"Pedro Navaja" | ||||
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Single by Willie Colón & Rubén Blades | ||||
from the album Siembra | ||||
Language | Spanish | |||
Released | March 1979 | |||
Recorded | May – June 1978 | |||
Studio | La Tierra Sound Studios (New York) | |||
Genre | Salsa | |||
Length | 7:22 | |||
Label | Fania | |||
Songwriter(s) | Rubén Blades | |||
Producer(s) |
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Willie Colón & Rubén Blades singles chronology | ||||
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"Pedro Navaja" (English: Peter Blade) is a salsa song written and performed by Rubén Blades from the 1978 collaboration with Willie Colón, Siembra , about a criminal of the same name. [1] Navaja means "folding knife" in Spanish. Inspired by the song "Mack the Knife", [2] it tells the story of a panderer's life and presumed death. The song is recognized throughout Hispanic America, as it retells scenes and stories common to these countries, although the story takes place in New York City. The song deals with life, death and the unexpected with dark humor.
A film titled Pedro Navaja based on the song was filmed in Mexico in 1984, starring Andrés García as the title character, Maribel Guardia as his girlfriend, and Resortes as his best friend. [3] It was made without Blades's input and he responded by recording the song "Sorpresas" (Surprises), which continues the story, turning the movie plot by revealing that Navaja was alive and had killed another panderer while he was being searched by the panderer, provided that the other panderer believed Navaja was dead. The 1984 film had a 1986 sequel, El Hijo de Pedro Navaja (The Son of Pedro Navaja) starring Guillermo Capetillo. The story is believed to take place in the New York neighborhood of Queens.
The musical La verdadera historia de Pedro Navaja is based on John Gay's "The Beggar's Opera" [4] and Bertolt Brecht's "The Threepenny Opera." [5] The book and lyrics are by Pablo Cabrera, [5] and music is by Pedro Rivera Toledo. [5] It was first produced by Teatro del Sesenta in San Juan, Puerto Rico, in 1980 at the Teatro Sylvia Rexach; toured to Santo Domingo, Dominican Republic; and, opened the Joseph Papp's Latino Festivals of 1985 and 1986, where José Félix Gómez and Idalia Pérez Garay played the title role with Darysabel Isales playing "Doña Pura Buenaventura"; [6] it was also produced by the Teatro Musical de La Habana, Cuba; produced by the Compañía de Teatro Nacional de Venezuela (1986 & 1991); Lolyn Paz produced it three times: in Caguas, Puerto Rico (2003), [7] with Yolandita Monge in the lead female part, [7] San Juan, Puerto Rico (2004), and Fort Lauderdale, Florida (2004); Lima, Peru, starring, among others, Camila Mac Lennan. In 2019 it was staged in Miami with Beatriz Valdés and Manolo Ramos in the lead parts. [8] [9]
The lyrics of the song by Blades [10] describe the namesake of the song as he walks down an unnamed avenue in New York City, explicitly mentioning how Navaja dresses, what kind of shoes and hat he wears, his dark glasses (worn so that no one can tell what he is looking at), his shiny gold tooth, and how he always hides his hands in his coat pockets so that "no one can tell in which hands he holds his knife." At the same time, the song notes and also describes a tired streetwalker who is walking the same street about three blocks from Navaja. An unmarked police car slowly cruises down the avenue, and the prostitute steps into an alley to have a drink - it is a slow day and she has not had any clients. [10]
Navaja looks around the empty avenue, when suddenly the woman comes out of the alley and he sees her. He tightens his grip on the knife and silently runs across the street. Meanwhile, the prostitute takes a gun out of her coat pocket and is about to put it in her purse, so that it stops "bothering" her, when Navaja attacks her with the knife, laughing and the gold tooth "lighting up the avenue" as he plunges the weapon into her. Suddenly a shot rings out from a Smith & Wesson .38 Special ( Smith y Wesson del especial") and Navaja falls to the ground while the mortally wounded woman taunts him verbally as she also falls to the ground. [10]
A drunken man stumbles upon the two dead bodies, picks up the gun, the knife, and two dollars and saunters away singing off-key about the "surprises that life throws at you." [10]
On the review of the album Siembra, John Bush of Allmusic referred the message as "a devastating life-in-el-Barrio exposé". [11] He also praised the arrangements of Willie Colón and Luis Ortiz, noting the use of street noise and police sirens as well as the statement "I like to live in America", part of the chorus lyrics for the song "America" from West Side Story, the film. It was listed on Billboard's "15 Best Salsa Songs Ever" in 2018. [12]
The song has been covered by Los Joao, La Lupe, La Orquesta Plateria (that popularized the song in Spain), Pepe Arevalo, Los Flamers, Roman Palomar, A Palo Seko, Markoz, and La Pozze Latina. Pedro Navaja was one of the songs that Puerto Rican singer Chayanne covered on his 1994 album, Influencias . [13] Mexican pop singer, Emmanuel covered the song on his live album, Emmanuel Presenta... [14]
The song is featured in The Flash (2023) as Nora Allen (Maribel Verdú) sings it to her son, Barry Allen (Ezra Miller), before her death. [15]
Musicians as listed in the album's liner notes are: [16]
Region | Sales |
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Spain | 268,000 [17] |
Rubén Blades Bellido de Luna, known professionally as Rubén Blades, is a Panamanian musician, singer, composer, actor, activist, and politician, performing musically most often in the salsa, and Latin jazz genres. As a songwriter, Blades brought the lyrical sophistication of Central American nueva canción and Cuban nueva trova as well as experimental tempos and politically inspired Son Cubano salsa to his music, creating "thinking persons' (salsa) dance music". Blades has written dozens of hit songs, including "Pedro Navaja" and "El Cantante". He has won twelve Grammy Awards out of 20 nominations and eleven Latin Grammy Awards.
Héctor Juan Pérez Martínez, better known as Héctor Lavoe, was a Puerto Rican salsa singer. Lavoe is considered to be possibly the best and most important singer and interpreter in the history of salsa music because he helped to establish the popularity of this musical genre in the decades of 1960s, 1970s and 1980s. His personality, style and the qualities of his voice led him to a successful artistic career in the whole field of Latin music and salsa during the 1970s and 1980s. The cleanness and brightness of his voice, coupled with impeccable diction and the ability to sing long and fast phrases with total naturalness, made him one of the favorite singers of the Latin public.
William Anthony Colón Román is an American Salsa musician and social activist. He began his career as a trombonist but also sings, writes, produces and acts. Colón is considered a pioneer of Salsa music and a best-selling artist in the genre, having been a key figure in the nascent New York City scene associated with the legendary Fania Records. He is also noteworthy for having assumed the gangster image in his album covers before it was culturally popular. Since the 1980s he has at times been deeply involved in the politics of New York City.
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Contra la Corriente is the third studio album released by American singer Marc Anthony on October 21, 1997, by RMM Records. The album was produced by Puerto Rican musician Angel "Cucco" Peña, with most of the songs written by Panamanian composer Omar Alfanno. The album was well received by critics who praised the vocals of Anthony as well as the songs. The album produced six singles, four of which peaked on the top ten on the Hot Latin Tracks chart. Promoted by a sold-out concert in Madison Square Garden, Contra la Corriente became the first salsa album to reach number one on the Top Latin Albums chart and to chart on the Billboard 200.
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La Voz (The Voice) is the debut solo album by Héctor Lavoe, It was released on 1975 under the label of Fania Records. It had two major hits on Latin America and U.S.: "El Todopoderoso" and "Mi Gente".
Siembra (transl. "Sowing") is the second studio album by Panamanian singer and songwriter Rubén Blades and Puerto Rican-American singer and trombonist Willie Colón. It was released through Fania Records on 7 September 1978. It is considered the best selling salsa album in the history of salsa music. Was recorded by Jerry Masucci and Johnny Pacheco at the La Tierra Sound Studios between 1977 and 1978.
Fantasmas (Ghosts) is the second studio album by Willie Colón, released in 1981 by Fania Records. The album was very experimental, experimenting with sounds and rhythms like Zamba, La Plena, Bomba and Disco Music. The album was released in 1981 during the Romantic Salsa period and gave him a musical vehicle to explore his new interests. The album was named one of the 50 greatest salsa albums of all time by Rolling Stone Magazine in October 2024.
Canciones del Solar de los Aburridos is the third studio álbum between the duo of Willie Colón and Rubén Blades released on September 20, 1981, by Fania Records. This being the second most successful album of the duo and the one that comes closest to being a post-boogalo album with the sounds of hard salsa characteristic of the Harlow Orchestra.
Metiendo Mano! is the debut studio album by Puerto Rican-American trombonist and singer Willie Colón and Panamanian singer-songwriter Rubén Blades, released on October 7, 1977, through Fania Records. The album was produced by Colón and Jerry Masucci and is the second of four collaborative duo albums by Colón and Blades. The record includes the song "Pablo Pueblo", which is considered to be one of the initial forays into "conscious" or "intellectual" salsa and was the theme song to Blades' unsuccessful Panamanian presidential bid in 1994. Craig Harris wrote in MusicHound World that the album "not only represents a historic meeting of musical minds but remains a dance-inspiring masterpiece."
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