Portrait of Sir John Moore | |
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Artist | Thomas Lawrence |
Year | 1800–1804 |
Type | Oil on canvas, portrait |
Dimensions | 74.9 cm× 62.2 cm(29.5 in× 24.5 in) |
Location | National Portrait Gallery, London |
Portrait of Sir John Moore is a portrait painting by the British artist Thomas Lawrence of the Scottish army officer Sir John Moore, painted between 1800 and 1804. [1]
Moore joined the army in 1776 during the American War of Independence and served in multiple subsequent campaigns. He is particularly known for his Innovations in light infantry training. [2] In 1808 he commanded British forces in Spain during the early stages of the Peninsular War. Forced to retreat in the face of large French forces during the onset of winter, he successfully evacuated his troops but was fatally wounded at the Battle of Corunna. Now a popular hero in Britain, his image was widely circulated and an engraving was made of Lawrence's work by Charles Turner. Arthur Wellesley succeeded Moore as commander of the British Army in the Iberian Peninsular.
Lawrence emerged as one of Britain's leading portraitists in the 1790s. He portrays Moore in his uniform of a major general in a plain redcoat without decorations. The painting is now in the collection of the National Portrait Gallery in London having been donated by Moore's great-grandniece in 1898. [3] Turner's mezzotints are also in the gallery's collection. [4] [5] A slightly later version done by Lawrence for General Robert Brownrigg shows Moore wearing a Lieutenant General's uniform and showing him with the Order of the Bath and is now at the National Army Museum in Chelsea. [6] [7]
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
The National Portrait Gallery (NPG) is an art gallery in London that houses a collection of portraits of historically important and famous British people. When it opened in 1856, it was arguably the first national public gallery in the world that was dedicated to portraits.
Sir Alan Bowness CBE was a British art historian, art critic, and museum director. He was the director of the Tate Gallery between 1980 and 1988.
Peter Edwards,, is a British painter. He won the 1994 BP Portrait Award.
Rory Lewis is a British photographer known for his celebrity portrait photography. Lewis's inspirations include the works of the artists Hans Holbein the younger, Caravaggio, Titian and Thomas Lawrence and the German Expressionist movement of the 1920s.
The Portrait of Lord Hawkesbury is a work by the English artist Thomas Lawrence depicting the British politician and future Prime Minister Lord Hawkesbury, then in his mid-twenties. It is also known as the Portrait of Lord Liverpool, referring to the title he inherited in 1808 and by which he is better known. It is in the style of Romanticism.
The House of Commons, 1793–94 is a large history painting by the Austrian artist Anton Hickel. It was first exhibited in 1795 in the Haymarket. It depicts the House of Commons of the Parliament of Great Britain around the time of the country's first involvement in the French Revolutionary Wars. It shows the Prime Minister William Pitt the Younger at the despatch box engaged in debate. A large number of other political figures of the era are also depicted including opposition Whig leader Charles James Fox.
Sir Charles Stewart is an 1812 portrait by the English artist Thomas Lawrence of the Irish soldier and diplomat Charles Stewart. Stewart was a career soldier who had served in the Peninsular War as Adjutant General to Allied commander Lord Wellington. Stewart had returned home from Portugal when he posed for the portrait and was subsequently appointed British Ambassador to Prussia, launching a diplomatic career that saw him play a key role in forming the alliance that defeated Napoleon and attending the Congress of Vienna. He is shown in hussar uniform, a branch of light cavalry that became prominent during the Napoleonic Wars. He wears his Peninsular Medal earned for his service over the past four years.
John Philip Kemble as Cato is an 1812 portrait by the English artist Thomas Lawrence of the actor John Philip Kemble. Part of the Kemble dynasty he was, along with his sister Sarah Siddons, one of the most celebrated actors of the period. Lawrence had established himself as the leading portrait painter of the Regency era and had previously painted Kemble as Hamlet in 1801.
The Portrait of Francis I of Austria is a painting by the British artist Sir Thomas Lawrence depicting the Austrian Emperor Francis I.
Portraits in the Characters of the Muses in the Temple of Apollo is a 1778 painting by the English artist Richard Samuel. It depicts nine prominent British literary and artistic women as Muses in the Temple of Apollo and is also known as The Nine Living Muses of Great Britain. It was exhibited at the Royal Academy's Summer Exhibition in 1779.
Sir Walter Scott is a portrait painting by the English artist Thomas Lawrence of the Scottish writer Sir Walter Scott. Begun in 1820, it was completed in 1826 and exhibited at the 1827 Royal Academy Summer Exhibition. Lawrence was Britain's foremost society portraitist of the Regency era and was commissioned by George IV, a regular patron of the artist for whom he supplied various paintings for the Waterloo Chamber, to depict Scott for a fee of three hundred guineas.
The Marquess of Wellesley is a portrait painting by the English artist Thomas Lawrence of the Irish statesman Richard Wellesley, 1st Marquess Wellesley. Wellesley was a senior politician in Britain where he served as Foreign Secretary from 1809 to 1812 and was regarded as a potential future Prime Minister. Lawrence was the leading portraitist of the Regency era, depicting prominent figures from Britain and it's European Allies during the Napoleonic Wars. It is also known as the Portrait of Lord Wellesley.
Portrait of Banastre Tarleton is a 1782 portrait painting by the English artist Sir Joshua Reynolds. It depicts the British army officer Banastre Tarleton against a background scene of battle, referring to his recent service in the American War of Independence. Tarleton is shown in the uniform of the British Legion, a unit of American Loyalist cavalry which he had served with before surrendering at the Siege of Yorktown in 1781. Reynolds, President of the Royal Academy, was of the country's leading portraitists.
The Portrait of Lord Mansfield is a 1783 portrait painting by the Anglo-American artist John Singleton Copley. It depicts the Scottish politician and lawyer William Murray, 1st Earl of Mansfield who was serving as Lord Chief Justice at the time. He is shown in his robes as a member of the House of Lords where he sat as the Earl of Mansfield.
Portrait of Benjamin West is a 1785 portrait painting by the American artist Gilbert Stuart of the noted Anglo-American painter Benjamin West. West, a future President of the Royal Academy settled in Britain during the 1760s. His epic 1770 battle painting The Death of General Wolfe established him as a leading artist.
Portrait of Lord Melbourne is a portrait painting by the English artist Thomas Lawrence portraying the British Whig politician and future Prime Minister Lord Melbourne. It is also known as the Portrait of William Lamb as he had not yet inherited the title from his father when it was painted. It is today in the National Portrait Gallery in London.
Portrait of Sir Edward Pellew is a portrait painting by the English artist Thomas Lawrence of the British naval officer Sir Edward Pellew, produced around 1797.
Portrait of Maria Fitzherbert is a 1788 portrait painting by the British artist Sir Joshua Reynolds.
Portrait of the Duke of Grafton is a 1762 portrait painting by the Italian artist Pompeo Batoni of the English aristocrat Augustus FitzRoy, 3rd Duke of Grafton, a future Prime Minister of Great Britain.