] and more.

Ben Norton published an official statement about the song on his website, detailing what exactly his intentions were with the song and how he believe the media misrepresented it. [12]

Related Research Articles

Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical.

Progressive metal is a broad fusion music genre melding heavy metal and progressive rock, combining the loud "aggression" and amplified guitar-driven sound of the former with the more experimental, cerebral or "pseudo-classical" compositions of the latter.

Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia.

<span class="mw-page-title-main">Voivod (band)</span> Canadian heavy metal band

Voivod is a Canadian heavy metal band from Jonquière, Quebec. The original line-up consisted of vocalist Denis "Snake" Bélanger, guitarist Denis "Piggy" D'Amour, drummer Michel "Away" Langevin and bassist Jean-Yves "Blacky" Thériault. The band has had numerous members changes throughout its 41-year career, with Langevin as the only consistent member. Their current line-up includes Langevin, Bélanger, Daniel "Chewy" Mongrain (guitar) and Dominic "Rocky" Laroche (bass).

<span class="mw-page-title-main">Meshuggah</span> Swedish extreme metal band

Meshuggah is a Swedish extreme metal band formed in Umeå in 1987. The band's current lineup consists of lead vocalist Jens Kidman, guitarists Fredrik Thordendal and Mårten Hagström, drummer Tomas Haake and bassist Dick Lövgren. Since its formation, the band has released nine studio albums, six EPs and eight music videos. Their latest studio album, Immutable, was released in April 2022 via Atomic Fire Records.

<span class="mw-page-title-main">Mr. Bungle</span> American band

Mr. Bungle is an American experimental rock band formed in Eureka, California, in 1985. Having gone through many incarnations throughout its career, the band is best known for music created during its most experimental era. During this time, it developed a highly eclectic style, cycling through several musical genres, often within the course of a single song, including heavy metal, avant-garde jazz, ska, disco, and funk, further enhanced by lead vocalist Mike Patton's versatile singing style. This period also saw the band utilizing unconventional song structures and samples; playing a wide array of instruments; dressing up in masks, jumpsuits, and other costumes; and performing a diverse selection of cover songs during live performances.

A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.

Avant-garde metal is a subgenre of heavy metal music loosely defined by use of experimentation and innovative, avant-garde elements, including non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Avant-garde metal is influenced by progressive rock and extreme metal, particularly death metal, and is closely related to progressive metal. Some local scenes include Los Angeles, the San Francisco Bay Area, Boston, and Seattle in the United States, Oslo in Norway, and Tokyo in Japan.

Dazzling Killmen was an American math rock band from the St. Louis, Missouri area. Formed in 1990, the group issued four singles and two full-lengths before officially ending in 1995, with a majority of it released through the independent label Skin Graft Records. Taking influence from hardcore punk and jazz music, the band has been noted by critics to have helped influence genres such as math rock and post-metal.

French Frith Kaiser Thompson was an English/American experimental rock quartet comprising John French, Fred Frith, Henry Kaiser and Richard Thompson. The band was formed in 1987 to create an album, Live, Love, Larf & Loaf. In 1990 they recorded their second album, Invisible Means, and performed live in Berkeley, California to promote this album.

<i>The Avant-Garde</i> (album) 1966 studio album by John Coltrane and Don Cherry

The Avant-Garde is an album credited to jazz musicians John Coltrane and Don Cherry that was released in 1966 by Atlantic Records. It features Coltrane playing several compositions by Ornette Coleman accompanied by the members of Coleman's quartet: Cherry, Charlie Haden, and Ed Blackwell. The album was assembled from two unissued recording sessions at Atlantic Studios in New York City in 1960.

<span class="mw-page-title-main">Periphery (band)</span> American progressive metal band

Periphery is an American progressive metal band formed in Washington, D.C., in 2005. Their musical style has been described as progressive metal, djent, and progressive metalcore. They are considered one of the pioneers of the djent movement within progressive metal. They have also received a Grammy nomination. The band consists of vocalist Spencer Sotelo, guitarists Misha Mansoor, Mark Holcomb, Jake Bowen, and drummer Matt Halpern.

Djent is a subgenre of progressive metal characterized by its use of complex and heavily syncopated rhythm patterns. Its distinctive sound is that of high-gain, distorted, palm-muted, down-tuned strings. The name "djent" is an onomatopoeia of this sound.

Dan Weller is a producer/mixer/writer and guitarist, known for his work in rock and metal. He was born in Liverpool and moved to Hertfordshire at age 6. At 15 he began playing guitar and formed a band with school friends. That band later became SikTh.

<span class="mw-page-title-main">Uneven Structure</span> French progressive metal band

Uneven Structure is a progressive metal band based in Metz, France. They play a style of post-metal which is heavily influenced by the Swedish extreme metal band Meshuggah. The band blends polyrhythmic passages and extremely low tunings with a heavily layered production style and ambient soundscapes. They are often categorized in the djent movement due to the Meshuggah-like guitar tone they often employ. The band was formed after the split of Longchat, a band which featured Igor Omodei and Benoit Friedrich.

<span class="mw-page-title-main">Jack Antonoff</span> American musician (born 1984)

Jack Michael Antonoff is an American singer, musician, songwriter, and record producer. Antonoff is the lead singer of rock band Bleachers, and was the guitarist and drummer in the pop rock band Fun; the latter group released the international number-one single "We Are Young" which won the Grammy Award for Song of the Year and topped the Hot 100 for six weeks. He was previously the lead singer of the indie rock band Steel Train. Aside from his work with Bleachers and Fun, Antonoff has worked as a songwriter and record producer with various artists, including Taylor Swift, the 1975, Lorde, St. Vincent, Florence and the Machine, Lana Del Rey, Fifth Harmony, Kevin Abstract, Carly Rae Jepsen, The Chicks, Tegan and Sara and Clairo. Antonoff has often been credited with having a significant impact on the sound of contemporary popular music since the mid-2010s.

<span class="mw-page-title-main">Shake It Off</span> 2014 single by Taylor Swift

"Shake It Off" is a song by the American singer-songwriter Taylor Swift and the lead single from her fifth studio album, 1989. Swift wrote the lyrics and composed the melody with producers Max Martin and Shellback. Inspired by the media scrutiny on Swift's public image, the lyrics are about her indifference to detractors and their negative remarks. An uptempo dance-pop song, it features a looping drum beat, a saxophone line, and a handclap-based bridge. Big Machine Records released "Shake It Off" on August 19, 2014, to market 1989 as Swift's first pop album after her previous country-styled releases.

"Karate" is a song by the Japanese heavy metal band Babymetal from their second studio album, Metal Resistance. The song was released to active rock radio as an airplay-only single in the United States on February 26, 2016.

"Invisible String" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). She wrote the song with its producer, Aaron Dessner. The lyrics are about how fate brings two soulmates together and refer to specific moments from their lives, containing references to the literature classics Jane Eyre and The Sun Also Rises. Musically, "Invisible String" is a folk tune with elements of blues, pop, and country. Its spare acoustic arrangement is driven by acoustic guitar strums on a rubber bridge and vocal backbeats.

References

  1. "Got-Djent" . Retrieved 28 April 2013.
  2. Tremblay, Dæv. "Protists, Spicy food, 12-tone and Politics: An Interview with Ben Norton, Head, Body and Mind of Peculate". Can This Even Be Called Music?. Archived from the original on 1 March 2014. Retrieved 22 February 2014.
  3. Chainey, Ian (July 17, 2014). "Peculate – The Chain Industry". Invisible Oranges . Archived from the original on July 24, 2014. Retrieved April 11, 2015.
  4. "Official Website" . Retrieved 28 April 2013.
  5. "This Metalhead's Protest Song Perfectly Takes Down Taylor Swift's 'Trademark' Lyrics". Mic. 3 February 2015.
  6. "Peculate - This Sick Beat™ (Lyric Video)". YouTube. Retrieved 11 April 2015.
  7. "Taylor Swift's Trademark Act Met With Metal Protest Song". Billboard. Retrieved 11 April 2015.
  8. "Taylor Swift Wants to Trademark "This Sick Beat" So Somebody Wrote a Metal Song to Protest It". TIME. Retrieved 11 April 2015.
  9. "Metal band record protest song after Taylor Swift trademarks 'this sick beat' – listen". NME. Retrieved 11 April 2015.
  10. "Take That Sick Beat: Metal Dude Challenges Taylor Swift's Lyrical Trademark". Yahoo! Music. 3 February 2015. Retrieved 11 April 2015.
  11. "Taylor Swift attacked for 'This Sick Beat' trademark by metal dude on YouTube" . The Independent. 4 February 2015. Archived from the original on 2022-05-25. Retrieved 11 April 2015.
  12. Norton, Ben (3 February 2015). "Official Statement on 'This Sick Beat™,' Trademarks, and Taylor Swift" . Retrieved 11 April 2015.