Quality Street | |
---|---|
Written by | J. M. Barrie |
Characters | See below |
Date premiered | November 11, 1901 |
Place premiered | Knickerbocker Theatre |
Original language | English |
Genre | Comedy |
Setting | Napoleonic times |
Quality Street is a comedy in four acts by J. M. Barrie, written before his more famous work Peter Pan . The story is about two sisters who start a school "for genteel children".
The original Broadway production opened in 1901 and ran for only 64 performances. The show was then produced in London, where it was a hit, running for 459 performances. It was frequently revived until World War II.
The play is set in Napoleonic times.
There is heightened anticipation as the local gossips of the town discuss the developing relationship between Miss Phoebe Throssel and Valentine Brown. Phoebe then confesses to her sister, Susan, that Brown intends to drop by later that day, and both are certain he means to propose. When he finally does appear, it is not to ask for Phoebe's hand in marriage but to announce his intention to join the fight in Europe against Napoleon. This leaves the girls devastated.
Ten years after the departure of Brown, we find the girls have set up a school in order to pay the rent. Phoebe has not accepted any other suitor and has allowed herself to become an "Old Maid" and school mistress. Phoebe, however, longs for her youth, and the return of Captain Brown only deepens her melancholy. "I am tired of being lady-like," she declares. With some encouragement from her maid, Patty, she creates the fictional character of Miss Livvy, a more energetic, flirtatious and naughty version of her younger self, and begins to tease Captain Brown who, captivated by her, persuades her and Susan to accompany him to the ball.
At the ball, and Phoebe is still playing the part of Miss Livvy. In this guise, she has captured the eyes of many of the young men and the scorn of ladies. However, Phoebe is now annoyed that Brown seems to prefer this unsubstantial 'young' flirt that she has created to her true personality and qualities. Her actions cause events to come to a head as her act is almost brought to light by the local gossiping girls Fanny Willoughby and Henrietta Turnbull. In a final confrontation with Captain Brown, we discover that he has found his love for Miss Phoebe and not for Miss Livvy, as he insists that "I have discovered for myself that the schoolmistress in her old maid's cap is the noblest Miss Phoebe of them all."
Miss Livvy still hangs heavy over the sisters: having been created, she is now difficult to dispose of. The local gossips watch for any sign of Miss Livvy and frequently visit the sisters' home. Brown comes to ask for Phoebe’s hand and is turned down without explanation. As a result, he becomes aware of the disguise and the sisters' plight and sets out to right all wrongs, even his own.
The play opened on October 11, 1901, at the Valentine Theatre in Toledo, Ohio, and arrived in New York to play at the Knickerbocker Theatre on November 11, 1901, produced by Charles Frohman and starring Maude Adams, but ran for only a modestly successful 64 performances. [1] It then opened at the Vaudeville Theatre in London on 17 September 1902 and ran for a very successful 459 performances, starring Ellaline Terriss, Seymour Hicks and Marion Terry, making it one of the first American productions to score a bigger triumph in London than in New York. [2]
The piece enjoyed numerous revivals and tours until World War II. [2] These included a 1913 revival at London's Duke of York's Theatre. [3] A brief revival played in 1908 at the Empire Theatre in New York, starring Adams, and other revivals followed in America, at least into the 1920s. [4]
In 2010, London's Finborough Theatre mounted the first professional production of the piece in London in over six decades. [2] [5]
In 2020, Northern Broadsides performed the play at the Viaduct Theatre in Halifax, directed by Laurie Sansom, with the addition of commentary from present-day employees at the Quality Street chocolates factory. [6] and toured to The Lowry, Salford; The Dukes, Lancaster; [7] and the Theatre Royal, Bury St Edmunds, [8] before closing due to the coronavirus pandemic. [9]
The play was adapted twice for film; the first, in 1927 starred Marion Davies, and the second, in 1937, starred Katharine Hepburn. A musical theatre adaptation, Dear Miss Phoebe , written by Christopher Hassall and Harry Parr Davies, premiered in 1950. [10]
The play was so popular that Quality Street chocolates and caramels were named after it, and the confectionery originally used characters from the play in their advertising and packaging. [11] When Hicks and Terriss moved to a new home, The Old Forge at Merstham, Surrey, their cul-de-sac was renamed "Quality Street". [12]
The Vaudeville Theatre is a West End theatre on the Strand in the City of Westminster. Opening in 1870, the theatre staged mostly vaudeville shows and musical revues in its early days. The theatre was rebuilt twice, although each new building retained elements of the previous structure. The current building dates from 1926, and the capacity is now 690 seats. Early stage mechanisms, including rare thunder drums and lightning sheets, survive in the theatre.
Merstham is a town in the borough of Reigate and Banstead in Surrey, England. It lies 17 miles south of Charing Cross just beyond the Greater London border. Part of the North Downs Way runs along the northern boundary of the town. Merstham has community associations, an early medieval church and a football club.
A Runaway Girl is an Edwardian musical comedy in two acts written in 1898 by Seymour Hicks and Harry Nicholls. The composer was Ivan Caryll, with additional music by Lionel Monckton and lyrics by Aubrey Hopwood and Harry Greenbank. It was produced by George Edwardes at the Gaiety Theatre, London, opening on 21 May 1898 and ran for a very successful 593 performances. It starred Hicks's wife, Ellaline Terriss and the comic actor Edmund Payne.
Dame Irene Boucicault DBE, née Barnes, known professionally as Irene Vanbrugh was an English actress. The daughter of a clergyman, Vanbrugh followed her elder sister Violet into the theatrical profession and sustained a career for more than 50 years.
Sir Edward Seymour Hicks, better known as Seymour Hicks, was a British actor, music hall performer, playwright, actor-manager and producer. He became known, early in his career, for writing, starring in and producing Edwardian musical comedy, often together with his famous wife, Ellaline Terriss. His most famous acting role was that of Ebenezer Scrooge in Charles Dickens's A Christmas Carol.
The Shop Girl was an Edwardian musical comedy in two acts written by Henry J. W. Dam, with lyrics by Dam and Adrian Ross and music by Ivan Caryll, and additional numbers by Lionel Monckton and Ross. It premiered at the Gaiety Theatre in London in 1894 and ran for an extremely successful 546 performances. Its cast included Seymour Hicks, George Grossmith Jr., Arthur Williams, Edmund Payne, and Ellaline Terriss. It soon played in New York and was successfully revived in London in 1920.
The Circus Girl is a Edwardian musical comedy in two acts with a book by James T. Tanner and Walter Apllant (Palings), lyrics by Harry Greenbank and Adrian Ross, music by Ivan Caryll, and additional music by Lionel Monckton.
The Catch of the Season is an Edwardian musical comedy by Seymour Hicks and Cosmo Hamilton, with music by Herbert Haines and Evelyn Baker and lyrics by Charles H. Taylor, based on the fairy tale Cinderella. A debutante is engaged to a young aristocrat but loves a page.
Mary Ellaline Terriss, Lady Hicks, known professionally as Ellaline Terriss, was a popular British actress and singer, best known for her performances in Edwardian musical comedies. She met and married the actor-producer Seymour Hicks in 1893, and the two collaborated on many projects for the stage and screen.
Quality Street is a 1937 American historical comedy film made by RKO Radio Pictures. It was directed by George Stevens and produced by Pandro S. Berman. Set in 19th-century England, the film stars Katharine Hepburn and Franchot Tone. Joan Fontaine makes one of her early (uncredited) film appearances. The screenplay was by Allan Scott, Mortimer Offner, and Jack Townley, based on the 1901 play Quality Street by J. M. Barrie.
The Beauty of Bath is a musical comedy with a book by Seymour Hicks and Cosmo Hamilton, lyrics by C. H. Taylor and music by Herbert Haines; additional songs were provided by Jerome Kern, F. Clifford Harris (lyrics) and P. G. Wodehouse (lyrics). Based loosely on the play David Garrick, the story concerns a young woman from a noble family, who falls in love with an actor. She then meets a sailor who appears identical to the actor and mistakes him for the latter. Her father objects to a marriage with the actor, but when it turns out that she really loves the sailor, all objections fall away.
Quality Street is a 1927 American silent romance film directed by Sidney Franklin and starring Marion Davies, Conrad Nagel and Helen Jerome Eddy. Produced by Cosmopolitan Productions for release through MGM, it was based on the 1901 play of the same name by James M. Barrie. Prints of this film are preserved at the Library of Congress and in the Turner Archive.
Phyllis Dare was an English actress and singer famous for her performances in Edwardian musical comedy and other musical theatre in the first half of the 20th century.
Zena Dare was an English actress and singer who was famous for her performances in Edwardian musical comedy and other musical theatre and comedic plays in the first half of the 20th century.
Ellen Sophia Taylor, known professionally as Sybil Grey, was a British singer and actress during the Victorian era best known for creating a series of minor roles in productions by the D'Oyly Carte Opera Company, including roles in several of the famous Gilbert and Sullivan operas, from 1880 to 1888. Afterwards, she went on to a long West End theatre career, appearing in both musical theatre and plays.
Bluebell in Fairyland is a Christmas-season children's entertainment described as "a musical dream play", in two acts, with a book by Seymour Hicks, lyrics by Aubrey Hopwood and Charles H. Taylor, and music by Walter Slaughter. It was produced by Charles Frohman. The creators sought to distinguish the work from a Christmas pantomime. The story concerns a flower girl, Bluebell, who on Christmas Eve goes to fairyland in search of the "Sleeping King", seeking to restore him to his throne, which has been usurped by the "Reigning King".
The Gay Gordons is a 1907 Edwardian musical comedy with a book by Seymour Hicks, music by Guy Jones and lyrics by Arthur Wimperis, C. H. Bovill, Henry Hamilton and P. G. Wodehouse, who wrote the lyrics to "Now That My Ship's Come Home" and "You, You, You". The title refers to both the Clan Gordon and the famed Scottish regiment the Gordon Highlanders as the plot involves the heir to the clan and a soldier from the regiment.
The Cherry Girl was an Edwardian musical comedy in two acts based on a book by Seymour Hicks with lyrics by Aubrey Hopwood and music by Ivan Caryll. It opened at the Vaudeville Theatre in London's West End on 21 December 1903. The original cast included Hicks, Constance Hyem, Courtice Pounds and Hicks's wife, Ellaline Terriss. From August 1904, the play went on tour to the Theatre Royal in Glasgow and other British provincial theatres. The play was described as a "children's fairy play", and its story involves a prize to be given by a Fairy Queen for the creation of a statue.
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Aubrey Hopwood was a British lyricist of Edwardian musical comedy and a novelist and author of nonsense books for children. He co-wrote the lyrics for the musicals Alice in Wonderland (1886), A Runaway Girl (1898) and The Lucky Star (1899), among others.