Pinchgut Opera | |
---|---|
Background information | |
Origin | Sydney, Australia |
Genres | 17th and 18th century opera |
Years active | Since December 2002 |
Website | www |
Pinchgut Opera is a chamber opera company in Sydney, Australia, presenting opera from the 17th and 18th centuries performed on period instruments. Founded in 2002, Pinchgut stages two operas each year in Sydney's City Recital Hall. It also performs concerts in both Sydney and Melbourne.
The company utilises the professional chamber choir Cantillation as its chorus and has engaged both the Sirius Ensemble and the Orchestra of the Antipodes. Pinchgut draws most of its singers, players, directors and designers from Australia. Its artistic director is Erin Helyard. Antony Walker co-founded the company and conducted the early Pinchgut productions. All productions are recorded by Greenside Productions and Mano Musica and are released on CD under the "Pinchgut Live" label.
Pinchgut Opera draws its unusual name from Fort Denison, a former penal site in Sydney Harbour which was nicknamed "Pinchgut" by its inmates. According to its website, the company chose the name "as we wanted something recognisably Sydney, easy to remember and as a reminder of our tight budgets and humble beginnings".
The National Live Music Awards (NLMAs) are a broad recognition of Australia's diverse live industry, celebrating the success of the Australian live scene. The awards commenced in 2016.
Year | Nominee / work | Award | Result |
---|---|---|---|
National Live Music Awards of 2019 | Pinchgut Opera | Live Classical Act of the Year | Nominated [13] [14] |
Patricia Petibon is a French soprano.
Sandrine Piau is a French soprano. She is particularly renowned in Baroque music although also excels in Romantic and modernist art songs. She has the versatility to perform works from Vivaldi, Handel, Mozart to Schumann, Debussy, and Poulenc. In addition to an active career in concerts and operas, she is prolific in studio recordings, primarily with Harmonia Mundi, Naïve, and Alpha since 2018.
Platée is an opera in a prologue and three acts by Jean-Philippe Rameau with a libretto by Adrien-Joseph Le Valois d'Orville. Rameau bought the rights to the libretto Platée ou Junon jalouse by Jacques Autreau (1657–1745) and had d'Orville modify it. The ultimate source of the story is a myth related by the Greek writer Pausanias in his Guide to Greece.
Paul Agnew is a Scottish operatic tenor and conductor.
Sara Macliver is an Australian soprano singer, born and raised in Perth, Western Australia. Macliver is a versatile artist, appearing in operas, concert and recital performances and on numerous recordings. She is regarded as one of the leading exponents of Baroque repertoire in Australia, and lectures in Voice at the UWA Conservatorium of Music.
Jacqueline Lisa Dark was an Australian operatic mezzo-soprano who appeared mainly with Australian companies, for a while as a member of Opera Australia. She was known for her voice in leading roles, including world premieres, but also for her stage presence and "a unique sense of comic timing".
David et Jonathas, H. 490, is an opera in five acts and a prologue by the French composer Marc-Antoine Charpentier, first performed at the Collège Louis-le-Grand, Paris, on 28 February 1688. The libretto, by Father François Bretonneau, is based on the Old Testament story of the friendship between David and Jonathan.
Teddy Tahu Rhodes is a New Zealand operatic baritone.
Les Musiciens du Louvre is a French period instrument ensemble, formed in 1982. Originally based in Paris, since 1996 it has been based in the Couvent des Minimes in Grenoble. The Guardian considers it one of the best orchestras in the world.
Anders J. Dahlin is a Swedish tenor. He studied at the Music Conservatory Falun in Sweden, at the Norwegian Academy of Music in Oslo, and at the Royal Danish Academy of Music in Copenhagen.
Gabriella Di Laccio is a Brazilian operatic soprano. She performs in the opera seria genre of the Baroque, and in Classical and early Romantic repertoire. Her career spans opera, oratorio and chamber music.
David Hansen is an Australian countertenor.
Antony Walker is an Australian conductor who currently resides in Washington, D.C. He has held the positions of musical director of Sydney Philharmonia Choirs, Chorus Master and staff conductor of Welsh National Opera, and is currently artistic director and Conductor of Washington Concert Opera and music director of Pittsburgh Opera. He co-founded Pinchgut Opera, the vocal ensemble Cantillation and the orchestras Sinfonia Australis and Orchestra of the Antipodes. Educated at Sydney Grammar School, and an honours graduate of the University of Sydney, Walker trained as a singer (tenor), pianist, cellist, and composer.
Cantillation is an Australian vocal ensemble founded in 2001 by Antony Walker and Alison Johnston. They were founded alongside orchestras Sinfonia Australis and Orchestra of the Antipodes.
Orchestra of the Antipodes is an Australian early music ensemble founded by Antony Walker and Alison Johnston. They play baroque music on early instruments. They were founded alongside vocal ensemble Cantillation and the Sinfonia Australis orchestra. They received a nomination for the 2012 ARIA Award for Best Classical Album with their album Bach: Brandenburg Concertos.
Sinfonia Australis is an Australian early music ensemble founded by Antony Walker and Alison Johnston. They play on period instruments. They were founded alongside vocal ensemble Cantillation and the Orchestra of the Antipodes. Along with Gerard Willems received a nomination for the 2004 ARIA Award for Best Classical Album with their album Beethoven Complete Piano Concertos.
Christian Curnyn is a British conductor, harpsichordist and baroque music specialist.
Erin Helyard is an Australian conductor and keyboard performer specialising in early music and baroque opera. He was born in Gosford, on the Central Coast near Sydney.
Fiona Campbell is an Australian operatic mezzo-soprano. In January 2023, she was apointed creative director of the Perth Symphony Orchestra after she had worked as state manager in Western Australia for Musica Viva. Campbell has worked with dozens of Australian and international conductors and orchestras, and with other soloists in chamber groups. Her repertoire, on stage and in recitals, ranges from Renaissance music to contemporary works of the 21st century, from oratorios, opera, French art songs, to musical theatre and cabaret. The Australian's Martin Buzacott called her "the best mezzo-soprano in Australia right now" in his review of an English-language production of Cinderella, or Goodness Triumphant for Opera Queensland in 2013.