Overview | |
---|---|
Maker | Pentax |
Type | 35mm single-lens reflex (SLR) |
Released | 1980 |
Production | 1980 to 2001 |
Lens | |
Lens mount | Pentax K |
Lens | Interchangeable lens |
Sensor/medium | |
Film format | 35mm |
Film speed | 6-3200 ISO |
Film advance | manual; automatic with motor drive |
Film rewind | manual; automatic with motor drive |
Focusing | |
Focus | Manual |
Exposure/metering | |
Exposure modes | Aperture priority (Av), Manual (M), Bulb (B) |
Exposure metering | Off-the-film (OTF) TTL |
Flash | |
Flash | Hot shoe, PC socket |
Flash synchronization | 1/75s, variable with dedicated flash |
Shutter | |
Frame rate | 2 fps with winder, 5 fps with motor drive |
Shutter | Horizontal-running titanium shutter, mechanical or electronic operation |
Shutter speed range | 1⁄2000 ~ 4s (manual), 1⁄2000 ~ 125s (automatic) |
Viewfinder | |
Viewfinder | Interchangeable eye-level pentaprism viewfinder |
General | |
Battery | 2×SR44 or 1×CR11108 |
Body features | Fully weather and dust-sealed |
Dimensions | 144.5×90.5×50 mm (5.69×3.56×1.97 in) with standard FA-1 finder |
Weight | 570 g (1.26 lb) |
Made in | Japan |
References | |
[1] : 62–63 |
The Pentax LX is a 35mm single-lens reflex camera produced by Pentax in Japan. It was introduced in 1980 to commemorate the 60th anniversary of Asahi Optical Co. (hence the Roman numerals LX), and was produced until 2001. [2] It is the top-of-the-line professional, or "system", camera in the Pentax manual focus range, with manual and aperture priority automatic exposure modes and an advanced light metering system. The LX uses the K mount, which is the Pentax proprietary bayonet lens mount, and has a large body of accessories. The camera has several unique or uncommon features, and compared with contemporary professional camera bodies from rival manufacturers, like the Canon New F-1 or Nikon F3, the LX body is smaller and lighter, weighing in at 570 grams (1.26 pounds) [lower-alpha 1] with its standard FA-1 finder. [5] [6]
Due to the peculiar font used for the Pentax LX logo, the model is sometimes misspelled as 'ILX'. [7]
The LX is constructed of a solid metal alloy cast frame and metal covering plates, intended to be more durable than entry-level and mid-range cameras. Underneath the satin black finish is black chrome, meant to avoid a brassy look on the underlying metal as the surface finish wore through from use. All buttons and dials are fully weather and dust sealed, [8] : 94 [9] the LX being the first camera to have this feature, even among professional-grade contemporaries. [10] [6] [5] This weather sealing made it suitable for photography in mechanically-difficult coastal environments with salt in the air. [11]
The camera has an uncommon frame counter, being able to keep track of the frame number in either direction, whether advancing or rewinding the film. This feature aids in taking "random-access" multiple exposures anywhere along the film strip, as the counter only advances when the film does. [lower-alpha 2] The camera's self-timer lever is multi-functional, allowing for mirror lock-up and depth of field preview. The film take-up spool is of the "Magic-Needles" type, as found on the Pentax M Series cameras, which simplified loading. [10] [8] : 94 Both the viewfinder and focusing screen are interchangeable to suit the task at hand, with a large choice of alternatives available. [9]
These features made the LX highly sought-after among professionals both during and after production, with prices on e-commerce sites like eBay in the range of $200 to $400. [12]
The shutter and light metering systems of the LX were considered very sophisticated, as much or more than any other camera of its time. [8] [10] The horizontally-running titanium shutter curtains are mechanically-operated at all shutter speeds faster than, and including, the 1⁄75 second flash sync ('X') speed, and electronically for all speeds slower than it. Because the upper range is entirely mechanical, all speeds within are available without batteries in the camera. The film speed dial can be set from 6 to 3200 ASA, and co-axially is an exposure compensation dial (used to correct exposure metering in unevenly-lit environments), operating with a range of ±2 EV in 1⁄3 EV steps. [10] [6] The front shutter curtain has a special reflective white dot pattern, visible when the shutter is cocked, which assists in the light metering process. [13]
The LX metering system is branded Integrated Direct Metering (IDM), which is a dynamic aperture priority, center-weighted metering system which measures light off-the-film-plane, through the lens. [10] In operation, it is essentially a "refined" version of the Olympus OM-2's metering system. Pre-release exposure information is obtained from light passing through a semi-silvered area of the reflex mirror and then reflected down by a small secondary mirror to a silicon metering cell in the base of the camera—in contrast to the OM-2's need for a second cell in the viewfinder for the same task. Once the shutter is released, the light reflected off the first shutter curtain and the film itself continues to be measured by the same photocell as the exposure takes place, continuously adjusting the exposure time to match the varying light level of the subject. [8] : 92 [14] A shutter speed prediction is then calculated and given to the user through a vertical row of LEDs visible in the viewfinder, [13] seen as an advance of the display row in the ME Super from 1979. [8] : 92
In the automatic mode, the speed indicated is only an approximation of the actual speed the camera will use, which is completely variable, [1] : 22 a feature broadly distinct to professional auto-exposure cameras. [lower-alpha 3] The mode's exposure metering ranges from EV-6.5 to EV+20. Shutter speeds in the automatic mode range from 1⁄2000 second to 125 seconds, [10] [8] : 92 making the camera excellent for available light photography. [5] In contrast, the 8-second maximum [3] [4] of both the Nikon F3 and Canon New F-1's automatic modes make the exceptionally long exposure time only achievable with bulb photography.
In the manual mode, the predicted shutter speed is still displayed in the viewfinder as a recommendation, allowing the user to choose the speed indicated, or any other speed, by turning the shutter speed dial to align a translucent blue flag along the LED row. The blue flag, together with the aperture f-stop window, meant that manual exposure settings are still visible in the viewfinder without batteries, unlike the LCD screens seen in the F3. [7] Shutter speeds on the dial are fixed between 1⁄2000 second and 4 seconds. The manual exposure metering has a range from EV+1 to EV+19. [10] [13]
Like the Nikon F3 and the Canon New F-1, the viewfinders do not play a role in the metering process, since the metering is done entirely within the body of the camera. The Pentax LX functions fully with any of the interchangeable viewfinders, or even without one. [14] [13] Unlike either, however, as the exposure information is actually displayed on the camera body itself, the electrical contacts on the viewfinders are not necessary for showing exposure, and are instead only present in some for the hot shoe on the top. [15] The system also removes any necessity for a viewfinder window blind, [14] which would be necessary in other SLRs to prevent light from coming in the eyepiece and adversely affecting the exposure. [16]
TTL flash control is also available using Pentax and certain third-party dedicated units in the hot shoe (e.g. the Pentax AF280T), which are controlled by the camera taking measurements from the IDM during the exposure. The TTL capabilities are extended to dedicated external flash units (such as the Pentax AF400T hammerhead unit) via a special lead which connects to the conventional PC socket and additional contacts adjacent to it. The hot shoe and PC socket can also be used with non-dedicated flash units. [8] : 97–98
A number of professional accessories were made available for the LX, in addition to the conventional hot shoe flashes, including interchangeable viewfinders and focusing screens, a specialized winder and motor drive, a few detachable camera backs, and other miscellaneous accessories. [8]
The LX has six interchangeable viewfinders, some of which show the lens aperture f-stop via a small window within them. [14] [15] The available viewfinders are:
To switch viewfinders, a small lever is pushed to release the current one, allowing it to be removed and replaced with another. The task of changing can be performed with one hand. Both the LX and the Canon New F-1 use a more secure rail system to attach viewfinders, as opposed to the Nikon F3's dual latch system. [15]
The LX has a total of 17 focusing screens (originally 9 with the early model) [1] : 48–49 that are specially coated to appear brighter than the screens in other cameras. The 9 focusing screens designed for the earlier Pentax MX system can also be used in the LX, as they have the same dimensions, though are not as bright. [17] To switch focusing screens, a small "pincette", supplied with each new screen, is used to remove the current one from the focusing screen frame through the lens mount, and then to insert the new screen in its place. [1] : 48–49
The original 9 screens include: [18]
Five screens were added in the late model, most of which were variations of previous screens redesigned for long telephoto lenses: [19] [17]
Three additional focusing screens were added for the limited release of the LX 2000, which were about 1/6 EV brighter than original LX screens: [17]
Both a dedicated winder and motor drive were made for the camera, allowing for automatic film advance as well as film rewind, utilizing the two winder coupling ports on the bottom of the camera. The coupling port caps, once removed using a screwdriver or a nickel, could be stored on the top of the winder or motor drive during use to prevent losing them. Both film advance options, unlike those of competing models, could operate at all available shutter speeds (except "B") and could be triggered with the camera's own shutter button. Neither have their own hand grips, but two accessory grips could be independently mounted on the LX body. [20]
The Motor Drive LX was available for photography in situations where a fast framerate is needed (like sports photography), featuring a stepless variable speed of 0.5 to 5 fps—a unique feature among competitors [lower-alpha 4] —and a smaller, lighter construction, weighing in at 240 grams (0.53 pounds) [21] on its own, and can rewind a 36-exposure roll of film in 8 seconds. The Motor Drive LX is powered by one of three external power source options: a slim, rechargeable Ni-Cd battery pack (Ni-Cd Battery Pack LX), a 12 AA battery grip (Battery Grip M) (both of which attach directly to the bottom), or a household AC convertor (Power Pack M) which powers the motor drive via the 4-pin remote control port on the side. A trigger cord can be attached to the 4-pin control port to fire the shutter remotely. The battery grips have their own shutter release trigger, working separately from the camera's own, as well as a drive mode switch independent from the switch on the motor drive. [20]
For simplicity, the Winder LX was also offered as a lighter, more self-contained alternative to the motor drive system, weighing in at 285 grams (0.628 pounds). [lower-alpha 5] The winder is slower than the motor drive, with a fixed continuous shooting speed of 2 fps and a 15-second rewind, but is smaller and self-powered with 4 AA batteries. [20] The winder features its own 3-pin remote control port, and accessories for the Motor Drive are not compatible with the Winder. A separate 3-pin 5m remote cable release was available, as well as a combined remote power source and shutter release (Remote Battery Pack), using the same port and battery tray. [21] [22]
The standard camera back is detachable and interchangeable with two data backs, one of which, the Dial Data LX superimposes up to three characters chosen by the user in a corner of the frame, and the other, the Watch Data LX, superimposes a tiny analog clockface in the corner of the frame. For use with the Watch Data LX was a small film blind behind the shutter that could be raised to block light from the corner of the film where the clockface would be superimposed. Also taking advantage of the removable back is a high-capacity magazine allowing for 250 exposures. [23] [1] : 52, 54
To attach a camera strap, separate strap fasteners could be mounted to any two of the three accessory lugs on the front of the camera body, allowing the LX to be carried either horizontally or vertically, such as when a grip occupies the righthand accessory lug. Two right-handed grips were produced, Accessory Grip A, which was made to be whittled down to suit a photographer's exact needs, and Accessory Grip B, which was hand-contoured. Either grip could be attached to the camera by using a nickel or a screwdriver to tighten a screw. [1] : 42–43
The Pentax LX body was updated at least three times during its 20-year production, with a key variation being in the design of the shutter button lock switch. Other minor variations are the removal of two of the white dots on the front shutter curtain and the ability to activate the light meter by pressing the button on the viewfinder release lever. There is no official distinction between the early and later models, and no link between exact serial numbers and design variations has been found, so the years of the updates are unknown. [24]
In October 1981, Pentax made available 300 limited edition Pentax LX Gold cameras to celebrate having produced 10 million SLRs, the first camera manufacturer to reach that milestone according to the accompanying certificate. The camera and its SMC 1:1.2 50 mm lens are partly plated in 24-karat gold and partly covered in brown reptile skin, while some details are made of brown plastic, and came with a brown Eveready Case. [6] Cameras for some markets, such as the U.S., have brown leather instead of reptile skin supposedly due to import laws. The actual number of cameras made is somewhat higher than 300 since a few were retained at Pentax, reserved for their own use. The actual number for sale, however, was 300 cameras according to Pentax in Tokyo.[ citation needed ]
The Pentax LX Titanium was produced in 1994 in a limited edition of 1000 titanium-plated cameras to mark the company's 75th anniversary. Another Pentax LX Titanium was launched in 1996 in a limited number of 300, finished in black and carrying the inscription "Titanium". [24] [7]
The Pentax LX 2000 with an SMC Pentax-A 50mm f/1.2 lens in a lighter metal finish was released in the year 2000. [24]
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.
The Nikon FM is a mechanically operated, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured in Japan between 1977 and 1982 by Nippon Kogaku K. K..
The Nikon FA is an advanced amateur-level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. in Japan from 1983 to 1987. The FA used a titanium-bladed, vertical-travel Nikon-designed, Copal-made focal plane shutter with a speed range of 1 to 1/4000th second plus Bulb and flash X-sync of 1/250th second. It was available in two colors: black with chrome trim and all black. The introductory US list price for the chrome body only was $646. Note that SLRs usually sold for 30 to 40 percent below list price.
The Nikon FE2 is a 35 mm single lens reflex (SLR) camera manufactured by Nippon Kogaku K. K. in Japan from 1983 to 1987. The FE2 uses a Nikon-designed vertical-travel focal-plane shutter with a speed range of 8 to 1/4000th second, plus Bulb and flash X-sync of 1/250th second. It was available in two colors: black with chrome trim and all-black. The introductory US list price for the chrome body only was $446. Note that SLRs are usually sold for 30 to 40 percent below list price.
The Nikon FE is an advanced semi-professional level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nikon in Japan from 1978 to 1983, and was available new from dealer stock until c. 1984. The FE uses a metal-bladed, vertical-travel focal plane shutter with a speed range of 8 to 1/1000 second, plus Bulb, and flash X-sync of 1/125th second. It had dimensions of 89.5 millimetres (3.52 in) height, 142 mm (5.6 in) width, 57.5 mm (2.26 in) depth and 590 grams (21 oz) weight. It was available in two colors: black with chrome trim and all black. As on the FM, its model designation did not appear on the front of the camera, but was engraved as a small "FE" preceding the serial number on the rear of the housing.
The Nikon F3 was Nikon's third professional single-lens reflex camera body, preceded by the F and F2. Introduced in March 1980, it had manual and semi-automatic exposure control whereby the camera would select the correct shutter speed. The Nikon F3 series cameras had the most model variations of any Nikon F camera. It was also the first of numerous Nikon F-series cameras to be styled by Italian designer Giorgetto Giugiaro, and to include a red stripe on the handgrip – a feature that would later become a signature feature of many Nikon cameras.
The Canon A-1 is an advanced-level single-lens reflex (SLR) 35 mm film camera for use with interchangeable lenses. It was manufactured by Canon Camera K. K. in Japan from March 1978 to 1985. It employs a horizontal cloth-curtain focal-plane shutter with a speed range of 30 to 1/1000 second plus bulb and flash synchronization speed of 1/60 second. It has dimensions of 92 millimetres (3.6 in) height, 141 millimetres (5.6 in) width, 48 millimetres (1.9 in) depth and 620 grams (22 oz) weight. Unlike most SLRs of the time, it was available in only one color; all black. The introductory US list price for the body plus Canon FD 50 mm f/1.4 SSC lens was $625; the camera body was generally sold with a 30–40% discount.
The Nikon EM is a beginner's level, interchangeable lens, 35 mm film, single lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1979 to 1982. The camera was designed for and marketed to the growing market of new photographers then entering the SLR buyer's market. The EM uses a Seiko MFC-E focal plane shutter with a speed range of 1 to 1/1000 second plus Bulb and flash X-sync of 1/90 second. It is 86 mm (3.4 in) high, 135 mm (5.3 in) wide, 54 mm (2.1 in) deep and weighed 460 grams (16 oz). Unlike most Nikons of the time, it was available only in black. The EM has no full manual exposure mode capability, but instead was intended to be used by inexperienced photographers who could not easily master the intricacies of shutter speeds and f-stops. There were also significant changes to the EM's mechanical and electrical components to reduce its production cost relative to previous Nikon cameras: dimensional tolerances weren't as tight, there were no ball bearings in the film advance mechanism, and no high-quality titanium shutter. The introductory US list price for the body plus normal lens was only $231.
The Nikon FG is an interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1982 to 1986.
The Pentax MX is a 35 mm single-lens reflex camera produced by Asahi Optical Co, later Pentax of Japan between 1976 and 1985. It was Pentax's flagship professional SLR until the introduction of the Pentax LX. Internally, the MX is essentially a smaller, lighter version of the Pentax KX, and otherwise has little in common with the rest of the Pentax M-series. However, the MX was designed as the mechanical twin sister of the remarkably successful entry-level Pentax ME.
The Canon F-1 is a 35 mm single-lens reflex camera produced by Canon of Japan from March 1971 until the end of 1981, at which point it had been superseded by the New F-1 launched earlier that year. The Canon FD lens mount was introduced along with the F-1, but the previous Canon FL-mount lenses and older R- series lenses were also compatible with the camera with some limitations. The Canon F-1 was marketed as a competitor to the Nikon F and Nikon F2 single lens reflex cameras by Nikon.
The Canon New F-1 replaced the F-1n as Canon's top-of-the-line 35mm single-lens reflex camera in September 1981. Like the earlier models, the New F-1 takes FD-mount lenses. Although no date has ever been confirmed, it is thought that the last New F-1 was made in 1992. It was officially discontinued in 1994, and factory support ended in 2004.
The Nikon F2 is a professional-level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. in Japan from September 1971 to 1980. It used a horizontal-travel focal plane shutter with titanium shutter curtains and a speed range of 1 to 1/2000 second plus Bulb and Time, and flash X-sync of 1/80 second. It had dimensions of 98 mm height, 152.5 mm width, 65 mm depth and 730 g weight. It was available in two colors: black with chrome trim and all black. The F2 was adopted by both casual photographers and professional photographers, the latter of those especially photojournalists covering the later half of the Vietnam War.
The history of the single-lens reflex camera (SLR) begins with the use of a reflex mirror in a camera obscura described in 1676, but it took a long time for the design to succeed for photographic cameras. The first patent was granted in 1861, and the first cameras were produced in 1884, but while elegantly simple in concept, they were very complex in practice. One by one these complexities were overcome as optical and mechanical technology advanced, and in the 1960s the SLR camera became the preferred design for many high-end camera formats.
Nikkormat was a brand of cameras produced by the Japanese optics company Nippon Kogaku K. K., as a consumer version of the professional Nikon brand. Nikkormat cameras, produced from 1965 until 1978, were simpler and more affordable than Nikon-branded cameras, but accepted the same lenses as the Nikon F series cameras.
The Minolta XD-7 is a 35mm SLR film camera manufactured by Minolta from 1977 until 1984.
The Nikon F90 is a 35mm SLR camera manufactured between 1992 and 2001 and replaced the earlier Nikon F-801. At the time of its release it was noted for its fast autofocus speed compared to previous Nikon models, which had lagged behind competitor Canon's. It was thus seen by many as a 'stop-gap' measure to prevent the mass migration of many Nikon-using professional photographers to Canon, as Nikon's next fully professional camera, the F5, was some time away from release. The Nikon F4, the professional model available at the time of the F90's release, had very slow autofocus compared to Canon's autofocus SLRs.
The Pentax ME F was an amateur level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Asahi Optical Co., Ltd. of Japan from November 1981 to 1984. The ME F was a heavily modified version of the Pentax ME-Super, and a member of the Pentax M-series family of SLRs. It was the first mass-produced SLR camera to come with an autofocus system.
This article discusses the cameras – mainly 35 mm SLRs – manufactured by Pentax Ricoh Imaging Corp. and its predecessors, Pentax Corporation and Asahi Optical Co., Ltd.. Pentax must not be confused with Pentax 6x7 or Pentax 67 which are 120 medium format 6x7cm film cameras.
The Pentax 6×7 is a SLR medium format system film camera for 120 and 220 film, which produces images on the film that are nominally 6 cm by 7 cm in size, made by Pentax. It originally debuted in 1965 as a prototype dubbed the Pentax 220. Since then, with improvements, it was released in 1969 as the Asahi Pentax 6×7, as well as the Honeywell Pentax 6×7 for the United States import market. In 1990, it received a number of minor engineering updates and cosmetic changes and was renamed as the Pentax 67.