Charles X was King of France from 16 September 1824 until 2 August 1830. An uncle of the uncrowned Louis XVII and younger brother of reigning kings Louis XVI and Louis XVIII, he supported the latter in exile. After the Bourbon Restoration in 1814, Charles became the leader of the ultra-royalists, a radical monarchist faction within the French court that affirmed absolute monarchy by divine right and opposed the constitutional monarchy concessions towards liberals and the guarantees of civil liberties granted by the Charter of 1814. Charles gained influence within the French court after the assassination of his son Charles Ferdinand, Duke of Berry, in 1820 and succeeded his brother Louis XVIII in 1824.
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
In the United Kingdom, the Accession Council is a ceremonial body which assembles in St James's Palace in London upon the death of a monarch to make formal proclamation of the accession of the successor to the throne. Under the terms of the Act of Settlement 1701, a new monarch succeeds automatically. The proclamation confirms by name the identity of the new monarch, expresses loyalty to the "lawful and rightful Liege Lord", and formally announces the new monarch's regnal name, while the monarch and others, in front of the council, sign and seal several documents concerning the accession. An Accession Council has confirmed every English monarch since James I in 1603.
The Coronation Chair, also known as St Edward's Chair or King Edward's Chair, is an ancient wooden chair on which British monarchs sit when they are invested with regalia and crowned at their coronations. It was commissioned in 1296 by King Edward I to contain the Stone of Scone, which he had captured from the Scots. The chair was named after Edward the Confessor and for centuries it was kept in his shrine at Westminster Abbey. The Coronation Chair was last used at the Coronation of King Charles the III and Queen Camilla at Westminster Abbey in 2023.
Sir George Hayter was an English painter, specialising in portraits and large works involving sometimes several hundred individual portraits. Queen Victoria appreciated his merits and appointed Hayter her Principal Painter in Ordinary and also awarded him a Knighthood in 1841.
Louis Antoine of France, Duke of Angoulême was the elder son of Charles X and the last Dauphin of France from 1824 to 1830. He is identified by the Guinness World Records as the shortest-reigning monarch, reigning for less than 20 minutes during the July Revolution, but this is not backed up by one interpretation of the historical evidence. He never reigned over the country, but after his father's death in 1836, he was the legitimist pretender as Louis XIX.
The Palace of Holyroodhouse, commonly known as Holyrood Palace, is the official residence of the British monarch in Scotland. Located at the bottom of the Royal Mile in Edinburgh, at the opposite end to Edinburgh Castle, Holyrood has served as the principal royal residence in Scotland since the 16th century, and is a setting for state occasions and official entertaining.
The Spanish royal collection of art was almost entirely built up by the monarchs of the Habsburg family who ruled Spain from 1516 to 1700, and then the Bourbons. They included a number of kings with a serious interest in the arts, who were patrons of a series of major artists: Charles V and Philip II were patrons of Titian, Philip IV appointed Velázquez as court painter, and Goya had a similar role at the court of Charles IV.
George IV is an 1821 portrait painting by the English artist Thomas Lawrence portraying George IV, the reigning monarch of the United Kingdom. George is depicted in the robes he wore for his Coronation in July 1821. Lawrence was Britain's pre-eminent portrait painter and had previously depicted George on a number of occasions during the Regency era before he came to the throne in succession to his father George III in 1820. Lawrence had recently been elected to succeed Benjamin West as President of the Royal Academy
The Coronation of Charles X took place in Reims on 29 May 1825 when Charles X was crowned as King of France, marking the last coronation of a French monarch. It took place at Reims Cathedral in Champagne, the traditional site of the coronation of French sovereigns. It was the only coronation to take place following the 1815 defeat of Napoleon and the Bourbon Restoration before the direct line were deposed in 1830.
The Portrait of Marshal Blücher is an 1814 portrait painting by the English artist Thomas Lawrence of the Prussian Field Marshal Gebhard Leberecht von Blücher.
The Duke of Richelieu is an 1818 portrait painting by the British artist Sir Thomas Lawrence of the French Prime Minister Armand Emmanuel de Vignerot du Plessis, 5th Duke of Richelieu. Richelieu was a leading statesman in Restoration France serving twice as premiere during the reign of Louis XVIII, having previously spent many years in exile. It was painted during the Congress of Aix-la-Chapelle.
The Portrait of Francis I of Austria is a painting by the British artist Sir Thomas Lawrence depicting the Austrian Emperor Francis I.
Portrait of the Duchess of Berry is an 1825 portrait painting by the English artist Sir Thomas Lawrence. It depicts the Italian-born French royal Marie-Caroline, Duchess of Berry, the widowed daughter-in-law of the reigning French monarch Charles X. A few months after the assassination of her husband the Duke of Berry in 1820, she gave birth to a child Henri who seemed to secure the succession for the House of Bourbon.
Portrait of the Duke of Clarence is a portrait painting by the Irish artist Martin Archer Shee depicting the future William IV, then Duke of Clarence.
Portrait of the Duke of Berry is an 1820 portrait painting by the French artist François Gérard. It depicts Charles Ferdinand, Duke of Berry, the second son of the future Charles X of France who was then Count of Artois. Berry was the nephew of the reigning monarch Louis XVIII, who had come to throne following the defeat of Napoleon's Empire.
Portrait of William IV is an portrait painting of 1833 by the Irish artist Sir Martin Archer Shee depicting William IV.
Portrait of Lady Maria Conyngham is an 1825 portrait painting by the British artist Sir Thomas Lawrence. It depicts Maria Conyingham, the younger of two daughters of the Anglo-Irish aristocrat Henry Conyngham, 1st Marquess Conyngham and his wife Elizabeth. Her mother was the mistress of George IV from 1820.
Portrait of Frederick William III of Prussia is portrait painting by the British artist Thomas Lawrence of Frederick William III, King of Prussia. Begun in 1814 during the Visit by the Allied Sovereigns to England, it was completed during the Congress of Aix-la-Chapelle in 1818.
Portrait of Louis XVIII is an 1814 portrait painting by the French artist François Gérard depicting Louis XVIII of France in his coronation robes.
