| Plants and Birds and Rocks and Things | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1993 | |||
| Recorded | 1992 | |||
| Genre | ||||
| Length | 57:25 | |||
| Label | Alias | |||
| Producer | Mitch Easter | |||
| The Loud Family chronology | ||||
| ||||
Plants and Birds and Rocks and Things was the 1993 debut album by the Loud Family, a band formed by singer, songwriter and guitarist Scott Miller after the dissolution of his 1980s band Game Theory. It was Miller's fifth album to be produced by Mitch Easter.
Having dissolved his 1980s band Game Theory, Miller reemerged in 1993 with his new band, the Loud Family. [1] Plants and Birds and Rocks and Things took its name from a line from the song "A Horse with No Name" by America. [2]
According to reviewer Steve Simels, the album is "essentially an extended sound collage, with non-sequitur sound effects, songs, and snippets of songs running into each other." [3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [4] |
| Chicago Tribune |   [5] |
| Christgau's Consumer Guide |  [6] |
| Rolling Stone | [7] |
Rolling Stone 's 1993 review, by rock critic J.D. Considine, stated that "Miller puts his emphasis not on the words but on the melodies, and that pays off big time with songs like 'Sword Swallower,' the power-poppy 'Isaac's Law' and the driving, guitar-crazed 'Jimmy Still Comes Around'." Compared to Game Theory's work, the lyrics remained "obsessed with arcana," but Considine concluded that "when his songs boast choruses as catchy as the one in 'Take Me Down (Too Halloo),' odds are that you won't really care what the lyrics mean." [7]
According to Spin , "Sonically, the Loud Family offers a more guitar-heavy approach than Game Theory did, but Miller's songs and voice are immediately identifiable. Interpersonal relationships are discussed in sweet, brusque terms." Spin reviewer Byron Coley cited "the power of the sweet science that exists in Miller's songs," despite "interspersed jangle and woof." [1]
Wired said, "Before somebody inevitably describes the Loud Family as 'clever pop' and you go off sneering, be advised that this is the new musical phoenix risen whole and rocking from the ashes of the late great Game Theory." Citing imagery "lifted from a decade's worth of old books, TV shows, and rock songs, plus patented Scott Miller tongue-in-tweek lyrics (priceless song title: 'Ballad of How You Can All Shut Up')", Wired called the band "the aftermath of a high-speed collision between several solid pop bands and the cast of Firesign Theatre." [8]
In a 1996 book, Rolling Stone's Scott Schinder wrote that Miller's "off-center genius didn't skip a beat as he transferred his unique perspective to his new group, whose musical muscularity gave his hook-intensive tunes the sonic clout to make them knockouts." [9] In the 2002 book All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul , reviewer Mark Deming wrote that "Miller's uncanny way with a hook remains unsurpassed" in this album, even as his "eccentricities" took "center stage alongside his ... uniquely melodic pop songs." Comparing this album to Miller's self-described "young-adult-hurt-feeling-athons" on early Game Theory albums, Deming wrote that "here hurt gets co-star billing with rage, anger, paranoia, and self-destructive angst; thematically, Plants and Birds and Rocks and Things slips into a lyrical darkness far deeper than Game Theory at its moodiest, making this pure pop for those who have a good time being unhappy." [4] Steve Simels of Stereo Review commented that, in 1993, many music critics (including himself), reacted to the album "as if it was the second coming of the Beatles' 'White Album.' And with good reason: in terms of sheer musical inventiveness, it nearly was." [3]
Also credited:
Game Theory was an American power pop band, founded in 1982 by singer/songwriter Scott Miller, combining melodic jangle pop with dense experimental production and hyperliterate lyrics. MTV described their sound as "still visceral and vital" in 2013, with records "full of sweetly psychedelic-tinged, appealingly idiosyncratic gems" that continued "influencing a new generation of indie artists." Between 1982 and 1990, Game Theory released five studio albums and two EPs, which had long been out of print until 2014, when Omnivore Recordings began a series of remastered reissues of the entire Game Theory catalog. Miller's posthumously completed Game Theory album, Supercalifragile, was released in August 2017 in a limited first pressing.
The Loud Family was a San Francisco-based power pop band formed in 1991 by songwriter and guitarist Scott Miller, who previously led the 1980s band Game Theory. The Loud Family released six studio LPs and one live LP from 1991 through 2006. After Miller's death in 2013, three Loud Family members participated in recording sessions for Supercalifragile (2017), Miller's posthumous Game Theory album.
Slouching Towards Liverpool is an EP that includes live performances of songs from The Loud Family's first album, Plants and Birds and Rocks and Things, as well as some live studio tracks recorded at WNUR-FM in Evanston, Illinois.
The Tape of Only Linda is the second full-length album by The Loud Family, released in 1994. The title of the album is a reference to the notorious tape recording of a live performance of "Hey Jude," by Paul McCartney, in which an engineer had isolated Linda McCartney's vocals.
Interbabe Concern is The Loud Family's third full-length album, and their first to be produced by Scott Miller instead of Mitch Easter. With the exception of keyboard player Paul Wieneke and Miller, this was a new line-up of the band.
Attractive Nuisance, released in 2000, is The Loud Family's fifth full-length album. It has the same line-up as the 1998 album, Days for Days. At the time of its release, it was announced as the final Loud Family album.
From Ritual to Romance is The Loud Family's sixth full-length album. It is a live album released during a six-year hiatus from studio recording, which followed the expiration of the group's recording contract with Alias Records in 2000.
What If It Works? is the Loud Family's seventh full-length album, a studio collaboration with Sacramento-based pop musician Anton Barbeau released in 2006. A March 2022 reissue of the album, with eleven bonus tracks, was announced by Omnivore Recordings.
Lolita Nation is the fourth full-length album by Game Theory, a California power pop band fronted by guitarist and singer-songwriter Scott Miller. Originally released in 1987 as a double LP, the album was reissued by Omnivore Recordings in February 2016 as a double CD set with 21 bonus tracks.
Two Steps from the Middle Ages (1988) is the fifth studio album by power pop band Game Theory.
Tinker to Evers to Chance is a compilation album of songs by Game Theory, released in 1990. The liner notes describe the included tracks as songs which "reached national obscurity, as opposed to local obscurity." Band leader Scott Miller went on to form The Loud Family.
The Big Shot Chronicles is Game Theory's third full-length album, released in 1986. Produced by Mitch Easter, it was recorded with a new lineup of Game Theory members after leader and songwriter Scott Miller moved the band's base from Davis to San Francisco, California. The album was reissued on September 23, 2016 by Omnivore Recordings as part of the label's series of reissues of the Game Theory catalog.
Scott Warren Miller was an American singer, songwriter and guitarist, best known for his work as leader of the 1980s band Game Theory and 1990s band The Loud Family, and as the author of a 2010 book of music criticism. He was described by The New York Times as "a hyperintellectual singer and songwriter who liked to tinker with pop the way a born mathematician tinkers with numbers", having "a shimmery-sweet pop sensibility, in the tradition of Brian Wilson and Alex Chilton."
Real Nighttime is the second full-length album from Game Theory, a California power pop band founded by guitarist and singer-songwriter Scott Miller. Released in 1985, the album is cited as "a watershed work in '80s paisley underground pop." A 30th anniversary reissue was released in March 2015, on CD and in a limited first pressing on red vinyl, with 13 bonus tracks.
Music: What Happened? is a book of music criticism by Scott Miller, leader of the bands Game Theory and The Loud Family. Published in 2010, it was described by Billboard as "a well-received critical overview of 53 years of rock history".
"Kid" is a song written by Chrissie Hynde that was released on the Pretenders 1979 debut album Pretenders. Hynde wrote the song about a fictional boy discovering that his mother is a prostitute. The song's melodicism was attributed by guitarist James Honeyman-Scott to Hynde's growing interest in pop music. Honeyman-Scott wrote the song's solo, which he had designed over a couple of days.
Blaze of Glory is the 1982 debut album from Game Theory, a California power pop band founded by guitarist and singer-songwriter Scott Miller. After Miller's death in 2013, the album was reissued by Omnivore Recordings in a remastered edition with 15 bonus tracks which was released on CD and vinyl in 2014.
Distortion of Glory is a 1993 compilation album from the band Game Theory, a California power pop band fronted by guitarist and singer-songwriter Scott Miller. Issued on CD by Alias Records, it anthologizes the band's debut album, most of the songs from two subsequent EPs, and one rare single.
George Gilbert "Gil" Ray was an American rock drummer, guitarist, and vocalist, best known for his recordings in the 1980s and 1990s as a member of the bands Game Theory and The Loud Family. In late 2012, he joined Rain Parade as drummer for a series of reunion performances.
Don't Slander Me is a solo album by 13th Floor Elevators singer Roky Erickson recorded in 1982 and released in 1986. It features former Jefferson Airplane bassist Jack Casady as part of Erickson's backing band.
