Portrait of William Pitt | |
---|---|
Artist | Thomas Lawrence |
Year | 1807 |
Type | Oil on canvas, portrait |
Dimensions | 150 cm× 121 cm(59.1 in× 47.8 in) |
Location | Royal Collection, Windsor Castle |
Portrait of William Pitt is an 1807 portrait painting by the English artist Thomas Lawrence of the British politician William Pitt the Younger. [1] It was one of a number of depictions of prime ministers executed by Lawrence during his career.
William Pitt, the son of Pitt the Elder, served as prime minister from 1783 to 1801 and again from 1804 to 1806. He led Britain through much of the French Revolutionary Wars and early Napoleonic Wars. Pitt had intended to sit for Lawrence before his death in January 1806. Painted posthumously, Lawrence was forced to rely on a bust by Joseph Nollekens and his own observations from memory of earlier meetings with Pitt. It was commissioned by the art collector John Julius Angerstein. [2]
It was displayed at the Royal Academy's Summer Exhibition at Somerset House in 1808. The impressive likeness of the former prime minister was widely commented on, possibly to the irritation of Lawrence's rival John Hoppner who had painted his own portrait of Pitt from life. [3] One review observed that it had "a mixture of ideal art with a sufficiency of that personal resemblance which a portrait requires" and it was "a portrait in the epic style of painting, and worthy of going down to posterity". [4]
Pitt is shown holding a scroll in one hand and pointing to a paper with Redemption of the National Debt written on it. [5] Today the work hangs in the Waterloo Chamber at Windsor Castle having been acquired by George IV from Angerstein. [6]
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
John Julius Angerstein was a London businessman and Lloyd's underwriter, a patron of the fine arts and a collector. It was the prospect that his collection of paintings was about to be sold by his estate in 1824 that suddenly galvanised the King, George IV, and the prime minister, Lord Liverpool, into purchasing his collection for the nation and led to the founding of the British National Gallery in Angerstein's house at 100 Pall Mall.
Benjamin West was a British-American artist who painted famous historical scenes such as The Death of Nelson, The Death of General Wolfe, the Treaty of Paris, and Benjamin Franklin Drawing Electricity from the Sky.
Portrait of William Linley is a 1788 portrait painting by the British artist Thomas Lawrence depicting William Linley.
The Portrait of Marshal Blücher is an 1814 portrait painting by the English artist Thomas Lawrence of the Prussian Field Marshal Gebhard Leberecht von Blücher.
Portrait of Lord Liverpool is a work by the English artist Thomas Lawrence depicting the British politician and Prime Minister Lord Liverpool.
The Portrait of Prince Metternich is a painting by the British artist Thomas Lawrence of the Austrian statesman Klemens von Metternich. Lawrence painted many European leaders involved in the alliance against Napoleon's French Empire.
The Duke of Richelieu is an 1818 portrait painting by the British artist Sir Thomas Lawrence of the French Prime Minister Armand Emmanuel de Vignerot du Plessis, 5th Duke of Richelieu. Richelieu was a leading statesman in Restoration France serving twice as premiere during the reign of Louis XVIII, having previously spent many years in exile. It was painted during the Congress of Aix-la-Chapelle.
George III is an 1809 portrait painting by the English artist Thomas Lawrence depicting the British monarch George III. It is an oil painting on canvas depicting the King in his robes for the State Opening of Parliament. It was commissioned by George as a gift for the former Prime Minister of the United Kingdom Henry Addington. George had reigned since 1760, but he was troubled by occasional bouts of mental instability. In 1810, shortly after celebrating the Golden Jubilee on the throne, George was overcome by a more lasting loss of control and his eldest son George was declared Prince Regent. The image by Lawrence continued to be used to represent the King throughout the remainder of his reign.
Sir Walter Scott is a portrait painting by the English artist Thomas Lawrence of the Scottish writer Sir Walter Scott. Begun in 1820, it was completed in 1826 and exhibited at the 1827 Royal Academy Summer Exhibition. Lawrence was Britain's foremost society portraitist of the Regency era and was commissioned by George IV, a regular patron of the artist for whom he supplied various paintings for the Waterloo Chamber, to depict Scott for a fee of three hundred guineas.
The Marquess of Wellesley is a portrait painting by the English artist Thomas Lawrence of the Irish statesman Richard Wellesley, 1st Marquess Wellesley. Wellesley was a senior politician in Britain where he served as Foreign Secretary from 1809 to 1812 and was regarded as a potential future Prime Minister. Lawrence was the leading portraitist of the Regency era, depicting prominent figures from Britain and it's European Allies during the Napoleonic Wars. It is also known as the Portrait of Lord Wellesley.
Portrait of the Duchess of Berry is an 1825 portrait painting by the English artist Sir Thomas Lawrence. It depicts the Italian-born French royal Marie-Caroline, Duchess of Berry, the widowed daughter-in-law of the reigning French monarch Charles X. A few months after the assassination of her husband the Duke of Berry in 1820, she gave birth to a child Henri who seemed to secure the succession for the House of Bourbon.
Portrait of Lord Melbourne is a portrait painting by the English artist Thomas Lawrence portraying the British Whig politician and future Prime Minister Lord Melbourne. It is also known as the Portrait of William Lamb as he had not yet inherited the title from his father when it was painted. It is today in the National Portrait Gallery in London.
Portrait of the Duke of Portland is a 1792 portrait painting by the English artist Thomas Lawrence of the British politician William Cavendish-Bentinck, 3rd Duke of Portland, who served twice as Prime Minister of the United Kingdom.
Portrait of Princess Sophia is an 1824 portrait painting by the English artist Thomas Lawrence depicting Princess Sophia, one of the younger daughters of George III.
Portrait of Maria II is an 1829 portrait painting by the British artist Thomas Lawrence depicting the Portuguese queen Maria II. Lawrence was the President of the Royal Academy and Britain's leading portraitist. It was painted between 1828 and 1829 while the young Maria was in exile in England during the Liberal Wars in Portugal. Lawrence depicts her in a white dress and wearing a number of orders represented by stars and ribbons. It was commissioned by George IV for two hundred guineas. It was one of the last works completed by Lawrence before his death in early 1830. It remains in the Royal Collection.
Portrait of Count Nesselrode is an 1818 portrait painting by the British artist Thomas Lawrence of the Russian statesman Karl Nesselrode.
Portrait of Lady Maria Conyngham is an 1825 portrait painting by the British artist Sir Thomas Lawrence. It depicts Maria Conyingham, the younger of two daughters of the Anglo-Irish aristocrat Henry Conyngham, 1st Marquess Conyngham and his wife Elizabeth. Her mother was the mistress of George IV from 1820.
Portrait of Frederick William III of Prussia is portrait painting by the British artist Thomas Lawrence of Frederick William III, King of Prussia. Begun in 1814 during the Visit by the Allied Sovereigns to England, it was completed during the Congress of Aix-la-Chapelle in 1818.
Portrait of Archduke Charles is an 1819 portrait painting by the English artist Sir Thomas Lawrence of the Austrian general Archduke Charles, Duke of Teschen. A member of the House of Habsburg he was the younger brother of Francis I of Austria. During the Napoleonic Wars he has commanded Austrian forces in the Allied coalitions against the French Empire. He won a notable victory against Napoleon at the Battle of Aspern-Essling in 1809 before his defeat at the Battle of Wagram.