Alan Jones | |
---|---|
Born | Longview, Washington, U.S. | August 5, 1962
Genres | Modal jazz, avant-garde jazz, hard bop, post-bop |
Occupation(s) | Musician, Bandleader, Composer, Educator |
Instrument(s) | Drums, multi-instrumentalist |
Years active | 1978 - Present |
Website | ajampdx.com |
Alan Jones (born August 5, 1962) is an American jazz drummer, composer and educator. [1] Born in Longview, Washington, he moved to Portland, Oregon at an early age and took up the drums and guitar as a young child. [2] Jones' first experience in his early career was with Count Dutch, an organist from Amsterdam who hired Jones to work with him as a drummer. His first album was Unsafe which was published in 1998. [3]
Jones moved to Portland Oregon at an early age. He began playing the drums and guitar as a young child and had some instruction from local Jazz Pianist and Educator Arletta O'hearn [2] Jones spent his high school years soaking in the vibrant local music scene. "I saw Dexter Gordon when I was in high school," recalls Jones, who sneaked in an upstairs window to soak up the music before he was caught and ejected". [4] Jones was inspired by Jazz musicians Saxophonist Sonny King, John Stowell and Mel Brown as well as Jim Pepper and David Friesen who would help establish his early career. One of the first such experiences was provided by an organist from Amsterdam named Count Dutch, who hired Jones to work with him on the road after hearing him play at one of Dutch's jam sessions. These tours also presented an opportunity to play extensively with Saxophonist Jim Pepper, a relationship that Jones would build on in the future. This musical period lasted until Dutch's premature death [5] three years later.
After moving to Boston in 1980 Jones graduated from the Berklee College of Music where he studied with the jazz drummer Alan Dawson. [6] During this time he spent two summers at the Banff Center for the Fine Arts in Canada [6] and also made appearances in his home town of Portland. [7] Jones moved to New York City in 1984 and as a tenant of the same Brooklyn apartment building as Jim Pepper and bassist Ben Wolfe, [8] where he organized many jam sessions.
In 1985 while still in New York City, Jones met Canadian Saxophonist Phil Dwyer and they both performed as members of the David Friesen trio, a tenure which lasted into the next decade. [9]
In 1988, Jones moved to Europe splitting his home between Vienna and Paris. [10] This led to Jones sharing leadership and compositional duties with bandmates in The Fensters and performing at Europe's leading jazz festivals. [11] This also coincided with tours of England, France, Germany, [12] Belgium, the Netherlands, Austria, Hungary, Spain, Portugal, Italy and the Czech Republic.
During his time in Europe, Jones also continued to tour with The David Friesen Trio [13] throughout the U.S. and extensively up and down the West Coast [13] as well as additional dates in Canada with Kenny Wheeler. During this time Jones made a number of recordings with this group including David Friesen's well received 1989 release Other Times, Other Places. [14]
In the early 1990s Jones continued to perform with Friesen as a member of his quartet with saxophonist John Gross and Trumpeter Gary Barone.
Upon returning to Portland in 1996, Jones stepped further into the roll of band leader and composer with the formation of The Alan Jones Sextet. Jones leveraged John Gross and Randy Porter from earlier work in David Friesen's group as well as other Portland musicians. Their recording first [15] established Jones working with Gino Vannelli, who produced their first recording, Unsafe. [3]
As a composer, Jones' work was described by music critic Jim Strupp as "intelligent explorations on familiar jazz forms" whose "arrangements are interesting and accessible". This group went on to record three albums and the sextet which emphasized Jones compositions, represented a chance for Jones to more fully explore his creative output as a composer. [16] "It's Jones' compositions that are primarily responsible for the excitement" wrote Lynn Darroch of The Oregonian [17] which is echoed in yet another review from this period "The Sextet's sound is primarily the result of Jones' vision and courage." [18]
In 2001 Jones was commissioned by production designer and puppet artist Michael Curry to write the music for a large stage production called Spirits. The result was a jazz and world music infused score for dance and theater [19] the sound track of which was released independently on Jones' own label record. [20]
In 2005 Jones move back to Europe this time living in Germany [21] where he worked with Olaf Polziehn and Peter Bolte Quartet, among others. [22] [23]
In 2008, Jones returned to reside in Portland, Oregon. In May of that year, Jones opened a jazz club called The Cave. [24]
In the Summer of 2013 Jones toured Canada with his Alan Jones, a Canadian Sextet featuring Phil Dwyer, Seamus Blake, Ingrid Jensen, Jon Ballantyne and Tom Wakeling.
In 2014 Jones put together a new Portland based sextet with Greg Goebel, Charlie Porter, John Nastos, Nicole Glover and Jon Lakey [25] and is currently planning to record a new album in 2015 [26]
After teaching at Portland State University [6] in 2010, Jones went on to establish the Alan Jones Academy of Music. [27] The school describes itself as "an education system focused on personal and collective improvisation" that "works with students of all ages". [28] Students have been involved in projects ranging from collaborating with Michael Curry on multimedia stage presentations, [29] playing at international jazz festivals and has received prestigious scholarships. [30] Jones also works as a clinician and private instructor while continuing an active world-wide recording and touring schedule.
Elvin Ray Jones was an American jazz drummer of the post-bop era. Most famously a member of John Coltrane's quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the Modern Drummer Hall of Fame in 1995. In his The History of Jazz, jazz historian and critic Ted Gioia calls Jones "one of the most influential drummers in the history of jazz". He was also ranked at Number 23 on Rolling Stone magazine's "100 Greatest Drummers of All Time".
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