Piano Concerto No. 2 (Villa-Lobos)

Last updated
Piano Concerto No. 2
Concerto by Heitor Villa-Lobos
Heitor Villa-Lobos (c. 1922).jpg
Heitor Villa-Lobos c. 1922
CatalogueW487
Composed1948 (1948): Paris
Dedication João de Souza Lima  [ pt ]
Published1979 (1979): Paris (reduction for two pianos)
PublisherMax Eschig
Recorded1981 (1981) Krassimira Jordan, piano; Orchestra Sinfônica do Theatro Municipal; Mário Tavares, cond. (issued 1981 on LP, Tapecar MVL 029, matrix ARL.66 and ARL.67).
Duration22 minutes
Movements4
Scoring
  • piano
  • orchestra
Premiere
Date21 April 1950 (1950-04-21):
Location Theatro Municipal, Rio de Janeiro
ConductorHeitor Villa-Lobos
PerformersJoão de Souza Lima, piano; Orchestra Sinfônica do Theatro Municipal

The Piano Concerto No. 2, W487, is a piano concerto by the Brazilian composer Heitor Villa-Lobos, written in 1948. A performance lasts about 28 minutes.

Contents

History

Villa-Lobos composed his Second Piano Concerto in Rio de Janeiro in 1948. The score is dedicated to João de Souza Lima  [ pt; de; ru ], who gave the first performance on 21 April 1950 at the Theatro Municipal in Rio de Janeiro, with the Orquestra Sinfônica do Theatro Municipal, conducted by the composer. [1]

Instrumentation

The work is scored for solo piano and an orchestra consisting of piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 tenor trombones, tuba, timpani, percussion (tam-tam, cymbal, bass drum), celesta, harp, and strings.

Analysis

Theatro Municipal, Rio de Janeiro, venue of the concerto's premiere Theatro Municipal.jpeg
Theatro Municipal, Rio de Janeiro, venue of the concerto's première

The concerto has four movements:

  1. Vivo
  2. Lento
  3. Quasi allegro – Cadenza
  4. Allegro

In the first movement, the solo part emphasizes parallel chord movements in both hands. The main theme has a modal colouring, and irregular metres occur throughout the movement. [2]

The second movement has been described as "a sticky, humid nocturne furnished with a lush orchestral carpet, above which the piano leaps and tumbles through a remote harmonic maze of augmented fourths and tritones [ sic ]". [3]

The third movement is entirely taken up with a cadenza for the soloist, while the scherzo-finale has an energetic, Mediterranean-tinged first theme and a lyrical central section in the manner of a Brazilian modinha . [2]

Discography

Related Research Articles

<span class="mw-page-title-main">String Quartet No. 3 (Villa-Lobos)</span>

String Quartet No. 3 is the third of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1916. A performance lasts approximately twenty-three minutes.

<span class="mw-page-title-main">String Quartet No. 7 (Villa-Lobos)</span> 1942 work by Heitor Villa-Lobos

String Quartet No. 7 is the seventh of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, written in 1942. With a performance lasting approximately 37 minutes, it is the longest of Villa-Lobos's string quartets

<span class="mw-page-title-main">String Quartet No. 10 (Villa-Lobos)</span> Musical composition by Heitor Villa-Lobos

String Quartet No. 10 is one of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1946. A performance lasts approximately 23 minutes.

<span class="mw-page-title-main">String Quartet No. 12 (Villa-Lobos)</span>

String Quartet No. 12 is the part of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1950. A performance lasts approximately twenty-two minutes.

<span class="mw-page-title-main">String Quartet No. 13 (Villa-Lobos)</span>

String Quartet No. 13 is one of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1951. A performance of it lasts approximately twenty minutes.

<span class="mw-page-title-main">String Quartet No. 16 (Villa-Lobos)</span>

String Quartet No. 16 is the penultimate of seventeen quartets by the Brazilian composer Heitor Villa-Lobos, and was written in 1955. A performance lasts approximately twenty minutes.

<span class="mw-page-title-main">String Quartet No. 17 (Villa-Lobos)</span>

String Quartet No. 17 is the last of seventeen quartets by the Brazilian composer Heitor Villa-Lobos, and was written in 1957. A performance lasts approximately twenty minutes.

<i>Chôros No. 11</i> Musical composition by Heitor Villa-Lobos

Chôros No. 11 is a work for piano and orchestra written in 1928 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras. Chôros No. 11 is the longest in the series, a performance lasting over an hour.

<i>Chôros No. 9</i> 20th-century orchestral work by Heitor Villa-Lobos

Chôros No. 9 is an orchestral work written between 1929 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. A recorded performance of Chôros No. 9 made by the composer lasts almost 28 minutes.

<i>Chôros No. 6</i>

Chôros No. 6 is an orchestral work written between 1925 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 6 is one of the longer compositions in the series, lasting about 25 minutes in performance.

<i>Chôros No. 8</i>

Chôros No. 8 is a work for orchestra and two pianos, written in 1925 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. A recording of Chôros No. 8 conducted by the composer lasts 22 minutes.

<i>Introdução aos Chôros</i>

Introdução aos Chôros: Abertura, is a composition for guitar and orchestra by the Brazilian composer Heitor Villa-Lobos, composed in 1929 as an overture to precede a complete performance of his series of fourteen Chôros. A performance of just the Introdução lasts about thirteen minutes.

<span class="mw-page-title-main">Symphony No. 1 (Villa-Lobos)</span> First symphony of Heitor Villa-Lobos

Symphony No. 1O Imprevisto is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1916. A performance lasts about twenty-five minutes.

<span class="mw-page-title-main">Symphony No. 6 (Villa-Lobos)</span>

Symphony No. 6Sobre a linha das montanhas do Brasil is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1944. It lasts about twenty-five minutes in performance.

<i>Uirapuru</i> (Villa-Lobos)

Uirapuru is a symphonic poem or ballet by the Brazilian composer Heitor Villa-Lobos, begun as a revision of an earlier work in 1917 and completed in 1934. A recording conducted by the composer lasts 20 minutes and 33 seconds.

<span class="mw-page-title-main">Piano Concerto No. 4 (Villa-Lobos)</span> Composition for piano and orchestra by Heitor Villa-Lobos

The Piano Concerto No. 4, W505, is a composition for piano and orchestra by the Brazilian composer Heitor Villa-Lobos, written in 1952. A performance lasts about 27 minutes.

<span class="mw-page-title-main">Piano Concerto No. 1 (Villa-Lobos)</span>

Piano Concerto No. 1, W453, is a composition for piano and orchestra by the Brazilian composer Heitor Villa-Lobos, written in 1945. A performance lasts about 38 minutes.

<span class="mw-page-title-main">Piano Concerto No. 5 (Villa-Lobos)</span>

The Piano Concerto No. 5, W 521, is a piano concerto by the Brazilian composer Heitor Villa-Lobos, written in 1954. One performance recorded under the composer's baton lasts 18 minutes, 48 seconds.

<span class="mw-page-title-main">Piano Concerto No. 3 (Villa-Lobos)</span>

The Piano Concerto No. 3, W512, is a composition for piano and orchestra by the Brazilian composer Heitor Villa-Lobos, written in 1952–57. A performance lasts about 26 minutes.

<span class="mw-page-title-main">Guitar Concerto (Villa-Lobos)</span>

The Guitar Concerto, W501, is a work for solo guitar and small orchestra written by the Brazilian composer Heitor Villa-Lobos in Rio de Janeiro in 1951. A performance lasts about 18 minutes.

References

  1. Villa-Lobos, sua obra 2009, pp. 56–57.
  2. 1 2 Tarasti 1995, p. 346.
  3. Johnson 1992, p. 61.

Coted sources

Further reading