| Red Hot & Blue | |
|---|---|
| | |
| Studio album by | |
| Released | 1990 |
| Recorded | 1989 |
| Studio | Treasure Isle |
| Genre | R&B, blues |
| Label | Curb |
Red Hot & Blue is an album released in 1990 by Lee Atwater, a Republican political consultant in the United States. [1] [2] Atwater wanted to bring to a wider audience the sounds of 1960s Stax Records and southern R&B and blues. [3] "Bad Boy" was released as a single. [4] The title track was nominated for a Grammy Award. [5]
Atwater donated his portion of the album royalties to charity. [3] He was hospitalized for treatment for his brain tumor at the time of Red Hot & Blue's release. [6]
The album was recorded in 1989 at Treasure Isle Recorders in Nashville, with Atwater flying in for weekend sessions. [7] [8] Isaac Hayes produced six of its songs; he praised Atwater's guitar playing. [6] [9] The album features over a dozen rhythm and blues performers, including Hayes, Chuck Jackson, Carla Thomas, B.B. King, Sam Moore, the Memphis Horns, and Billy Preston. [10] Atwater chose the performers and the songs; he asked Mike Curb to release the album on his label. [11] [12] Lee Greenwood played saxophone on Red Hot & Blue. [13]
Atwater forced a Washington, D.C., YMCA to play work-in-progress cuts over its sound system while he exercised. [14] Atwater reported that the highlight of the album was the chance to play with his idol, B.B. King. [15] "Just a Little Bit/Treat Her Right" is a duet between Atwater and Arletta Nightingale. [16]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Robert Christgau | |
| Los Angeles Times | |
Due to his politics, Atwater expected the album to receive negative reviews. [8] The Los Angeles Times concluded that Atwater's "not any better than a singer in an average bar band, but he is more convincing than such other celebrity pop figures as, say, the Blues Brothers and Bruce Willis." [19] USA Today opined that, "even able assists from B.B. King and Isaac Hayes can't mask the utter amateurism of Atwater's soulless chirping and clumsy guitar picking." [20] The Buffalo News wrote that, "as novelties like these go, it's a decent party album." [21]
The Austin American-Statesman determined that "it's a harmless, if less than exciting, album that uses a star-studded cast of Memphis greats to recreate a sort of soulful frat party rock based in the Stax sound." [22] Spin deemed the album "quality nostalgia, appealing to the sort of sensibility that only appreciates black culture at a suitable historical distance... Call it the Paul Shaffer syndrome." [23] The Baltimore Sun considered Atwater's guitar solos to be "stiff and unswinging." [24]
AllMusic wrote that "guitarist/vocalist and arch Republican Lee Atwater, along with a star-studded list of soul artists, ignite on 13 blue chip live performances of great R&B songs." [17] Mother Jones stated: "In his horn-laced, slick-voiced rendition of 'Bad Boy', the late Republican icon got to live out his down-home musical fantasies in stereo LP format." [25]