Whatever | ||||
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Studio album by | ||||
Released | May 11, 1993 | |||
Studio | Q Division, Capitol Studios, Clubhouse, Blue Jay, Bearsville, Zeitgeist, Sunset Sound, Presence | |||
Genre | Pop, rock | |||
Length | 52:14 | |||
Label | Imago (original release); Geffen (reissue) | |||
Producer | ||||
Aimee Mann chronology | ||||
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Whatever is the first solo album by the American singer-songwriter Aimee Mann, released in 1993.
"I've Had It" is one of the songs featured in Nick Hornby's book 31 Songs . The album, with special note for the song "4th of July", was included by Elvis Costello in his "Costello's 500" list for Vanity Fair . [1] It has also been included in the 1001 Albums You Must Hear Before You Die list. [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Buffalo News | [4] |
Chicago Tribune | [5] |
The Encyclopedia of Popular Music | [6] |
Entertainment Weekly | A [7] |
Los Angeles Times | [8] |
Orlando Sentinel | [9] |
Q | [10] |
Rolling Stone | [11] |
The Rolling Stone Album Guide | [12] |
Whatever received mostly positive reviews from critics. Most praised her sense of melody and the wordplay of her lyrics, exemplified by Entertainment Weekly in "hooky songs" and "evocative lyrics". [7] The Los Angeles Times reflected this by saying she "mixes words like a master, catching lifetimes of ache and Angst" in her songs [8] while the Chicago Tribune compared her to Elvis Costello. [5] Rolling Stone cited her music as "sunny, surreal melodies" with "razor-sharp lyrics". [11] The Independent 's Andy Gill highly recommended the album, concluding that "it's the tension between Mann's disarmingly direct, conversational lyric style and the complexity of her musical design that gives Whatever its peculiar charge." [13] On the other hand, Robert Christgau only cited "Mr. Harris" as a "choice cut", finding nothing else to say about it. [14]
The album was included in the book 1001 Albums You Must Hear Before You Die [15] and in Pitchfork's "150 Best Albums of the 1990s". [16]
As of February 2001, combined sales for two releases of Whatever stood at 170,000 copies sold in United States. [17]
All tracks by Aimee Mann, except where noted.
In 1994, BMG Records in Germany released a limited edition Whatever – An Exclusive Collection. This featured a second CD containing previously released B-sides. The cover of the CD was unchanged, there just being a sticker announcing the bonus material. It appears that Aimee was unaware of this release until it was mentioned in the message forum at her website in 2004, her management calling it a bootleg before it being confirmed as an official release. [18]
Contents of the second disc:
Year | Chart | Position |
---|---|---|
1993 | Heatseekers | 3 |
1993 | Billboard 200 | 127 |
Year | Single | Chart | Position |
---|---|---|---|
1993 | "I Should've Known" | Modern Rock Tracks [20] | 16 |
'Til Tuesday was an American new wave band formed in Boston, Massachusetts, United States. The band, consisting of Aimee Mann, Robert Holmes (guitar), Joey Pesce (keyboards), and Michael Hausman (drums), was active from 1982 to 1989. They are best known for their 1985 hit single "Voices Carry".
Lost in Space is the fourth album by singer-songwriter Aimee Mann, released in 2002 on her own label, SuperEgo Records. A special edition released in 2003 featured a second disc containing six live recordings, two B-sides and two previously unreleased songs.
Aimee Elizabeth Mann is an American singer-songwriter. Over the course of four decades, she has released ten studio albums as a solo artist. She is noted for her sardonic and literate lyrics about dark subjects, and her work with the producer Jon Brion in the 1990s was influential on American alternative rock.
I'm with Stupid is the second studio album by the American singer-songwriter Aimee Mann, released in 1995.
Bachelor No. 2 or, the Last Remains of the Dodo is the third album by the American singer-songwriter Aimee Mann, released on May 2, 2000. Some songs were previously released on the Magnolia soundtrack (1999), which Mann wrote in the same period.
Jon Brion is an American singer, songwriter, multi-instrumentalist, record producer, and composer. He performed with the Excerpts, the Bats, 'Til Tuesday and the Grays before becoming an established producer and film score composer.
Blacklisted is the third studio album by American musician Neko Case, released on August 20, 2002.
Ultimate Collection is a compilation album by the American singer-songwriter Aimee Mann. Released on September 12, 2000, by Hip-O, the album mostly comprises tracks from her first two solo albums and her work with the band 'Til Tuesday. Mann did not approve the release and sued the record company, Universal Music, for breach of contract.
All This Useless Beauty is the seventeenth studio album by the English singer-songwriter Elvis Costello, released in 1996 by Warner Bros. Records. It is his tenth and final album with his long-standing backing band the Attractions, and the last album he delivered under his contract to the Warner Bros. label, his contract expiring with a further compilation album, Extreme Honey. It peaked at number 28 on the UK album chart, and at number 53 on the Billboard 200.
40 Days is the debut full-length album from Canadian folk trio The Wailin' Jennys. The lineup of the group at the time was Ruth Moody, Nicky Mehta, and Cara Luft. This was the last recording to feature Luft, who left the group the following year.
Inside is the debut album by alternative rock musician Matthew Sweet. It was released on Columbia Records in 1986. Sweet was dropped from the label after the album's release, and would not put out another record for three years.
Paul Bryan is an American music producer, arranger, songwriter, and bassist.
Rhett Miller is the album from Old 97's lead singer Rhett Miller. This is his fourth solo album, and first since his 2006 album The Believer. In a four-star review, Rolling Stone called the album Miller's "strongest set yet."
Lucky Man is the second studio album by saxophonist Dave Koz. It was released by Capitol Records on June 29, 1993 in NYC, followed by a nationwide release in November 1993 and international release in May 1994. The album peaked at number 2 on Billboard Top Contemporary Jazz Albums chart. The album has sold over 500,000 copies in the United States and has thus been certified gold by the RIAA.
Lost on the River: The New Basement Tapes is an album produced by T Bone Burnett featuring a collective of musicians recording under the moniker The New Basement Tapes—Elvis Costello, Rhiannon Giddens, Taylor Goldsmith, Jim James and Marcus Mumford.
"Stupid Thing" is a song by American singer-songwriter Aimee Mann, which was released in 1993 as the second single from her debut studio album Whatever. The song was written by Mann and Jon Brion, and produced by Brion. "Stupid Thing" peaked at No. 47 in the UK Singles Chart and remained in the Top 100 for two weeks.
"Long Shot" is a song by American singer-songwriter Aimee Mann, which was released in 1996 as the third single from her second studio album I'm with Stupid. The song was written by Mann and produced by Jon Brion. "Long Shot" peaked at No. 126 in the UK Singles Chart.
"I Should've Known" is a song by American singer-songwriter Aimee Mann, which was released in 1993 as the lead single from her debut studio album Whatever. The song was written by Mann and produced by Jon Brion. "I Should've Known" reached No. 55 in the UK Singles Chart and No. 16 in the US Billboard Modern Rock Tracks chart. In 1994, the single was reissued in the UK and Europe, and peaked at No. 45 in the UK Singles Chart.
"That's Just What You Are" is a song by American singer-songwriter Aimee Mann, which was released in 1994 as a single from the soundtrack of Melrose Place. It was also included on Mann's second studio album I'm with Stupid (1995). The song was written by Mann and Jon Brion, and produced by Mike Denneen.
"The Other End (Of the Telescope)" is a song by American band 'Til Tuesday, which was released in 1988 on their third and final studio album Everything's Different Now. The song was written by Aimee Mann and Elvis Costello. Costello recorded his own version of the song for his 1996 album All This Useless Beauty.