Joe McPhee is an American jazz multi-instrumentalist born in Miami, Florida, a player of tenor, alto, and soprano saxophone, the trumpet, flugelhorn and valve trombone. McPhee grew up in Poughkeepsie, New York, and is most notable for his free jazz work done from the late 1960s to the present day.
Sabir Mateen is an American musician and composer from Philadelphia. His musical style is primarily avant-garde jazz. He plays tenor and alto saxophone, B♭ and alto clarinet, and flute.
Marshall Belford Allen is an American free jazz and avant-garde jazz alto saxophone player. He also performs on flute, oboe, piccolo, and the electronic EWI.
Perry Morris Robinson was an American jazz clarinetist and composer. He was the son of composer Earl Robinson.
Roy Sinclair Campbell Jr. was an American trumpeter frequently linked to free jazz, although he also performed rhythm and blues and funk during his career.
Steve Swell is an American free jazz trombonist, composer, and educator.
Wilber Morris was an American jazz double bass player and bandleader. He was the brother of the cornetist, composer, and conductor Butch Morris.
Clarence "Herb" Robertson is a jazz trumpeter and flugelhornist. He was born in New Jersey and attended the Berklee School of Music. He has recorded solo albums and has worked as a sideman for Tim Berne, Anthony Davis, Bill Frisell, George Gruntz, Paul Motian, Bobby Previte, and David Sanborn.
Burton Greene was an American free jazz pianist born in Chicago, Illinois, though most known for his work in New York City. He explored multiple genres, including avant-garde jazz and the Klezmer medium.
Andrew Lamb is a jazz saxophonist and flautist. Lamb was raised in Chicago and South Jamaica, Queens. Having studied with AACM charter member Kalaparusha Maurice McIntyre, Lamb came into New York City's avant-garde community during the 1970s, becoming an active presence in the Bedford-Stuyvesant arts world and winning a Brooklyn Arts Council grant.
Jazz in Silhouette is the third studio album by pianist-composer Sun Ra and His Arkestra. It was recorded on March 6, 1959, and released in May of the same year. The album was recorded in Chicago during a session that also included the whole of the albums Sound Sun Pleasure!! and "Interstellar Low Ways" from the album of the same name.
Frank Lowe was an American avant-garde jazz saxophonist and composer.
Ken Filiano is an American jazz and orchestral bassist based in Brooklyn, New York.
Paul Alva Smoker was an American composer and jazz trumpeter.
Creative Improvised Music Projects, usually abbreviated CIMP or C.I.M.P., is an American jazz record company and label. It is associated with Cadence Magazine and Cadence Jazz Records. The label is noted for its minimal use of electronic processing and its spare microphoning technique. Bob Rusch founded CIMP in 1995, with his son Marc Rusch as the recording engineer and his daughter Kara Rusch producing cover art.
Mark Whitecage was an American jazz reedist.
Atmospheels is an album by American jazz trombonist Steve Swell, which was recorded in 1998 and released on CIMP. He leads a trio with Will Connell on reeds and Lou Grassi on drums. They first played together on Grassi's PoBand. This was Connell's first recording in eighteen years.
Mark–n–Marshall: Monday is an album by saxophonist Marshall Allen, his first as a leader. It was recorded at The Spirit Room in Rossie, New York on March 16, 1998, and was released later that year by CIMP. On the album, which is the companion to Mark–n–Marshall: Tuesday, Allen is joined by saxophonist and clarinetist Mark Whitecage, bassist Dominic Duval, and drummer Luqman Ali.
Mark–n–Marshall: Tuesday is an album by saxophonist Marshall Allen, his second as a leader. It was recorded at The Spirit Room in Rossie, New York on March 16 and 17, 1998, and was released later that year by CIMP. On the album, which is the companion to Mark–n–Marshall: Monday, Allen is joined by saxophonist and clarinetist Mark Whitecage, bassist Dominic Duval, and drummer Luqman Ali.
Broad Strokes is an album by trombonist Roswell Rudd. It was recorded during March 1999–January 2000 at various locations, and was released by Knitting Factory Works in 2000. On the album, Rudd appears in a broad range of ensemble contexts, with varying personnel.
