Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
Benjamin West was a British-American artist who painted famous historical scenes such as The Death of Nelson, The Death of General Wolfe, the Treaty of Paris, and Benjamin Franklin Drawing Electricity from the Sky.
Dulwich Picture Gallery is an art gallery in Dulwich, south London. It opened to the public in 1817 and was designed by the Regency architect Sir John Soane. His design was recognized for its innovative and influential method of illumination for viewing the art. It is the oldest public art gallery in England and was made an independent charitable trust in 1994. Until then, the gallery was part of the College of God's Gift, a charitable foundation established by the actor, entrepreneur and philanthropist Edward Alleyn in the early 17th century. The acquisition of artworks by its founders and bequests from its many patrons resulted in Dulwich Picture Gallery housing one of the country's finest collections of Old Masters, especially rich in French, Italian and Spanish Baroque paintings, and in British portraits from the Tudor era to the 19th century.
Ozias Humphry was a leading English painter of portrait miniatures, later oils and pastels, of the 18th century. He was elected to the Royal Academy in 1791, and in 1792 he was appointed Portrait Painter in Crayons to the King.
Sir William Beechey was a British portraitist during the golden age of British painting.
Thomas Hardy (1757–1804) was a portrait painter born in Derbyshire, England.
Paul Benney is a British artist who rose to international prominence as a contemporary artist whilst living and working in New York in the 1980s and 1990s in the UK as an portraitist.
Charlotte Jones was a British miniature portrait painter. She was appointed "Miniature Painter to the Princess Charlotte of Wales" from 1808 until the premature death of her patron on 6 November 1817, shortly after failing to deliver a royal heir. Jones' most memorable creation was a triptych that recorded the Princess's life.
Caroline, Princess of Wales and Princess Charlotte is an 1801 portrait by the British artist Sir Thomas Lawrence depicting Caroline, Princess of Wales and her daughter Charlotte of Wales, then second in line to the throne after her father George, Prince of Wales who was the eldest son of George III. By this stage in their marriage Caroline and her husband were estranged and effectively separated.
George IV is an 1821 portrait painting by the English artist Thomas Lawrence portraying George IV, the reigning monarch of the United Kingdom. George is depicted in the robes he wore for his Coronation in July 1821. Lawrence was Britain's pre-eminent portrait painter and had previously depicted George on a number of occasions during the Regency era before he came to the throne in succession to his father George III in 1820. Lawrence had recently been elected to succeed Benjamin West as President of the Royal Academy
Portrait of Queen Charlotte is a 1789 portrait painting by the English artist Thomas Lawrence of Charlotte of Mecklenburg-Strelitz, Queen Consort of the United Kingdom. Charlotte was the wife of the reigning monarch George III and mother of the future sovereigns George IV and William IV.
Portrait of Lord Liverpool is a work by the English artist Thomas Lawrence depicting the British politician and Prime Minister Lord Liverpool.
Sir Charles Stewart is an 1812 portrait by the English artist Thomas Lawrence of the Irish soldier and diplomat Charles Stewart. Stewart was a career soldier who had served in the Peninsular War as Adjutant General to Allied commander Lord Wellington. Stewart had returned home from Portugal when he posed for the portrait and was subsequently appointed British Ambassador to Prussia, launching a diplomatic career that saw him play a key role in forming the alliance that defeated Napoleon and attending the Congress of Vienna. He is shown in hussar uniform, a branch of light cavalry that became prominent during the Napoleonic Wars. He wears his Peninsular Medal earned for his service over the past four years.
The Portrait of Francis I of Austria is a painting by the British artist Sir Thomas Lawrence depicting the Austrian Emperor Francis I.
George III is am 1809 portrait painting by the English artist Thomas Lawrence depicting the British monarch George III. It is an oil painting on canvas depicting the King in his robes for the State Opening of Parliament. It was commissioned by George as a gift for the former Prime Minister of the United Kingdom Henry Addington. George had reigned since 1760, but he was troubled by occasional bouts of mental instability. In 1810, shortly after celebrating the Golden Jubilee on the throne, George was overcome by a more lasting loss of control and his eldest son George was declared Prince Regent. The image by Lawrence continued to be used to represent the King throughout the remainder of his reign.
Sir Walter Scott is a portrait painting by the English artist Thomas Lawrence of the Scottish writer Sir Walter Scott. Begun in 1820, it was completed in 1826 and exhibited at the 1827 Royal Academy Summer Exhibition. Lawrence was Britain's foremost society portraitist of the Regency era and was commissioned by George IV, a regular patron of the artist for whom he supplied various paintings for the Waterloo Chamber, to depict Scott for a fee of three hundred guineas.
The Marquess of Wellesley is a portrait painting by the English artist Thomas Lawrence of the Irish statesman Richard Wellesley, 1st Marquess Wellesley. Wellesley was a senior politician in Britain where he served as Foreign Secretary from 1809 to 1812 and was regarded as a potential future Prime Minister. Lawrence was the leading portraitist of the Regency era, depicting prominent figures from Britain and it's European Allies during the Napoleonic Wars. It is also known as the Portrait of Lord Wellesley.
Princess Charlotte is an 1817 portrait painting by the British artist George Dawe depicting Princess Charlotte of Wales, the daughter of the Prince Regent.
Portrait of Benjamin West is an 1810 portrait painting by the British artist Thomas Lawrence depicting the Anglo-American painter Benjamin West. Ten years later Lawrence succeeded West, on his death, as the President of the Royal Academy.
