This article needs additional citations for verification .(May 2010) |
The pillarbox effect occurs in widescreen video displays when black bars (mattes or masking) are placed on the sides of the image. It becomes necessary when film or video that was not originally designed for widescreen is shown on a widescreen display, or a narrower widescreen image is displayed within a wider aspect ratio, such as a 16:9 image in a 2.39:1 frame (common in cinemas). The original material is shrunk and placed in the middle of the widescreen frame.
Some older arcade games that had a tall vertical and short horizontal are displayed in pillarbox even on 4:3 televisions. Some early sound films made between 1928 and 1931, such as Sunrise: A Song of Two Humans , were released in even narrower formats such as 1.20:1 to make room for the sound-on-film track on then-standard film stock. [1] These will appear pillarboxed even on 4:3 screens.
Pillarboxing is the vertical equivalent of (horizontal) letterboxing and goes by several names, including reverse letterboxing, curtain boxing, or postcarding. Pillarboxing is derived from its resemblance to pillar box–style mailboxes used in the UK and the Commonwealth of Nations. The four-direction equivalent is called windowboxing, caused when programming is both letterboxed and pillarboxed.
In order to use the entire screen area of a widescreen display (which is already significantly less than a fullscreen of equal diagonal measurement), and to prevent a reverse screen burn-in on plasma displays, the simplest alternative to pillarboxing is to crop the top and bottom. However, this results in the loss of some of the image within what the producer assumed would be the safe area. This overscan may or may not bother the viewer, but it often cuts off the channel banner or other on-screen displays. Likewise, the vertical equivalent of pan and scan is called "tilt and scan" or "reverse pan and scan". This moves the cropped "window" up and down, but it is rarely done. A third option is to stretch the video to fill the screen, but this is often considered ugly, as it severely distorts everything on the screen.
Because certain screen resolutions can be used for both fullscreen and widescreen (anamorphic), widescreen signaling (such as the Active Format Description) must be used to tell the display device which to use, or the viewer must set it manually, in order to prevent unnecessary pillarboxing or stretching on widescreen displays.
Some high-definition television networks and TV stations use "stylized pillarboxing", meaning they fill-in the blank areas on the sides with their HD logo or other still or motion graphics, when the program being shown is only available in 4:3 aspect ratio (standard definition).
The use of graphics assures viewers that they are watching the HD version of a channel, instead of their thinking they are watching the SD version, along with filling the entire screen with a video image rather than the regular black bars. This also tells widescreen television sets with automatic resizing not to stretch the video, and instead to present it in the proper aspect ratio (although conversely, this may cause fullscreen SDTV sets and analog cable TV headends to horizontally compress or to windowbox the video).
A limited number of local stations also apply custom pillarboxes, but most have removed them with both the advent of all-HD schedules and customer complaints about erroneous technical information in PSIP data. Some TV shows present an "echo" of the edges of the program video in the sidebars, usually blurred. Local television stations in the U.S. typically use graphics or a simple color gradient for electronic news-gathering packages shown on their local news programs. Until equipment replacement withdrew the majority of SD cameras from news organizations, portable ENG cameras were often not able to shoot in HD (due to their number and expense), though the studio cameras were in high definition.
Some channels have a similar format called "enhanced HD", in which extra informative graphics and text is shown on the side, such as expanded stock quotes, charts, and graphs on CNBC HD+ in the past.
Some Japanese anime switched from SD to HD during their run. Sometimes a flashback to a scene produced in SD had to be shown. For instance, in Naruto , the image of Naruto and Sasuke filled in the blank gaps as one of the SD-era flashbacks is being shown.[ citation needed ]
Letter-boxing is the practice of transferring film shot in a widescreen aspect ratio to standard-width video formats while preserving the film's original aspect ratio. The resulting video-graphic image has mattes of empty space above and below it; these mattes are part of each frame of the video signal.
Pan and scan is a method of adjusting widescreen film images so that they can be shown in fullscreen proportions of a standard-definition 4:3 aspect ratio television screen, often cropping off the sides of the original widescreen image to focus on the composition's most important aspects.
Standard-definition television is a television system that uses a resolution that is not considered to be either high or enhanced definition. Standard refers to offering a similar resolution to the analog broadcast systems used when it was introduced.
Widescreen images are displayed within a set of aspect ratios used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (1.33:1).
Anamorphic widescreen is a process by which a comparatively wide widescreen image is horizontally compressed to fit into a storage medium with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution. Compatible play-back equipment can then expand the horizontal dimension to show the original widescreen image. This is typically used to allow one to store widescreen images on a medium that was originally intended for a narrower ratio, while using as much of the frame – and therefore recording as much detail – as possible.
16:9 is a widescreen aspect ratio with a width of 16 units and height of 9 units.
14:9 is a compromise aspect ratio between 4:3 and 16:9. It is used to create an acceptable picture on both 4:3 and 16:9 TV, conceived following audience tests conducted by the BBC. It has been used by most UK, Irish, French, Spanish, Colombian and Australian terrestrial analogue networks, and in the US on Warner Bros. Discovery' HD simulcast channels with programming and advertising originally compiled in 4:3. Note that 14:9 is not a shooting format; 14:9 material is almost always derived from either a 16:9 or 4:3 shot.
A video scaler is a system that converts video signals from one display resolution to another; typically, scalers are used to convert a signal from a lower resolution to a higher resolution, a process known as "upconversion" or "upscaling".
In television technology, Active Format Description (AFD) is a standard set of codes that can be sent in the MPEG video stream or in the baseband SDI video signal that carries information about their aspect ratio and other active picture characteristics. It has been used by television broadcasters to enable both 4:3 and 16:9 television sets to optimally present pictures transmitted in either format. It has also been used by broadcasters to dynamically control how down-conversion equipment formats widescreen 16:9 pictures for 4:3 displays.
A Pixel aspect ratio is a mathematical ratio that describes how the width of a pixel in a digital image compared to the height of that pixel.
1440p is a family of video display resolutions that have a vertical resolution of 1440 pixels. The p stands for progressive scan, i.e. non-interlaced. The 1440 pixel vertical resolution is double the vertical resolution of 720p, and one-third more than 1080p. QHD or WQHD is the designation for a commonly used display resolution of 2560 × 1440 pixels in a 16:9 aspect ratio. As a graphics display resolution between 1080p and 4K, Quad HD is regularly used in smartphone displays, and for computer and console gaming.
Windowboxing in the display of film or video occurs when the aspect ratio of the media is such that the letterbox effect and pillarbox effect occur simultaneously. Sometimes, by accident or design, a standard ratio image is presented in the central portion of a letterbox picture, resulting in a black border all around. It is generally disliked because it wastes much screen space and reduces the resolution of the original image. It can occur when a 16:9 film is set to 4:3 (letterbox), but then shown on a 16:9 TV or other output device. It can also occur in the opposite direction. Few films have been released with this aspect ratio — one example is The Crocodile Hunter: Collision Course, which had numerous scenes with Steve & Terri Irwin using widescreen pillar boxing.
Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio. It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the viewing screen. The word anamorphic and its derivatives stem from the Greek anamorphoo, compound of morphé with the prefix aná.
The technology of television has evolved since its early days using a mechanical system invented by Paul Gottlieb Nipkow in 1884. Every television system works on the scanning principle first implemented in the rotating disk scanner of Nipkow. This turns a two-dimensional image into a time series of signals that represent the brightness and color of each resolvable element of the picture. By repeating a two-dimensional image quickly enough, the impression of motion can be transmitted as well. For the receiving apparatus to reconstruct the image, synchronization information is included in the signal to allow proper placement of each line within the image and to identify when a complete image has been transmitted and a new image is to follow.
The display aspect ratio (DAR) is the aspect ratio of a display device and so the proportional relationship between the physical width and the height of the display. It is expressed as two numbers separated by a colon (x:y), where x corresponds to the width and y to the height. Common aspect ratios for displays, past and present, include 5:4, 4:3, 16:10, and 16:9.
"21:9" is a consumer electronics (CE) marketing term to describe the ultrawide aspect ratio of 64:27, designed to show films recorded in CinemaScope and equivalent modern anamorphic formats. The main benefit of this screen aspect ratio is a constant display height when displaying other content with a lesser aspect ratio.
A display resolution standard is a commonly used width and height dimension of an electronic visual display device, measured in pixels. This information is used for electronic devices such as a computer monitor. Certain combinations of width and height are standardized and typically given a name and an initialism which is descriptive of its dimensions.
The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, width:height. Common aspect ratios are 1.85:1 and 2.40:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography.
In first person video games, the field of view or field of vision is the extent of the observable game world that is seen on the display at any given moment. It is typically measured as an angle, although whether this angle is the horizontal, vertical, or diagonal component of the field of view varies from game to game.