Perth Dance Music Awards

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The Perth Dance Music Awards (also known as "the PDMAs") highlights the year's major accomplishments in Electronic music by Western Australians. It is an annual event, with the first awards held in 1998. The Perth Dance Music Awards aim to provide recognition and reward to those who are the best in their chosen fields with in the Perth electronic music scene. The recipients of the awards are voted for by the public.

Contents

With over 25 categories covering all niches and genres within the scene, the PDMAs recognise excellence and innovation, highlighting the tireless effort and limitless passion expended by the hard working individuals and organisations that make Perth’s dance music scene what it is today.

2013 Awards

The 2013 Awards were held on Sunday 8 December at the Court Hotel.

Winners

Hall of Fame Inductees

2012 Awards

Illuminor - That Way (Genix Dub Mix)

2011 Awards

2010 Awards

Inaugural Hall of Fame Inductee

2009 Awards

2008 Awards

2007 Awards

2006 Awards

The 2006 Award party was held on Sunday 3 December 2006 at the Rosemount Hotel. The Awards were hosted by MCs Dart & Blend, with entertainment provided by Bad Robot & David Lee Froth and performances by DJ Greg Packer, Ben Mac, Flaunt, DJ Armee, Terry Waites, and Scott & Mandy. [1]

2005 Awards

The 2005 Awards were held on Sunday 4 December 2005 at the Rosemount Hotel. The Awards were hosted by MCs Dart & Blend, with performances by Fdel, Micah, Mystique, Scott & Mandy, and Devo & Moemoney.

2004 Awards

2003 Awards

The 2003 Awards were held on Sunday 26 October 2003 at the Leederville Hotel. The Awards were hosted by Declan and Dart RTRFM's Full Frequency, with performances by Adam Kelly, MRW, Joby, Nic Tan, Souljah Armee, Dart, Micah, and Mandy.

2001 Awards

2000 Awards

1999 Awards

1998 Awards

Related Research Articles

House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 120-130 beats per minute as a re-emergence of 1970's disco. It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s, and as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.

Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.

<span class="mw-page-title-main">Rave</span> Dance party

A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.

Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.

Hip house, also known as rap house or house rap, is a musical genre that mixes elements of house music and hip hop music, that originated in both London, United Kingdom and Chicago, United States in the mid to late 1980s.

Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings.Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s.

Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.

Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and North England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases.

Balearic beat, also known as Balearic house, Balearic, Ibiza house or Ibizan chillout, is an eclectic blend of DJ-led dance music that emerged in the mid-1980s. It later became the name of a more specific style of electronic dance/house music that was popular into the mid-1990s. Balearic beat was named for its popularity among European nightclub and beach rave patrons on the Balearic island of Ibiza, a popular tourist destination. Some dance music compilations referred to it as "the sound of Ibiza", even though many other, more aggressive and upbeat forms of dance music could be heard on the island, such as Balearic trance.

Electronic dance music (EDM) is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.

<span class="mw-page-title-main">Dance music</span> Music composed specifically to facilitate or accompany dancing

Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.

Stu Allan was a British dance music DJ and producer who worked for Piccadilly Radio and Key 103 in Manchester in the 1980s and 1990s. His hip hop, hardcore techno and house music mixes ranked him the world's No. 3 DJ by DJ Magazine in 1993 and his performances influenced significantly the music scene during this period. Allan continued to remain a major contributor within the UK hardcore scene..

Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.

Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986.

Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.

Radio Record is a Russian radio station that broadcasts on 106.3 FM from Saint Petersburg. It airs an electronic dance music format with primarily trance and house offerings now expanded to variety of different genres including Rock, Deep House, Future House, Dubstep.

Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.

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