The Qawwal Bacchon Ka Gharana or Dilli Gharana is the oldest khayal gharana of the Hindustani Classical music tradition. [1] It was founded by Amir Khusrau (1253-1325) and his students in the 13th century.
The Qawwal Bacchon Ka Gharana or Dilli Gharana is the oldest khayal gharana of the Hindustani Classical music tradition. [1] It was founded by Amir Khusrau (1253-1325) and his students in the 13th century.
The members of this gharana have lived in Delhi for many generations. The gharana was founded by the disciples of Amir Khusrau, a pioneer of qawwali, tarana and khayal. As a result, this gharana specializes in these genres. [2]
| Hazrat Amir Khusrau (progenitor) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Qawwal Bacchon (12 Disciples) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Zainulabdin Khan | Shakkar Khan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Achapal Miyan (founder) | "Manarang" | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Bade Muhammad Khan (luminary) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Meer Qutub Baksh "Tanras Khan" | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Umrao Khan | Ghulam Ghaus Khan | Bade Mubarak Ali Khan | Bade Murad Ali Khan | Waris Ali Khan | Bade Munnawar Ali Khan | Kutub Ali Khan | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Sanghi Khan | Ali Baksh Khan & Fateh Ali Khan | Ghagge Nazir Khan | Wahid Khan (beenkar) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Abdul Rahim & Abdul Karim Khan | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Patiala Gharana Parampara | Mewati Gharana Parampara | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Mamman Khan (founder) | Samman Khan | Sugra Khan | Kaley Khan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Johan Khan (violin) | Chand Khan | Bundu Khan (sarangiya) | Usman Khan | Ramzan Khan | Mammu Khan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Zahoor Ahmed Khan (violinist) | Hilal Ahmed Khan | Zafar Ahmed Khan (sitarist) | Shakil Ahmed Khan (tabalist) | Nasir Ahmed Khan | Mohammed Ali Khan (sursagarist) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Iqbal Ahmad Khan | Kamran Ahmed Khan | Imran Ahmed Khan | Tanvir Ahmed Khan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Members of this gharana approach raagdari with more freedom than the dhrupad-informed gharanas, like Gwalior, Jaipur, and Agra. [3] Emphasis on bhav and exposition are the hallmarks of this style. [4]
In addition to extensive khayal compositions, the gharana is known for its qawwals. [5]
Some orthodox members of Indian classical music world do not regard the Delhi gharana as an "authentic" one because its members include a number of tabla and sarangi players. Some believe these members do not represent a truly unique musical style. Scholars note the individual quality of each generation's leading singer. Though, this tradition is a gharana in familial terms.[ citation needed ]
It is strictly forbidden to play Sarangi in the tradition of the original Qawwal Bacche.[ citation needed ]
Khyal or Khayal is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad and is sung with the tabla instead of the pakhavaj. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity.
Abu'l Hasan Yamīn ud-Dīn Khusrau, better known as Amīr Khusrau, sometimes spelled as, Amir Khusrow or Amir Khusro, was an Indo-Persian Sufi singer, musician, poet and scholar, who lived during the period of the Delhi Sultanate.
Qawwali is a form of Sufi Islamic devotional singing originating in Hindustan. Originally performed at Sufi shrines or dargahs throughout Hindustan, it is famous throughout Pakistan, India, Bangladesh and Afghanistan and has also gained mainstream popularity and an international audience as of the late 20th century.
Hindustani classical music is the classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or Uttar Bhartiya shastriya sangeet. The term shastriya sangeet literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Kannada, Telugu, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj, Avadhi, Bhojpuri, Bengali, Rajasthani, Marathi and Punjabi.
Folk music of Haryana has two main forms: classical folk music of Haryana and desi folk music of Haryana. They take the form of ballads and pangs of parting of lovers, valor and bravery, harvest and happiness.
In Hindustani music, a gharānā is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style.
The Kirana Gharana is a Hindustani music apprenticeship tradition (gharana) made popular by Bande Ali Khan in the 19th Century and his cousins Abdul Karim Khan and Abdul Wahid Khan. Evolved from the instrumental and vocal Gauharbani dhrupad lineages of medieval music maestros Nayak Gopal, Nayak Dhondu, and Nayak Bhanu. Later, this tradition came to be reputed for khayal, thumri, dadra, ghazal, bhajan, abhang, and natya sangeet. This gharana is known for producing acclaimed musicians like Sawai Gandharva, Sureshbabu Mane, Hirabai Barodekar, Amir Khan, Gangubai Hangal, Bhimsen Joshi, Roshanara Begum, Mohammed Rafi, Prabha Atre, Kaivalya Kumar Gurav, Anand Bhate, Sanhita Nandi, and Jayateerth Mevundi. Consequently, this gharana developed a reputation for its distinctly sweet, devotional, and intense vocalism.
The Mewati gharana is a musical apprenticeship tribe of Hindustani classical music. Known for being Pandit Jasraj's musical lineage, the gharana was founded by brothers Ghagge Nazir Khan and Wahid Khan (beenkar) of Indore in the late 19th century at the Holkar Court. Members of this gharana have had an active influence in Indian cinema for over half a century.
The Patiala gharana is one of the vocal gharanas of Hindustani classical music, named after the city of Patiala in Punjab, India where it was established. The gharana was founded in the mid to late 19th century by Mian Kallu, a sārangi player of the Jaipur durbar. He received his musical training from the last Mughal king Bahadur Shah Zafar's court musician Qutub Bakhsh 'Tanras' Khan and went on to become the court musician to the Maharaja of Patiala. Eventually, the mantle was passed on to his son, 'General' Ali Baksh Khan and his close friend 'Colonel' Fateh Ali Khan, both of whom became court musicians in the court of Maharaja Rajinder Singh. The titles of 'general' and 'colonel' of music were bestowed upon them by the Victor Alexander Bruce, the 9th Earl of Elgin, after the duo had enthralled him with their performance. Their pairing was popularly referred to as 'Ali-a-Fattu ki Jodi.'
The Agra gharana is a tradition of Hindustani classical vocal music descended from the Nauhar Bani. So far, Nauhar Bani has been traced back to around 1300 AD, during the reign of Emperor Allauddin Khilji of Delhi.
The Gwalior Gharana is first and the oldest Khyal Gharana in Indian Classical Music. The Gwalior Gharana is known as the "Gangotri" of Khyal raga and is considered the most ancient school of hindustani classical music. Other gharanas follows the lineage of the Gwalior Gharana.
Qutub Bakhsh, more commonly known as Tanras Khan, was an Indian musician of the Hindustani Classical tradition known for being a luminary of the Delhi Gharana.(House of Delhi classical musicians). He was a court musician and music teacher to the last Mughal emperor Bahadur Shah Zafar II.
Ghulam Fariduddin Ayaz Al-Hussaini Qawwal is a Pakistani Sufi devotional singer. He belongs to the Qawwal Bacchon gharana of Delhi.
Indore gharana is one of the vocal gharanas of Indian classical music. It was founded by Amir Khan, who studied the styles of Abdul Wahid Khan, Aman Ali Khan, Rajab Ali Khan and Abdul Karim Khan and amalgamated their style.
Ustad Ateeq Hussain Khan Bandanawazi Al-Hashmi Qawwal is an Indian Qawwal.
Abdul Sattar Khan, popularly known as Ustad Tari Khan, is a Pakistani tabla player and vocalist.
Professor B. R. Deodhar was an Indian classical singer, musicologist and music educator. He was a vocalist of Khayal-genre of Hindustani classical music.
Ustad Moinuddin Khan was a veteran Indian classical instrumentalist and vocalist, who played sarangi. Based in Jaipur, he belonged to the Jaipur gharana of Hindustani classical music.
Abdullah Niazi Qawwal is a Pakistani Qawwal. He belongs to the Qawwal Bachchon Ka Gharana of Delhi. He is the eldest son of Manzoor Niazi Qawwal (no relation to the Pashtun Niazi tribe).
Abu Muhammad Qawwal is a Pakistani Sufi and Hindustani classical musician, primarily focusing on Qawwali. He belongs to the Qawwal Bachchon ka Gharana of Delhi. He is a brother of Fareed Ayaz. The duo is known as Fareed Ayaz Abu Muhammad Qawwal.
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