Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
Melpomene is the Muse of tragedy in Greek mythology. She is described as the daughter of Zeus and Mnemosyne along with the other Muses, and she is often portrayed with a tragic theatrical mask.
Sarah Siddons was a Welsh actress, the best-known tragedienne of the 18th century. Contemporaneous critic William Hazlitt dubbed Siddons as "tragedy personified".
George Stephen Kemble was a successful English theatre manager, actor, and writer, and a member of the famous Kemble family. He was described as "the best Sir John Falstaff which the British stage ever saw" though he also played title roles in Hamlet and King Lear among others. He published plays, poetry and non-fiction.
Frances Anne Kemble was a British actress from a theatre family in the early and mid-19th century. She was a well-known and popular writer and abolitionist whose published works included plays, poetry, eleven volumes of memoirs, travel writing, and works about the theatre.
John Philip Kemble was a British actor. He was born into a theatrical family as the eldest son of Roger Kemble, actor-manager of a touring troupe. His elder sister Sarah Siddons achieved fame with him on the stage of the Theatre Royal, Drury Lane. His other siblings, Charles Kemble, Stephen Kemble, Ann Hatton, and Elizabeth Whitlock, also enjoyed success on the stage.
Kemble is the name of a family of English actors, who reigned over the English stage for many decades. The most famous were Sarah Siddons (1755–1831) and her brother John Philip Kemble (1757–1823), the two eldest of the twelve children of Roger Kemble (1721–1802), a strolling player and manager of the Warwickshire Company of Comedians, who in 1753 married an actress, Sarah Ward. Roger Kemble was born in Hereford, and was a grand-nephew of Father John Kemble, a recusant Catholic priest, who was hanged in that city in 1679. Three younger children of Roger, Stephen Kemble (1758–1822), Charles Kemble (1775–1854), and Elizabeth Whitlock (1761–1836), were also actors, while Ann Hatton was a novelist.
Thomas Sully was an English-American portrait painter. He was born in England, became a naturalized American citizen in 1809, and lived most of his life in Philadelphia, Pennsylvania, including in the Thomas Sully Residence. He studied painting in England under Benjamin West. He painted in the style of Thomas Lawrence and has been referred to as the "Sir Thomas Lawrence of America".
Sir William Beechey was a British portraitist during the golden age of British painting.
Roger Kemble was an English theatre manager, strolling player and actor. In 1753, he married Irish actress Sarah "Sally" Ward (1735–1806) at Cirencester in Gloucestershire, and they had thirteen children, who formed the Kemble family of 19th-century actors and actresses.
John Bell (1745–1831) was an English publisher. Originally a bookseller and printer, he also innovated in typography, commissioning an influential typeface that omitted the long s. He drew the reading public to better literature by ordering attractive art to accompany the printed work.
George Henry Harlow was an English painter known mostly for his portraits.
Thomas Beach was a British portraitist who studied under Sir Joshua Reynolds.
The Warwickshire Company of Comedians, also known as Mr Ward's Company of Comedians and after 1767 as Mr Kemble's Company of Comedians, was a theatre company established by John Ward in Birmingham, England in the 1740s, touring throughout the West Midlands region and surrounding counties over subsequent decades. Unusual in the 18th century as a provincial company producing performances to London tastes and standards, it is particularly notable as the origin of the Kemble family theatrical dynasty, which was to dominate the English stage in the late-18th and early 19th centuries. Sarah Siddons and John Philip Kemble in particular, who were Ward's grandchildren and whose careers began in the company, were the leading actress and actor of their time, and are still considered among the greatest performers in English theatrical history.
Musidora: The Bather 'At the Doubtful Breeze Alarmed', also known as The Bather, is a name given to four nearly identical oil paintings on canvas by English artist William Etty. The paintings illustrate a scene from James Thomson's 1727 poem Summer in which a young man accidentally sees a young woman bathing naked and is torn between his desire to look and his knowledge that he ought to look away. The scene was popular with English artists as it was one of the few legitimate pretexts to paint nudes at a time when the display and distribution of nude imagery was suppressed.
Portrait of Mlle Rachel is an oil painting on millboard by English artist William Etty, painted during the 1840s and currently in the York Art Gallery. It shows the tragic actress Élisa Rachel Félix, better known as Mademoiselle Rachel, at the time one of the most acclaimed actresses in France. The subject is not shown looking at the artist, but glancing anxiously out of the picture with tears in her eyes. The work was probably painted during one of Rachel's tours of London in the 1840s. It appears unfinished, suggesting that it was painted in a single sitting and Rachel did not return to give Etty the opportunity to complete it.
Britomart Redeems Faire Amoret is an oil painting on canvas by English artist William Etty, first exhibited in 1833 and now in Tate Britain. Intended to illustrate the virtues of honour and chastity, it depicts a scene from Edmund Spenser's The Faerie Queene in which the female warrior Britomart slays the evil magician Busirane and frees his captive, the beautiful Amoret. In Spenser's original poem Amoret has been tortured and mutilated by the time of her rescue, but Etty disliked the depiction of violence and portrayed her as unharmed.
Sarah Siddons as the Tragic Muse, or Mrs. Siddons as the Tragic Muse, is a 1783–1784 painting by English painter Sir Joshua Reynolds. The 1784 version is in the Huntington Library art museum, while a 1789 reproduction from Reynolds's studio is in the Dulwich Picture Gallery.
John Philip Kemble as Cato is an 1812 portrait by the English artist Thomas Lawrence of the actor John Philip Kemble. Part of the Kemble dynasty he was, along with his sister Sarah Siddons, one of the most celebrated actors of the period. Lawrence had established himself as the leading portrait painter of the Regency era and had previously painted Kemble as Hamlet in 1801.
Portrait of John Philip Kemble is a 1799 portrait painting by the British artist William Beechey depicting the stage actor John Philip Kemble.
