Piagnoni

Girolamo Savonarola

The Piagnoni were a group of Christians who followed the teachings of Girolamo Savonarola. ^{[1] [2]} The later Piagnoni remained in the Catholic Church and kept a mixture with the teachings of Catholic dogma and the teachings of Savonarola. ^[3] The name Piagnoni (meaning "Weepers") was given because they wept for their sins and the sins of the world. ^[4]

Beliefs

The Piagnoni believed the message of Savonarola that clergy need to stick to their sacramental functions and leave charitable work for the laity. Savonarola also preached against what he saw as "lax and corrupt clergy", and called for a theocratic republic and religious reform. ^[5] The Piagnoni opposed secular items deemed sinful by Savonarola such as cosmetics, secular art, and many musical instruments, which they burned in 1497. ^[6]

History

While Savonarola was still alive the Piagnoni supported the campaigns of Savonarola against illicit sex, gambling and blasphemy. Savonarola also organized groups of followers that persuaded the people to hand over secular items to be burned in a Bonfire of the vanities. ^[7] The Piagnoni survived underground, even after Medici rule was installed in Florence, although they gradually abandoned their goals. ^[8] The Piagnoni are also linked to the presence of reformation ideas in Florence as some later Piagnoni already in 1520 praised the views of Martin Luther. ^[9] Many other late followers of Savonarola were first attracted to Luther's attacks on the pope and clergy, but later had disagreements with his other theology. ^[10]

Savonarola preaching

Some Piagnoni converted to Protestantism, while others wrote against the views of Luther. ^[11] Petrus Bernandinus was a follower of Savonarola and had a fanatical zeal to the teachings of Savonarola. Peter preached in Florence while Savonarola was alive and after he was killed. Later Peter and his companions were burned for heresy and others were expelled from Florence. ^[12] Philip Neri was a devoted follower of the teachings of Savonarola; later he would be an influential figure in the Counter-Reformation. ^{[13] [14]}

References

1. Tafuri, Manfredo (2006-01-01). Interpreting the Renaissance: Princes, Cities, Architects. Yale University Press. ISBN   978-0-300-11158-3.
2. Strathern, Paul (2011-10-31). Death in Florence: the Medici, Savonarola and the Battle for the Soul of the Renaissance City. Random House. ISBN   978-1-4464-7761-8.
3. Bertoglio, Chiara (2017-03-06). Reforming Music: Music and the Religious Reformations of the Sixteenth Century. Walter de Gruyter GmbH & Co KG. ISBN   978-3-11-052081-1.
4. King, Margaret L. (2003). The Renaissance in Europe. Laurence King Publishing. ISBN   978-1-85669-374-5.
5. Terpstra, Nicholas (2005). Abandoned Children of the Italian Renaissance: Orphan Care in Florence and Bologna. JHU Press. ISBN   978-0-8018-8184-8.
6. Bartlett, Kenneth (2018-03-01). Florence in the Age of the Medici and Savonarola, 1464–1498: A Short History with Documents. Hackett Publishing. ISBN   978-1-62466-683-4.
7. "Italy - Savonarola | Britannica". www.britannica.com. Retrieved 2021-12-19.
8. Macey, Patrick Paul; Macey, Associate Professor of Musicology Eastman School of Music Patrick (1998). Bonfire Songs: Savonarola's Musical Legacy. Clarendon Press. ISBN   978-0-19-816669-6.
9. Melloni, Alberto (2017-12-20). Martin Luther: A Christian between Reforms and Modernity (1517-2017). Walter de Gruyter GmbH & Co KG. ISBN   978-3-11-049823-3.
10. Herzig, Tamar (2008). Savonarola's Women: Visions and Reform in Renaissance Italy. University of Chicago Press. ISBN   978-0-226-32915-4.
11. Moreana. Association Amici Thomae Mori. 1997.
12. Kirsch, Johann Peter (1911). "Petrus Bernardinus"  . Catholic Encyclopedia . Vol. 11.
13. "Imitations of Christ: Ignatius of Loyola, Philip Neri and the influence of the Devotio Moderna" (PDF). repository.uwtsd.ac.uk/. University of Wales. Neri's ideas evolved in response to his environment and influential individuals. In Florence, his family had revered Savonarola with his fiery condemnation of ecclesiastical abuses, and Neri kept a portrait of the outspoken Dominican on which he had drawn a halo.
14. "St. Philip Neri". stlucycommunity.com/.