Portrait of Napoleon II | |
---|---|
Artist | Thomas Lawrence |
Year | 1818–1819 |
Type | Oil on canvas, portrait painting |
Dimensions | 57.8 cm× 48.6 cm(22.8 in× 19.1 in) |
Location | Harvard Art Museums, Cambridge, Massachusetts |
Portrait of Napoleon II is an 1819 portrait painting by the British artist Thomas Lawrence depicting Napoleon II, the young son of the deposed French Emperor Napoleon and his wife Marie Louise, a member of the Austrian royal family. [1]
Following the defeat of Napoleon in 1814 he had abdicated in favour of his young son, but had instead been replaced by the restored Bourbon monarchy of Louis XVIII. The younger Napoleon was taken to Vienna (ruled over by his grandfather Francis I of Austria) where he became known as the Duke of Reichstadt. [2] To Bonapartists he was the legitimate heir to his father, then imprisoned in British custody on the island of Saint Helena. In 1832 he died at the age of twenty one of tuberculosis.
Lawrence, Britain's leading portraitist, had recently attended the Congress of Aix-la-Chapelle to paint European leaders as part of a large-scale commission from the Prince Regent. [3] He then travelled on to the Austrian capital to continue his commission of major figures of the Habsburg dynasty including a Portrait of the Austrian Emperor . The eight-year old Napoleon sat for Lawrence, first for a pencil-portrait in profile and then for this full-face painting intended for an oval shaped portrait. It remained unfinished and Michael Levey considered this makes it "only the more haunting and poignant". [4] The resemblance of the boy in the painting to his father was moving to General Bertrand and his wife Fanny who had accompanied Napoleon I into exile. [5]
Today it is in the collection of the Harvard Art Museums having been acquired in 1943. [6]
Francis II and I was the last Holy Roman Emperor as Francis II from 1792 to 1806, and the first Emperor of Austria as Francis I from 1804 to 1835. He was also King of Hungary, Croatia and Bohemia, and served as the first president of the German Confederation following its establishment in 1815.
Napoleon II was the disputed Emperor of the French for a few weeks in 1815. He was the son of Emperor Napoleon I and Empress Marie Louise, daughter of Emperor Francis I of Austria. Napoleon II had been Prince Imperial of France and King of Rome since birth. After the fall of his father, he lived the rest of his life in Vienna and was known in the Austrian court as Franz, Duke of Reichstadt for his adult life. He was posthumously given the nickname L'Aiglon.
Joséphine Bonaparte was the first wife of Emperor Napoleon I and as such Empress of the French from 18 May 1804 until their marriage was annulled on 10 January 1810. As Napoleon's consort, she was also Queen of Italy from 26 May 1805 until the 1810 annulment. She is widely known as Joséphine de Beauharnais.
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
Portrait of Lord Castlereagh is an 1809 portrait by the English artist Thomas Lawrence of the Irish politician Lord Castlereagh, then serving as the British Secretary of War. Lawrence had developed a reputation as a leading artist of society portraits, and was on friendly terms with the politician.
George IV is an 1821 portrait painting by the English artist Thomas Lawrence portraying George IV, the reigning monarch of the United Kingdom. George is depicted in the robes he wore for his Coronation in July 1821. Lawrence was Britain's pre-eminent portrait painter and had previously depicted George on a number of occasions during the Regency era before he came to the throne in succession to his father George III in 1820. Lawrence had recently been elected to succeed Benjamin West as President of the Royal Academy
Portrait of Queen Charlotte is a 1789 portrait painting by the English artist Thomas Lawrence of the British queen Charlotte of Mecklenburg-Strelitz.
Portrait of the Duke of Wellington is a portrait painting by the English artist Thomas Lawrence of the Anglo-Irish soldier and politician the Duke of Wellington. It was begun in early 1815 following Wellington's success in the Peninsular War and shortly before his victory over Napoleon at the Battle of Waterloo and the subsequent allied occupation of France under Wellington's command. It is now in the collection of Apsley House, the Duke's London residence. Wellington is shown in military uniform displaying various honours including the Order of the Garter, the Order of the Golden Fleece and the Order of the Bath. He has been described as "impassive and aloof" in the painting. Lawrence's depiction of Wellington was used on the British five pound note between 1971 and 1991.
Portrait of Charles X is an 1825 portrait painting by the British artist Sir Thomas Lawrence depicting the reigning French monarch Charles X. Following the French Revolution that saw his eldest brother overthrown and executed, Charles has spent many years in exile including a period in Britain. His brother Louis XVIII was restored to the throne with British assistance in 1814 and then again in 1815 following the Battle of Waterloo. Charles, as his heir, led the conservative Ultra-royalist faction in French politics. When his brother died in 1824 he succeeded to the throne. The last member of the House of Bourbon to reign, he had an elaborate coronation in Reims in May 1825. The same year Charles was painted in his coronation robes by the French artist Robert Lefèvre.
The Portrait of Marshal Blücher is an 1814 portrait painting by the English artist Thomas Lawrence of the Prussian Field Marshal Gebhard Leberecht von Blücher.
Portrait of Lord Liverpool is a work by the English artist Thomas Lawrence depicting the British politician and Prime Minister Lord Liverpool.
Sir Charles Stewart is an 1812 portrait by the English artist Thomas Lawrence of the Irish soldier and diplomat Charles Stewart. Stewart was a career soldier who had served in the Peninsular War as Adjutant General to Allied commander Lord Wellington. Stewart had returned home from Portugal when he posed for the portrait and was subsequently appointed British Ambassador to Prussia, launching a diplomatic career that saw him play a key role in forming the alliance that defeated Napoleon and attending the Congress of Vienna. He is shown in hussar uniform, a branch of light cavalry that became prominent during the Napoleonic Wars. He wears his Peninsular Medal earned for his service over the past four years.
The Portrait of Prince Metternich is a painting by the British artist Thomas Lawrence of the Austrian statesman Klemens von Metternich. Lawrence painted many European leaders involved in the alliance against Napoleon's French Empire.
The Duke of Richelieu is an 1818 portrait painting by the British artist Sir Thomas Lawrence of the French Prime Minister Armand Emmanuel de Vignerot du Plessis, 5th Duke of Richelieu. Richelieu was a leading statesman in Restoration France serving twice as premiere during the reign of Louis XVIII, having previously spent many years in exile. It was painted during the Congress of Aix-la-Chapelle.
The Portrait of Francis I of Austria is a painting by the British artist Sir Thomas Lawrence depicting the Austrian Emperor Francis I.
The Marquess of Wellesley is a portrait painting by the English artist Thomas Lawrence of the Irish statesman Richard Wellesley, 1st Marquess Wellesley. Wellesley was a senior politician in Britain where he served as Foreign Secretary from 1809 to 1812 and was regarded as a potential future Prime Minister. Lawrence was the leading portraitist of the Regency era, depicting prominent figures from Britain and it's European Allies during the Napoleonic Wars. It is also known as the Portrait of Lord Wellesley.
The Portrait of Prince Frederick, Duke of York, is a portrait painting of 1816 by the English artist Thomas Lawrence. It depicts Prince Frederick, Duke of York, the Commander in Chief of the British Army. A royal duke, he was the second son of George III and younger brother of the Prince Regent. From 1820 to his death in 1827 he was heir presumptive to the British throne.
Portrait of Maria II is an 1829 portrait painting by the British artist Thomas Lawrence depicting the Portuguese queen Maria II. Lawrence was the President of the Royal Academy and Britain's leading portraitist. It was painted between 1828 and 1829 while the young Maria was in exile in England during the Liberal Wars in Portugal. Lawrence depicts her in a white dress and wearing a number of orders represented by stars and ribbons. It was commissioned by George IV for two hundred guineas. It was one of the last works completed by Lawrence before his death in early 1830. It remains in the Royal Collection.
Portrait of Mirza Abul Hasan is an 1810 portrait painting by the English artist Thomas Lawrence depicting Mirza Abolhassan Khan Ilchi, the Persian envoy to Britain.
Portrait of the Duke of Wellington is an 1814 portrait painting by the English artist Thomas Phillips depicting the Anglo-Irish soldier and politician Arthur Wellesley, Duke of Wellington. Wellington had recently returned to London from Continental Europe where he had been serving without break since 1809. His success in the Peninsular War was followed by an invasion of Southern France before the Treaty of Paris brought peace. The following year he would lead Allied forces to victory at the Battle of Waterloo following the escape of Napoleon and the Hundred Days campaign.