Alain Fabien Maurice Marcel Delon was a French actor, film producer, screenwriter, and singer. Acknowledged as a cultural and cinematic leading man of the 20th century, Delon emerged as one of the foremost European actors of the 1960s, 1970s, and 1980s, and became an international sex symbol. He is regarded as one of the most well-known figures of the French cultural landscape. His style, looks, and roles, which made him an international icon, earned him enduring popularity.
Daniel Ceccaldi was a French actor.
Angiolino Giuseppe Pasquale Ventura, known as Lino Ventura, was an Italian-born actor and philanthropist, who lived and worked for most of his life in France. He was considered one of the greatest leading man of French cinema during the 1960s and 1970s, known for his portrayal of tough characters on both sides of the law in crime dramas.
Gérard Philipe was a prominent French actor who appeared in 32 films between 1944 and 1959. He came to prominence during the later period of the poetic realism movement of French Cinema in the late 1940s. His best known credits include Such a Pretty Little Beach (1949), Beauty and the Devil (1950), Fan Fan the Tulip (1953), Montparnasse 19 (1958) and Les liaisons dangereuses (1959).
Juliette Gréco was a French singer and actress. Her best known songs are "Paris Canaille", "La Javanaise" and "Déshabillez-moi" (1967). She often sang tracks with lyrics written by French poets such as Jacques Prévert and Boris Vian, as well as singers like Jacques Brel and Charles Aznavour. Her 60-year career concluded with her final worldwide tour titled "Merci", which began in 2015.
Jacques Perrin was a French actor and film producer. He was occasionally credited as Jacques Simonet.
Jean-Pierre Cassel was a French actor and dancer. A popular star of French cinema, he was initially known for his comedy film appearances, though he also proved a gifted dramatic actor, and accrued over 200 film and television credits in a career spanning over 50 years.
Jean Poiret, born Jean Poiré, was a French actor, director, and screenwriter. He is primarily known as the author of the original play La Cage aux Folles.
Jean Grémillon was a French film director.
Maurice Ronet was a French film actor, director, and writer.
Jean-Claude Vannier is a French musician, composer and arranger. Vannier has composed music, written lyrics, and produced albums for many singers.
Laurent Hugues Emmanuel Ruquier is a French television presenter, radio host and comedian. He is also a lyricist, writer, columnist and impresario; he has been co-owner and general manager of Théâtre Antoine-Simone Berriau in Paris since 2011. He is best known for hosting the On n'est pas couché show on France 2 every Saturday evening from 2006 to 2020.
The Eagle with Two Heads is a 1948 French drama film directed by Jean Cocteau. It was adapted from his own play L'Aigle à deux têtes which was first staged in Paris in October 1946, retaining the principal actors Edwige Feuillère and Jean Marais from the original theatre production.
Marie Dubois was a Parisian-born French actress.
Philippe Clay, born Philippe Mathevet, was a French mime artist, singer, and actor.
Vincent Elbaz is a French actor. He has appeared in many French television shows and films.
Charles Spaak was a Belgian screenwriter who was noted particularly for his work in the French cinema during the 1930s. He was the son of the dramatist and poet Paul Spaak, the brother of the politician Paul-Henri Spaak, and the father of the actresses Catherine Spaak and Agnès Spaak.
Pierre Barouh was a French writer-composer-singer best known for his work on Claude Lelouch's film A Man and a Woman as an actor and the lyricist/singer for Francis Lai's music score.
Aurélien Wiik is a French actor and filmmaker. He is the son of a Norwegian father and of the French actress Françoise Deldick.
The Mouth Agape is a 1974 French drama film directed by Maurice Pialat. It depicts, in a cinematic realist fashion, a woman going through a terminal illness and also dealing with the tumultuous lives of her husband and son. It was one of the least commercially successful of Pialat's films. It was the third film of the ten that he directed before his death in January 2003. It is also known under the titles The Gaping Mouth and The Gaping Maw.
