Recording head

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A recording head is the physical interface between a recording apparatus and a moving recording medium. Recording heads are generally classified according to the physical principle that allows them to impress their data upon their medium. A recording head is often mechanically paired with a playback head, which, though proximal to, is often discrete from the record head.

Contents

Types

The two most common forms of recording head are:

Note that Magneto-optical recording, though using optics and heat, should properly be considered a magnetic process, since the data stored on magneto-optical media is stored magnetically.

Earlier systems, such as phonograph records, used mechanical heads known as styli to physically cut grooves in the recording medium, in a configuration (of size, width, depth and position) recoverable as sound.

See also


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Ampex American company that pioneered the use of videotape

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Helical scan is a method of recording high-frequency signals on magnetic tape. It is used in open-reel video tape recorders, video cassette recorders, digital audio tape recorders, and some computer tape drives.

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Tape head

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Type C videotape Broadcast magnetic tape-based videotape format

1–inch Type C is a professional reel-to-reel analog recording helical scan videotape format co-developed and introduced by Ampex and Sony in 1976. It became the replacement in the professional video and broadcast television industries for the then-incumbent 2–inch quadruplex videotape open-reel format. Additionally, it replaced the unsuccessful type A format, also invented by Ampex, and, primarily in mainland Europe, it supplemented the type B format, invented by the Fernseh division of Bosch, but it was replaced by type C format also there.

D-2 (video) videocassette format

D-2 is a professional digital videocassette format created by Ampex and introduced in 1988 at the NAB Show as a composite video alternative to the component video D-1 format. It garnered Ampex a technical Emmy in 1989. Like D-1, D-2 stores uncompressed digital video on a tape cassette; however, it stores a composite video signal, rather than component video as with D-1. While component video is superior for advanced editing, especially when chroma key effects are used, composite video was more compatible with most analog facilities existing at the time.

Type A videotape Broadcast magnetic tape-based videotape format

1-inch type A is a reel-to-reel helical scan analog recording videotape format developed by Ampex in 1965, that was one of the first standardized reel-to-reel magnetic tape formats in the 1–inch (25 mm) width; most others of that size at that time were proprietary. It was capable of 350 lines.

Type B videotape Broadcast magnetic tape-based videotape format used in Europe

1–inch type B VTR is a reel-to-reel analog recording video tape format developed by the Bosch Fernseh division of Bosch in Germany in 1976. The magnetic tape format became the broadcasting standard in continental Europe, but adoption was limited in the United States and United Kingdom, where the Type C videotape VTR met with greater success.

Quadruplex videotape First practical and commercially successful analog recording video tape format

2-inch quadruplex videotape was the first practical and commercially successful analog recording video tape format. It was developed and released for the broadcast television industry in 1956 by Ampex, an American company based in Redwood City, California. The first videotape recorder using this format was built in the same year. This format revolutionized broadcast television operations and television production, since the only recording medium available to the TV industry before then was film used for kinescopes, which was much more costly to utilize, could only be used once, images could be ruined by light leaks if the film was not developed and took time to develop at a film laboratory. In addition, kinescope images were usually of obviously inferior quality to the live television broadcast images they recorded, whereas quadruplex videotape preserved almost all the image detail of a live broadcast.

D6 HDTV VTR Magnetic tape-based videocassette format

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IVC videotape format

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VK is a helical scan analog recording videocassette format developed by Akai in the late 1970s, that is capable of recording and playing back black & white video in either EIA and CCIR.

Videocassette recorder Device designed to record and playback content stored on videocassettes, most commonly VHS

A videocassette recorder (VCR) or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other source on a removable, magnetic tape videocassette, and can play back the recording. Use of a VCR to record a television program to play back at a more convenient time is commonly referred to as timeshifting. VCRs can also play back prerecorded tapes. In the 1980s and 1990s, prerecorded videotapes were widely available for purchase and rental, and blank tapes were sold to make recordings.

From 1963 to 1970, Ampex manufactured several models of VTR 2-inch helical VTRs, capable of recording and playing back analog black and white video. Recording employed non-segmented helical scanning, with one wrap of the tape around the video head drum being a little more than 180 degrees, using two video heads. One video drum rotation time was two fields of video. The units had two audio tracks recorded on the top edge of the tape, with a control track recorded on the tape's bottom edge. The 2-inch-wide video tape used was one mil thick. The VTRs were mostly used by industrial companies, educational institutions, and a few for in-flight entertainment.