Related Research Articles
Thelma Golden is an American art curator, who is the Director and Chief Curator of The Studio Museum in Harlem, New York City, United States. She is noted as one of the originators of the term post-blackness. From 2017 to 2020, ArtReview chose her annually as one of the 10 most influential people in the contemporary art world.
Shamim M. Momin is an American art director and curator of contemporary art.
Eric Wesley is an American artist. Wesley was born in Los Angeles, California, where he continues to live and work. He has held solo exhibitions in galleries internationally as well as at the Museum of Contemporary Art, Los Angeles and Foundation Morra Greco, Naples, Italy.
Mary Miss is an American artist and designer. Her work has crossed boundaries between architecture, landscape architecture, engineering and urban design. Her installations are collaborative in nature: she has worked with scientists, historians, designers, and public administrators. She is primarily interested in how to engage the public in decoding their surrounding environment.
Xaviera Simmons is an American contemporary artist. She works in photography, performance, painting, video, sound art, sculpture, and installation. Between 2019 and 2020, Simmons was a visiting professor and lecturer at Harvard University. Simmons was a Harvard University Solomon Fellow from 2019 to 2020. Simmons has stated in her lectures and writings that she is a descendant of Black American enslaved persons, European colonizers and Indigenous persons through the institution of chattel slavery on both sides of her family's lineage.
Freestyle was a contemporary art exhibition at The Studio Museum in Harlem from April 28-June 24, 2001 curated by Thelma Golden with the support of curatorial assistant Christine Y. Kim. Golden curated the works of 28 emerging black artists for the exhibition, characterizing the work as 'Post-Black'. The latter is a term she generated along with artist Glenn Ligon as a genre of art "that had ideological and chronological dimensions and repercussions. It was characterized by artists who were adamant about not being labeled as 'black' artists, though their work was steeped, in fact deeply interested, in redefining complex notions of blackness." Freestyle was her first major project at The Studio Museum in Harlem and the first of an ongoing series of 'F' themed exhibitions including Frequency, Flow and Fore. The most recent iteration of the series was 2017's Fictions.
Christine Y. Kim is an American curator of contemporary art. She is currently the Britton Family Curator-at-Large at Tate. Prior to this post, Kim held the position of Curator of Contemporary Art at the Los Angeles County Museum of Art (LACMA). Before her appointment at LACMA in 2009, she was Associate Curator at The Studio Museum in Harlem in New York. She is best known for her exhibitions of and publications on artists of color, diasporic and marginalized discourses, and 21st-century technology and artistic practices.
John Zurier is an American abstract painter, known for his minimal, near-monochrome paintings. His work has shown across the United States as well as in Europe and Japan. He has worked in Reykjavik, Iceland and Berkeley, California. Zurier lives in Berkeley, California.
Elia Alba (1962) was born in Brooklyn, New York. She is a multidisciplinary artist who lives and works in Queens, New York. Alba's ongoing project The Supper Club depicts contemporary artists of color in portraits, and presents dinners where a diverse array of artists, curators, historians and collectors address topics related to people of color and to women.
Alexandra Bell is an American multidisciplinary artist. She is best known for her series Counternarratives, large scale paste-ups of New York Times articles edited to challenge the presumption of "objectivity" in news media. Using marginalia, annotation, redaction, and revisions to layout and images, Bell exposes racial and gender biases embedded in print news media.
Rujeko Hockley is a New York–based US curator. Hockley is currently the Arnhold Associate Curator at the Whitney Museum of American Art at the Whitney Museum of American Art.
Mia Locks is a contemporary art curator and museum leader.
Troy Montes-Michie is an American interdisciplinary painter and collage artist.
Walter Price is an American painter based in New York City. He is represented by Greene Naftali, David Zwirner, and The Modern Institute.
Marlon Mullen is a painter who lives and works in Contra Costa County, California, maintaining a studio practice at NIAD Art Center.
Carissa Rodriguez is an American artist who lives and works in New York City.
The Frequency Exhibition was a contemporary exhibition at the Studio Museum in Harlem from November 9, 2005 - March 12, 2006. Curated by Thelma Golden and associate curator Christine Y. Kim, the exhibition featured the works of 35 emerging Black artists. Frequency, following the 2001 exhibition "Freestyle," is one of five "F" themed exhibitions alongside Flow, Fore, and Fictions. While curators Golden and Kim point out that Frequency was not "Freestyle II," the organization of artists under the umbrella of Black identity engages with "Post-Black" art similarly to the Freestyle exhibition.
Kojo Griffin, is an American visual artist. He has had solo exhibitions in the US, including Two with the New York gallery Mitchell-Innes & Nash.
Rico Gatson is a multidisciplinary artist working in Brooklyn, New York, whose work draws from his African-American background. Through his art, he provides social commentary on significant moments in African-American history. His work combines abstract patterns with vibrant colors, which creates confrontational work that references African American culture and history.
Stanley Whitney is an American artist who primarily works in abstract painting and printmaking.
References
- ↑ "Artist Rashawn Griffin explores race and identity in Nerman Museum show". The Kansas City Star (audio). February 18, 2012.
- ↑ "Rashawn Griffin: we no longer recognize the backs of our hands". The Momentary. 2021.
- 1 2 3 Huldisch, Henriette; Momin, Shamim; Solnit, Rebecca; Art, Whitney Museum of American (2008). Whitney Biennial 2008. Yale University Press. p. 140. ISBN 978-0-300-13689-0.
- 1 2 3 "Rashawn Griffin, a hole-in-the-wall country". Nerman Museum of Contemporary Art . Johnson County Community College. 2012. Retrieved 2024-11-10.
- ↑ Thorson, Alice (2012-03-28). "Rashawn Griffin". ARTnews.com . Retrieved 2024-11-10.
- ↑ Marius, Marley (2018-11-23). "A Guide to Kansas City, Missouri: Its History, Its Culture, and Why It's Worth a Closer Look". Vogue . Retrieved 2024-11-10.
- 1 2 "Rashawn Griffin". Studio Museum in Harlem. Retrieved 2024-11-10.
- ↑ "Rashawn Griffin". MacDowell Fellow in Visual Arts. Retrieved 2024-11-10.
- ↑ "Rashawn Griffin". Joan Mitchell Foundation. 2017-02-15. Retrieved 2024-11-10.
- 1 2 "Minimal Baroque: Post-Minimalism and Contemporary Art". e-flux . March 28, 2014. Retrieved 2024-11-10.
- 1 2 Fisher, Cora (2014-06-14). "Beyond Internationalism? Minimal Baroque, Post-Minimalism, and Contemporary Art". Hyperallergic . Retrieved 2024-11-10.
- 1 2 3 4 5 6 7 8 9 "Griffin, Rashawn. (b. Los Angeles, CA, 1980; active New York, NY, 2014)". African American Visual Artists Database (AAVAD). Archived from the original on March 21, 2021.
