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Promenade concerts were musical performances in the 18th and 19th century pleasure gardens of London, where the audience would stroll about while listening to the music. The term derives from the French se promener, "to walk".
Today, the term promenade concert is often associated with the BBC Proms summer classical music concert series founded in 1895 by Robert Newman and the conductor Henry Wood. [1]
Pleasure gardens, which levied a small entrance fee and provided a variety of entertainment, had become extremely popular in London by the eighteenth century. Music was provided from bandstands (known as ‘’orchestras’’) or more permanent buildings, and was generally of the popular variety: ballroom dances, quadrilles (medleys), cornet solos etc. Other entertainments would have included fireworks, masquerades and acrobatics. There were 38 gardens which are known to have provided music. Perhaps the most famous of these were Vauxhall Gardens (1661–1859), south of the Thames. Known at first as New Spring Gardens this was the favourite haunt of diarists Samuel Pepys and John Evelyn. The music of Handel was very popular here in the eighteenth century, and in 1738 there was even a statue erected of Handel playing the lyre. The Gardens were described as fashionable in the late 18th and early 19th century by Fanny Burney and William Thackeray. Aristocracy and royalty mingled with the ordinary folk. On 21 April 1749 twelve thousand people paid 2s 6d each to hear Handel rehearsing his Music for the Royal Fireworks in Vauxhall Gardens, causing a three-hour traffic jam on London Bridge. The music had been commissioned by the king in celebration of the Treaty of Aix-la-Chapelle. The performance six days later in Green Park was even more spectacular, especially when the building caught fire. The composer Dr Thomas Arne was appointed composer of Vauxhall Gardens in 1745. It was here that many of his songs achieved their great popularity. The musicians were housed in a covered building while the audience strolled outside. In the nineteenth century Sir Henry Bishop was the official composer to the Gardens. Many of his songs, which include "Home! Sweet Home!", were performed there. Vauxhall Gardens remained a national institution until 1859. [2]
Another prestige venue for promenade concerts was Ranelagh Gardens (1742–1803). Here both musicians and audience were under cover in a gigantic Georgian rotunda which can be seen in a painting of Canaletto in the National Gallery. It was here that Wolfgang Amadeus Mozart performed on the harpsichord and organ as a child prodigy in 1764. Joseph Haydn, too, appeared here during his visits to London.
The term "promenade concert" seems to have been first used in England in 1838 when London’s Lyceum Theatre announced ‘Promenade Concerts à la Musard’. Philippe Musard was a French musician who had introduced open-air concerts in the English style in Paris.
Musard came to England in 1840 to conduct concerts in the Lyceum Theatre. His programmes consisted of overtures, waltzes, popular instrumental solos and quadrilles. The success of these concerts led to further musical promenade concerts, both in London and other places including Bath and Birmingham. The Crown and Anchor Tavern in the Strand gave a series of concerts with the band of the Theatre Royal, Drury Lane under the direction of Henri Valentino. In 1840 Edward Eliason, leader of the orchestra of Drury Lane Theatre, started a series of Concerts d’été with an orchestra of nearly a hundred players.
Soon there was also a series of ‘’Concerts d’hiver’’ under Louis Antoine Jullien (1812–1860). Jullien was a sound musician whose performances were combined with outrageous showmanship: Beethoven was conducted with a jewelled baton. With his extravagant clothing and long black hair and moustache he would go through a series of antics including having his white kid gloves brought to him on a silver salver. He conducted with his back to the orchestra in order to face his audience, and his orchestra were often joined by the bands of the Royal Artillery or drummers from the French Garde Nationale. He died in a lunatic asylum. [3]
Jullien was succeeded by the English conductor Alfred Mellon (1820–1867), and then Luigi Arditi (1822–1903). Another notable conductor was August Manns (1825–1907) who is associated with the Saturday concerts at London’s Crystal Palace, the enormous glass building which housed the Great Exhibition in 1851. [4]
The pleasure gardens were the chief institutions for the performance of music by English composers. Songs and vocal pieces were composed especially for them. Strophic ballads were the staple diet. The songs were often on pastoral subjects, or drinking songs, hunting songs or even songs on morbid subjects.
Two famous songs written for the gardens were Arne's Shakespeare setting Where the bee sucks, and Charles Edward Horn's setting of Herrick’s Cherry Ripe. Gradually opera started to influence the style of music, and larger concerted pieces would be heard. Choruses from Handel's oratorios were often included. Instrumental music included the popular concerto. Organ music was played between the acts of ballad operas (Vauxhall and Ranelagh both had organs installed). Cremorne Gardens (1836–78) became Ranelagh’s natural successor in Chelsea during the Victorian period, presenting works by Boieldieu, Auber and Offenbach in the 1870s. [5]
In the late 19th century concerts under August Manns explored works by well-known composers: Brahms, Liszt, Mendelssohn, Schubert, Schumann, Smetana and Wagner. London audiences were starting to become more discerning and exploratory. In 1895 Henry Wood began the series of promenade concerts that continue today as the BBC Proms. From the middle of the 20th century, open-air summer concerts at English country houses have revived the original tradition of the London pleasure gardens.
The BBC Proms is an eight-week summer season of daily orchestral classical music concerts and other events held annually, predominantly in the Royal Albert Hall in central London. Robert Newman founded The Proms in 1895. Since 1927, the BBC has organised and broadcast The Proms. Each season consists of concerts in the Royal Albert Hall, chamber music concerts at Cadogan Hall, additional Proms in the Park events across the UK on the Last Night of the Proms, and associated educational and children's events. The season is a significant event in British culture and in classical music. Czech conductor Jiří Bělohlávek described the Proms as "the world's largest and most democratic musical festival".
Thomas Augustine Arne was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of The Beggar's Opera, which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas.
Michael Arne was an English composer, harpsichordist, organist, singer, and actor. He was the son of the composer Thomas Arne and the soprano Cecilia Young, a member of the famous Young family of musicians of the seventeenth and eighteenth centuries. Like his father, Arne worked primarily as a composer of stage music and vocal art song, contributing little to other genres of music. He wrote several songs for London's pleasure gardens, the most famous of which is Lass with the Delicate Air (1762). A moderately prolific composer, Arne wrote nine operas and collaborated on at least 15 others. His most successful opera, Cymon (1767), enjoyed several revivals during his lifetime and into the early nineteenth century.
Sir Henry Joseph Wood was an English conductor best known for his association with London's annual series of promenade concerts, known as the Proms. He conducted them for nearly half a century, introducing hundreds of new works to British audiences. After his death, the concerts were officially renamed in his honour as the "Henry Wood Promenade Concerts", although they continued to be generally referred to as "the Proms".
Sir Harold Malcolm Watts Sargent was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works. The musical ensembles with which he was associated included the Ballets Russes, the Huddersfield Choral Society, the Royal Choral Society, the D'Oyly Carte Opera Company, and the London Philharmonic, Hallé, Liverpool Philharmonic, BBC Symphony and Royal Philharmonic orchestras. Sargent was held in high esteem by choirs and instrumental soloists, but because of his high standards and a statement that he made in a 1936 interview disputing musicians' rights to tenure, his relationship with orchestral players was often uneasy. Despite this, he was co-founder of the London Philharmonic, was the first conductor of the Liverpool Philharmonic as a full-time ensemble, and played an important part in saving the Royal Philharmonic Orchestra from disbandment in the 1960s.
The Queen's Hall was a concert hall in Langham Place, London, opened in 1893. Designed by the architect Thomas Knightley, it had room for an audience of about 2,500 people. It became London's principal concert venue. From 1895 until 1941, it was the home of the promenade concerts founded by Robert Newman together with Henry Wood. The hall had drab decor and cramped seating but superb acoustics. It became known as the "musical centre of the [British] Empire", and several of the leading musicians and composers of the late 19th and early 20th centuries performed there, including Claude Debussy, Edward Elgar, Maurice Ravel and Richard Strauss.
Vauxhall Gardens is a public park in Kennington in the London Borough of Lambeth, England, on the south bank of the River Thames.
Ranelagh Gardens were public pleasure gardens located in Chelsea, then just outside London, England, in the 18th century.
Louis George Maurice Adolphe Roche Albert Abel Antonio Alexandre Noë Jean Lucien Daniel Eugène Joseph-le-brun Joseph-Barême Thomas Thomas Thomas-Thomas Pierre Arbon Pierre-Maurel Barthélemi Artus Alphonse Bertrand Dieudonné Emanuel Josué Vincent Luc Michel Jules-de-la-plane Jules-Bazin Julio César Jullien, who shortened his name to Louis-Antoine Jullien, was a French conductor and composer of light music.
William Henry Squire, ARCM was a British cellist, composer and music professor of the late 19th and early 20th centuries. He studied cello at the Royal College of Music, and became professor of cello at the Royal College and Guildhall schools of music.
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Robert Newman was an English businessman and musical impresario. He is most celebrated as the founder of the series of classical music concerts that are now known as The Proms.
Royal Surrey Gardens were pleasure gardens in Newington, Surrey, London in the Victorian period, slightly east of The Oval. The gardens occupied about 15 acres (6.1 ha) to the east side of Kennington Park Road, including a lake of about 3 acres (1.2 ha). It was the site of Surrey Zoological Gardens and Surrey Music Hall.
Adam Von Ahnen Carse was an English composer, academic, music writer and editor, remembered today for his studies on the history of instruments and the orchestra, and for his educational music. His collection of around 350 antique wind instruments is now in the Horniman Museum.
The Vauxhall Gardens, was a pleasure garden and theater. It was named for the Vauxhall Gardens of London. Though the venue passed through a long list of owners, and suffered buyouts, closings, relocations, and re-openings, it lasted until the mid-19th century.
Cecilia Young was one of the greatest English sopranos of the eighteenth century, the wife of composer Thomas Arne, and the mother of composer Michael Arne. According to the music historian Charles Burney, she had "a good natural voice and a fine shake [and] had been so well taught, that her style of singing was infinitely superior to that of any other English woman of her time". She was part of a well-known English family of musicians that included several professional singers and organists. Young enjoyed a large amount of success through her close association with George Frideric Handel. She appeared in several of his oratorios and operas including the premieres of Ariodante (1735), Alcina (1735), Alexander's Feast (1736) and Saul (1739).
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Philippe Musard was a French composer who was crucial to the development and popularity of the promenade concert. One of the most famous personalities of Europe during the 1830s and 1840s, his concerts in Paris and London were riotous successes. Best known for his "galop" and "quadrille" pieces, he composed many of these numbers himself, usually borrowing famous themes of other composers. Musard plays an important role in the development of light classical music, the faculty of publicity in music, and in the role of the conductor as a musical celebrity. He has been largely forgotten subsequent to his retirement in the early 1850s.
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