Piano Concerto No. 1 | |
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Concerto by Heitor Villa-Lobos | |
Catalogue | W453 |
Genre | Concerto |
Form | Concerto |
Composed | 1945 Rio de Janeiro : |
Dedication | Ellen Ballon |
Published | 1984 Paris (reduction for two pianos) : |
Publisher | Max Eschig |
Recorded | June 1949 Ellen Ballon, piano; Orchestre de la Suisse Romande; Ernest Ansermet, cond. (issued 1949 on LP, London LLP 77, matrix ARL.66 and ARL.67). |
Duration | 38 minutes |
Movements | 4 |
Scoring |
|
Premiere | |
Date | 11 October 1946 : |
Location | Theatro Municipal, Rio de Janeiro |
Conductor | Heitor Villa-Lobos |
Performers | Ellen Ballon, piano; Orquestra Sinfônica do Theatro Municipal |
Piano Concerto No. 1, W453, is a composition for piano and orchestra by the Brazilian composer Heitor Villa-Lobos, written in 1945. A performance lasts about 38 minutes.
Villa-Lobos composed his First Piano Concerto in Rio de Janeiro in 1945. It was commissioned by the Canadian pianist Ellen Ballon, who gave the first performance at the Theatro Municipal in Rio de Janeiro on 11 October 1946, with the composer conducting the Orquestra Sinfônica do Theatro Municipal. [1] Ballon also gave the American premiere of the concerto in Dallas, conducted by Antal Dorati in 1946, the Canadian premiere with Désiré Defauw on 28 October 1947 at the Plateau Auditorium in Montreal, and the London premiere with Thomas Beecham in 1956. She also recorded the work with Ernest Ansermet in 1949, with whom she also made return Canadian performances on 30 and 31 January 1951 with the Montreal Symphony Orchestra. [2]
The work is scored for solo piano and an orchestra consisting of piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 tenor trombones, bass trombone, tuba, timpani, percussion (tam-tam, triangle, bass drum), harp, and strings.
The concerto has four movements:
Although Villa-Lobos adheres to the four-movement structure often found in piano concertos, he makes little effort to follow the traditional structures, based on melodic ideas, within the movements. Instead, he uses rhythmic elements to define sections of movements. [3]
The Sonata for guitar, Op. 47 is a composition by Alberto Ginastera. This sonata was written in 1976 for the guitarist Carlos Barbosa-Lima. The composer subsequently revised the work twice: first in 1977–78, then again in 1981. It is the only original composition for guitar by Ginastera.
The Cello Concerto No. 2, W516, was composed by Heitor Villa-Lobos in Rio de Janeiro in 1953. It was commissioned by the cellist Aldo Parisot, to whom the score is dedicated. A reduction for cello and piano was published in Paris by Max Eschig.
The Cello Concerto No. 1, Op. 50, was composed by Heitor Villa-Lobos in 1915 according to the manuscript, though the printed score of the piano reduction gives 1913. It is the composer's first large-scale work, and shows the unmistakable influence of Tchaikovsky.
String Quartet No. 2 is the one of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1915. A performance lasts approximately twenty minutes.
String Quartet No. 10 is one of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1946. A performance lasts approximately 23 minutes.
String Quartet No. 17 is the last of seventeen quartets by the Brazilian composer Heitor Villa-Lobos, and was written in 1957. A performance lasts approximately twenty minutes.
Chôros No. 11 is a work for piano and orchestra written in 1928 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras. Chôros No. 11 is the longest in the series, a performance lasting over an hour.
Chôros No. 9 is an orchestral work written between 1929 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. A recorded performance of Chôros No. 9 made by the composer lasts almost 28 minutes.
Chôros No. 6 is an orchestral work written between 1925 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 6 is one of the longer compositions in the series, lasting about 25 minutes in performance.
Introdução aos Chôros: Abertura, is a composition for guitar and orchestra by the Brazilian composer Heitor Villa-Lobos, composed in 1929 as an overture to precede a complete performance of his series of fourteen Chôros. A performance of just the Introdução lasts about thirteen minutes.
Symphony No. 1O Imprevisto is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1916. A performance lasts about twenty-five minutes.
Symphony No. 2, Ascensão (Ascension) is a composition by the Brazilian composer Heitor Villa-Lobos, written between 1917 and 1944.
Symphony No. 8 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1950. A performance lasts about 25 minutes
Symphony No. 10, Sumé pater patrium: Sinfonia ameríndia com coros (Oratorio) is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1952–53. The broadcast performance of the world-premiere performance under the composer's direction lasts just over 67 minutes.
The Piano Concerto No. 4, W505, is a composition for piano and orchestra by the Brazilian composer Heitor Villa-Lobos, written in 1952. A performance lasts about 27 minutes.
The Piano Concerto No. 5, W 521, is a piano concerto by the Brazilian composer Heitor Villa-Lobos, written in 1954. One performance recorded under the composer's baton lasts 18 minutes, 48 seconds.
The Piano Concerto No. 2, W487, is a piano concerto by the Brazilian composer Heitor Villa-Lobos, written in 1948. A performance lasts about 28 minutes.
The Piano Concerto No. 3, W512, is a composition for piano and orchestra by the Brazilian composer Heitor Villa-Lobos, written in 1952–57. A performance lasts about 26 minutes.
The Guitar Concerto, W501, is a work for solo guitar and small orchestra written by the Brazilian composer Heitor Villa-Lobos in Rio de Janeiro in 1951. A performance lasts about 18 minutes.
Fantasia for saxophone, three horns, and strings, W. 490, is a concertante work in three movements by the Brazilian composer Heitor Villa-Lobos, written in 1948. A performance of it lasts approximately ten minutes.
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