Biography
Dwyer was born December 17, 1965, in Duncan, British Columbia, and went to high school in Parksville, and Qualicum Beach, British Columbia.
Dwyer’s first national press exposure came from journalist Mark Miller, who profiled Dwyer in a piece filed for The Globe and Mail in 1982 from the Canadian Stage Band Festival (precursor to MusicFest Canada), held that year in Hamilton, Ontario. Dwyer performed with his Ballenas Secondary School group Triple Image and took the Gold Medal in the combo category.
Dwyer joined the American Federation of Musicians, Local 145 in 1983 at age 17 to perform with Fred Stride's West Coast Jazz Orchestra, 'subbing' for well-known Vancouver saxophonist/flautist Tom Keenlyside. A recording of his first Vancouver performance as a bandleader led to his receiving a Canada Council grant in 1983 to study in New York with David Liebman, which led in turn to studies with Steve Grossman. Earlier teachers included saxophonists Steve Jones and David Branter, pianist Don Thompson, piano/theory teacher Joan Gosselin, and high school band director Bill Cave. His high school contemporaries included trumpeter Ingrid Jensen, bassist Pat Collins, and singer/pianist Diana Krall, for whom years later Dwyer would compose the tribute song 'Diana Piana'.
In 1985, Dwyer returned to Canada to stay, stopping in Edmonton on his way to Vancouver to perform the Hugh Fraser’s VEJI band, and guitarist Oliver Gannon’s Quartet, at the Edmonton Jazz City Festival. From 1985 through 1988, Dwyer was based in Vancouver, where he worked as a freelance musician, was a member of VEJI and the Hugh Fraser Quintet, and traveled south to work with bassist David Friesen’s Trio (with drummer Alan Jones). Among his earlier recordings were the Juno-winning Looking Up (Hugh Fraser Quintet), Classic VEJI, and Friesen’s Other Times, Other Places. Reviewers, including journalist Scott Yanow, highlighted Dwyer’s contributions to Friesen’s recording in particular. [5]
In 1988, Dwyer relocated to Toronto and established a freelance performing and recording career, as well as joining the music faculty at York University. He was a frequent performer at Toronto jazz clubs such as the Top o' the Senator, Montréal Bistro, George's Spaghetti House, the Pilot Tavern, and the Rex Jazz Bar. He also appeared at concert venues such as Massey Hall, Roy Thompson Hall, the O'Keefe Centre, and others. Among the artists with whom Dwyer appeared are Kenny Wheeler, Aretha Franklin, Rodney Whitaker, the Toronto Symphony Orchestra, Esprit Orchestra, Holly Cole, Tom Harrell, Renee Rosnes, and many others. During the time he lived in Toronto, he also toured frequently across Canada, in the U.S., South America, Europe, and Asia, appearing at various clubs and festivals with different Canadian-based groups and in 1995 with Gino Vannelli. From the early 1990s until 2004, Dwyer was a fixture in the Toronto recording studios, appearing on many albums, radio shows, and commercials. Some of his most frequent collaborators included Doug Riley, Don Thompson, Roberto Occhipinti, Molly Johnson, Guido Basso, John Johnson, Manteca, and Tim Tickner. He also wrote commercial music for production companies Rosnick/McKinnon, Einstein Bros., Pirate, and others.
In 1999-2000, Dwyer studied composition with Michael Colgrass, which led to him writing music by the commission for the Amici Ensemble, Patricia O'Callaghan, Art Of Time, Gryphon Trio, Mark Fewer, CBC Orchestra, Kate Alton (choreographer), and several CBC Radio projects.
In 2004, Dwyer relocated to Qualicum Beach, on his native Vancouver Island. He continued to tour, write and record prolifically, including recordings with Terri Lyne Carrington, Terry Clarke, Joey Defrancesco, Don Thompson, Molly Johnson, Ian McDougall, Phil Dwyer Orchestra, Jon McCaslin, Melinda Whitaker, Norman Foote, David Gogo, and the Bridge Quartet. He also founded and operated the Phil Dwyer Academy of Musical and Culinary Arts (PDAMCA).
In 2013, he was made a Member of the Order of Canada "for his contributions to jazz as a performer, composer, and producer, and for increasing access to music education in his community". [6]
