Sanford Biggers | |
---|---|
Born | |
Known for | Film, video, sculpture, music |
Sanford Biggers is an American interdisciplinary artist who works in film and video, installation, sculpture, music, and performance. [1] A Los Angeles native, he has lived and worked in New York City since 1999. [2]
Biggers was born in Los Angeles, California. [3] He is the son of a neurosurgeon, his father, and of a teacher, his mother. [4] He received a BA from Morehouse College in Atlanta, Georgia, an MFA from the School of the Art Institute of Chicago, Illinois and attended Skowhegan School of Painting and Sculpture in 1998. [3] Biggers says that due to a lack of art major classes at Morehouse, he was required to take the majority of his classes at the all-women Spelman College. [5]
Biggers first received critical attention when his collaborative work with David Ellis, Mandala of the B-Bodhisattva II, was included in the exhibition "Freestyle", curated by Thelma Golden at the Studio Museum in Harlem in 2001. [6] [7] [8] Since, his works have been presented internationally including the Tate Modern in London, the Renaissance Society in Chicago, [9] Prospect 1 in New Orleans and the Whitney Biennial, the Kitchen and Performa 07 (curated by Roselee Goldberg) in New York. [1] [8] [10] Biggers's art frequently references African-American ethnography, hip hop music, Buddhism, African spirituality, Indo-European Vodoun, jazz, Afrofuturism, urban culture and icons from Americana. [11] [12] [13] [14] He has said that he places "no hierarchy on chronology, references or media" [15] and his work has been characterized by meditation and improvisation. [14] He says his themes are "meant to broaden and complicate our read on American history." He also uses syncretism to highlight the interconnectedness of seemly disparate cultural practices. [11] [12] In order to make the viewer an active element, Biggers often turns his sculptures into performances. [15] Having spent most of his life playing piano, this performative element frequently takes the form of music. [13] He has collaborated on music projects with Saul Williams a.k.a. Niggy Tardust, Esthero, Martin Luther McCoy, Imani Uzuri, Rich Medina, [15] and Jahi Sundance. [13]
In 2014, Biggers departed from his typical medium by painting on quilts that were given to him by the descendants of slave owners. [16]
Biggers is Affiliate Faculty at the Virginia Commonwealth University Sculpture and Expanded Media program, and was a visiting scholar at Harvard University's VES Department in 2009. [17] [18] He was previously an assistant professor at Columbia University's Visual Arts program. [19]
In 2019, Biggers was inducted into the New York Foundation for the Arts Hall of Fame. [20] In 2010, Biggers was awarded the Greenfield Prize at the Hermitage Artist Retreat, a two-year residency and commission of new work. [21] The commission formed the centerpiece of Sanford Biggers: Codex, a 2012 solo exhibition at the Ringling Museum [22] curated by Matthew McLendon.
In 2009 he received the William H. Johnson Prize [23] and was one of the three finalists for the inaugural Jack Wolgin International Competition in the Fine Arts, the largest juried prize in the world to go to an individual visual artist. Biggers in 2008 received the Creative Capital Award in the discipline of Visual Arts. [24] Biggers was an Eyebeam artist-in-residence in 2000. [25] [26]
In 2018 Biggers was interviewed by Vinson Cunningham, a writer for the New Yorker magazine, about his impact on contemporary political art and his role in the Black Lives Matter movement. [27] Also in 2018 Biggers was given an art award by the American Academy of Arts and Letters. [28]
In 2021, Biggers received the 26th Annual Heinz Award for the Arts. [29]
Source unless otherwise noted: [30]
"Sanford Biggers" - Contemporary Art Museum St. Louis, St. Louis, Missouri. September 7 - December 30, 2018
Biggers' work is held in the following permanent collections:
Trenton Doyle Hancock is an American artist working with prints, drawings, and collaged-felt paintings. Through his work, Hancock mainly aims to tell the story of the Mounds, mystical creatures that are part of the artist's world. In this sense, each new artwork is the artist's contribution to the development of Mounds.
The Carnegie Museum of Art is an art museum in the Oakland neighborhood of Pittsburgh, Pennsylvania. The museum was originally known as the Department of Fine Arts, Carnegie Institute and was formerly located at what is now the Main Branch of the Carnegie Library of Pittsburgh. The museum's first gallery was opened for public use on November 5, 1895. Over the years, the gallery vastly increased in size, with a new building on Forbes Avenue built in 1907. In 1963, the name was officially changed to Museum of Art, Carnegie Institute. The size of the gallery has tripled over time, and it was officially renamed in 1986 to "Carnegie Museum of Art" to indicate it clearly as one of the four Carnegie Museums.
Stephanie Syjuco, is a Filipino-born American conceptual artist and educator. She works in photography, sculpture, and installation art. Born in the Philippines, she moved to the San Francisco Bay Area in 1977. She lives in Oakland, California, and teaches art at the University of California, Berkeley.
SculptureCenter is a not-for-profit, contemporary art museum located in Long Island City, Queens, New York City. It was founded in 1928 as "The Clay Club" by Dorothea Denslow. In 2013, SculptureCentre attracted around 13,000 visitors.
Diana al-Hadid is a Syrian-born American contemporary artist who creates sculptures, installations, and drawings using various media. She lives and works in Brooklyn, New York. She is represented by Kasmin Gallery.
Sonya Clark is an American artist of Afro-Caribbean heritage. Clark is a fiber artist known for using a variety of materials including human hair and combs to address race, culture, class, and history. Her beaded headdress assemblages and braided wig series of the late 1990s, which received critical acclaim, evoked African traditions of personal adornment and moved these common forms into the realm of personal and political expression. Although African art and her Caribbean background are important influences, Clark also builds on practices of assemblage and accumulation used by artists such as Betye Saar and David Hammons.
Terry Roger Adkins was an American artist. He was Professor of Fine Arts in the School of Design at the University of Pennsylvania.
Sarah Cook is a Canadian scholar based in Scotland. She is known as a historian and curator in the field of New Media art. Cook was a Research Fellow at the University of Sunderland, where she worked with the research institute CRUMB – Curatorial Resource for Upstart Media Bliss, that she co-founded with Beryl Graham in 2000, and taught on the MA Curating course. In 2013, she was appointed as a Reader and Dundee Research Fellow at Duncan of Jordanstone College of Art, University of Dundee. As part of her role as Dundee Fellow, she founded and curated LifeSpace Science Art Research Gallery in the School of Life Sciences, University of Dundee (2014–2018). She is a trustee of folly in Lancaster.
Karen LaMonte is an American artist known for her life-size sculptures in ceramic, bronze, marble, and cast glass.
Adrianne Wortzel is an American contemporary artist who uses robotics and interaction between humans and machines in her installations and performances. She has also created many online works.
Maren Hassinger is an African-American artist and educator whose career spans four decades. Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials. She incorporates everyday materials in her art, like wire rope, plastic bags, branches, dirt, newspaper, garbage, leaves, and cardboard boxes. Hassinger has stated that her work “focuses on elements, or even problems—social and environmental—that we all share, and in which we all have a stake…. I want it to be a humane and humanistic statement about our future together.”
Julia Christensen is a multidisciplinary artist and writer based in Oberlin, Ohio. She is Associate Professor of Integrated Media and Chair of the Studio Art Department at Oberlin College.
Shinique Smith is an American visual artist, known for her colorful installation art and paintings that incorporate found textiles and collage materials. She is based in Los Angeles, California.
Aki Sasamoto is a New York-based artist working in performance and installation. Sasamoto has collaborated with visual artists, musicians, choreographers, dancers, mathematicians and scholars, and is co-founder of the nonprofit interdisciplinary arts organization Culture Push. She was appointed as Assistant Professor in Sculpture at the Yale School of Art in July 2018.
Matthew McLendon is an American museum director, art historian, and curator of modern and contemporary art. McLendon serves as Director and CEO of the McNay Art Museum in San Antonio, Texas.
Joseph H. Seipel was an American sculptor and conceptual artist who was formerly the Dean of the VCU School of the Arts. He was a member of the VCU faculty for over 40 years. As Dean of VCU arts, he also had oversight of the VCU School of the Arts branch in Doha, Qatar. He administered VCU exchange programs with art and design schools in Finland, India, Israel and Korea. He retired in 2016. He died on June 12, 2024.
Torkwase Dyson is an interdisciplinary artist based in Beacon, New York, United States. Dyson describes the themes of her work as "architecture, infrastructure, environmental justice, and abstract drawing." Her work is informed by her own theory of Black Compositional Thought. This working term considers how spatial networks—paths, throughways, water, architecture, and geographies—are composed by Black bodies as a means of exploring potential networks for Black liberation. She is represented by Pace Gallery and Richard Gray Gallery.
Lester Gordon Van Winkle is an American sculptor living in Virginia.
Caitlin Cherry is an African-American painter, sculptor, and educator.
Guadalupe Maravilla, formerly known as Irvin Morazan, is a transdisciplinary visual artist, choreographer, and healer. At the age of eight, Maravilla was part of the first wave of unaccompanied, undocumented children to arrive at the United States border in the 1980s as a result of the Salvadoran Civil War. In 2016, Maravilla became a U.S. citizen and adopted the name Guadalupe Maravilla in solidarity with his undocumented father, who uses Maravilla as his last name. As an acknowledgment to his past, Maravilla grounds his practice in the historical and contemporary contexts belonging to undocumented communities and the cancer community. Maravilla's studio is located in Brooklyn, New York.